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His journey stands in contrast to the experiences of his parents and grandparents, who were raised during an era when such practices were far less accepted, and Māori culture itself faced suppression in schools rather than celebration.
Hira Hona recalls how he and his wife, Kiri, accelerated their path after receiving encouragement from the late Māori King, Tuheitia Pootatau Te Wherowhero VII.
Hona shares that he and Kiri dedicated three years to having “hard conversations” about their readiness to embrace facial tattoos, a deeply revered tradition among the Māori. When they finally underwent the ceremony, it felt akin to “another marriage.”
Tā moko, the traditional Māori tattoos, have become more prominent since the late 1980s, coinciding with a resurgence of Māori cultural expressions and language following a long history of cultural suppression due to colonization.
A sacred art suppressed
“Sometimes if a warrior outdid themselves, then they would be gifted a moko when they came back to the pā (village), on their buttocks and on their thighs.
It was just seen as normal, as part of just who you were.
“Our culture changed more rapidly to try and mediate increasing encroachment into our sovereignty.”
Hona says he was fortunate enough to be a part of a generation that grew up in Māori-based schools, bringing about today’s “new age”. Source: Supplied / Kiingitanga
In 1907, the Tohunga Suppression Act targeted Māori spiritual, healing and cultural experts, further marginalising traditional knowledge and practices such as tā moko.
The results were dramatic: according to government data, in 1913, more than 90 per cent of Māori schoolchildren could speak the language. By 1975, that figure had plunged to less than 5 per cent.
Reclaiming culture
In her maiden speech to parliament last month, Te Pāti Māori (Māori Party) MP Oriini Kaipara said Māori language and arts had only survived “because we fought for it, Māori and non-Māori alike”.
Before entering politics, Oriini Kaipara was a journalist. She was the first person with a moko kauae to anchor primetime news. Source: Getty / Mark Mitchell/The New Zealand Herald
In Australia, Victoria Police announced last month that it had updated its tattoo policy to allow a Māori constable to receive a moko kauae – making her the first officer in the state to do so. (The first member of Queensland Police to wear a moko kauae was permitted in 2021.)
In New Zealand, acceptance isn’t universal either. In June, the country’s foreign minister, Winston Peters, himself Māori, was criticised for referring to a Māori MP’s mataora as “scribbles on his face”, a comment many saw as emblematic of the prejudice that tā moko wearers still encounter.
A generational shift after ‘a lot of pain’
The data also suggested a generational divide: younger Māori are far more likely to have one than those aged 55 or over.
Source: SBS News
Julie Paama-Pengelly has been a tā moko artist for around 35 years and has witnessed the revival of the art form firsthand.
“I guess it made them quite fearful of being oppressed because of it.”
Artist Julie Paama-Pengelly received her moko kauae in Tahiti, which is regarded as an ancestral homeland for Māori. Source: Supplied
But she says now, there’s “a huge movement” among those under 30, despite older generations remaining “more hesitant”.
The 61-year-old says that’s mostly due to her own age, but explained that many older Māori decide to receive moko after reckoning with long-held beliefs about perception and worthiness.
Who can receive a tā moko, and when?
Paama-Pengelly was in her mid-50s when she decided to receive her own moko kauae from an artist who shared her genealogy. A lot of thought went into her decision, including whether her elders should have received one first.
Paama-Pengelly applied moko kauae for Jeanette Rata and her Aunty Kahu in 2018. Source: Supplied / Angie-Pepper O’Bomsawin
Hona, who received his facial moko at 29, spent several years discussing what it means to wear a mataora and the responsibility that comes with it.
“Look, we’re at a time now where we need to bring our art form back,” Hona says, looking back on their conversation.
We are Māori. It’s our right. And in order for us to revitalise that, we need to start wearing it.
Some artists consider tattooing non-Māori people, but it often depends on the recipient’s intentions and understanding. Paama-Pengelly says she would not perform a facial moko for someone who is not Māori.
‘Unashamedly Māori’
In the two years since, Luxon’s government has sought to reshape various policies that affect Māori, reopening old wounds for many in the community.
Māori Party co-leader Debbie Ngarewa-Packer said in 2023 that, in a matter of months, the new government had taken “us into a decline like we’ve never seen in race relations, certainly not since the earliest stages of colonisation”.
Debbie Ngarewa-Packer, left, and Rawiri Waititi are co-leaders of the Māori Party. Source: Getty / Mark Mitchell/The New Zealand Herald
Against that backdrop, the pride and symbolism represented by tā moko have become even more potent for some Māori today.