Renowned screenwriter Paul Schrader, celebrated for his iconic works like “Taxi Driver” and “Raging Bull,” surprised many of his fans recently by expressing his apparent endorsement of artificial intelligence. This unexpected stance came as a shock to many familiar with his traditional, human-centered approach to storytelling.

In a series of posts last week, the Oscar nominee marveled at AI and ChatGPT’s capabilities when it came to his profession.

“I’ve just come to realize AI is smarter than I am. Has better ideas, has more efficient ways to execute them,” he wrote on Facebook Jan 16. 

Comparing the significance of the moment to Garry Kasparov’s realization in 1997 that he was about to be defeated by the IBM supercomputer Deep Blue in a game of chess, Schrader delved into the profound implications of this evolutionary leap in creativity.

Later that same day, Schrader shared another post, saying, “I just sent ChatGPT a script I’d written some years ago and asked for improvements.

In five seconds it responded with notes as good or better than I’ve ever received from a film executive.”

On Jan 17, Schrader declared he was “stunned” by ChatGPT’s capabilities. 

He wrote, “I just asked ChatGPT for ‘an idea for Paul Schrader film.’”

Listing a slew of illustrious filmmakers, from Bergman to Lynch, Schrader described his encounters with the AI model ChatGPT as revelatory. In mere seconds, the program generated a series of original and coherent ideas that intrigued him, fostering a newfound appreciation for the potential of artificial intelligence in the creative process.

“Why should writers sit around for months searching for a good idea when AI can provide one in seconds?”

The last post, as well as the others, generated a lot of discussion in the comments, with many surprised that a veteran screenwriter and director would express such interest in the technology.

“It’s not that great, Paul. I get the first impression, I did the same thing. But read a few paragraphs and you’ll see— it is an empty vessel.

“Zero emotional content (which in art, is kind of important),” one person wrote.

“I doubt AI could ever write a line as enduring and resonate as ‘Someday a real rain will come and wash all the scum off the streets,’” another said, referring to Schrader’s “Taxi Driver” screenplay.

One person called out AI models’ need to train on existing materials, writing, “In order for this to even happen, there first has to BE a Paul Schrader, a Paul Thomas Anderson, a Quentin Tarantino, etc.

ChatGPT can’t give you prompts if these writers didn’t put their work out there first.

This way of thinking stunts future writers from having voices themselves/doing the work to find their voice. Sure, this can give us somewhat compelling versions of these works, but we won’t get any new voices to emerge because AI won’t even know them.”

Several people also joked that Schrader’s page had been hacked, given how many posts he shared about AI, with some asking “did AI write this?”

Schrader also praised the 2013 film “Her,” starring Joaquin Phoenix as a man who falls for an AI operating system, voiced by Scarlett Johansson.

“It’s even more relevant, prescient and deeply creepy than it was ten years ago. This film grows in stature. I liked it then, I love it now. There’s only one like it,” he said of the film.

The “American Gigolo” writer and director’s career has shown no signs of slowing.

He released the drama “Oh, Canada,” starring Richard Gere and Jacob Elordi last year, and has a film noir about “sexual obsession,” titled “Non Compos Mentis,” per Variety.