THE ESSEX FILES: Why Bad Bunny's ICE Antics Make Him a Poor Fit for America's Game
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The Super Bowl halftime show has long been more than a pause in the game. It often reflects the cultural mood of the moment, drawing millions into a shared display of entertainment and symbolism. The NFL’s choice of Bad Bunny for Super Bowl LX in 2026 at Levi’s Stadium is no exception. His reggaeton style will no doubt energize the event, but it also renews discussion about performers whose public statements extend beyond music—particularly when those statements involve pointed disdain for Immigration and Customs Enforcement.

Bad Bunny’s talent and reach are undeniable. He fills arenas worldwide, has multiple Grammy Awards, and helped bring Puerto Rican rhythms to global pop culture. His ventures into professional wrestling only add to his broad appeal. Still, prominence alone doesn’t guarantee a smooth reception at an event with the visibility of the Super Bowl. His recent remarks about ICE have drawn renewed attention. In a recent i-D magazine interview, Bad Bunny said he had avoided some U.S. tour dates out of concern that ICE agents might target his shows—framing it as a precaution against possible government overreach.

Go back to June, and there’s video evidence of the singer filming what he identified as ICE vehicles during operations in Carolina, Puerto Rico. His on-camera reaction was unfiltered: “Those motherf—–s are in these cars… Sons of b——, instead of leaving the people alone and working there.”

Such language may pass in a personal rant, but it crosses into territory that politicizes law enforcement in ways the Super Bowl, of all events, should sidestep. The fan response has been swift and telling. Social media erupted with complaints that the selection alienates core NFL viewers—everyday Americans who view ICE not as antagonists but as essential guardians against unchecked migration.

Posts range from boycott calls to satirical jabs, with one viral thread questioning why the league would amplify voices that undermine border integrity just as the event sells out ad slots.

No poll is needed to gauge the divide; it’s evident in the grumbles from sports bars to online forums. This is not a mere cultural clash. It’s a reminder that the Super Bowl thrives on broad appeal, not niche provocations.

Critics might frame this as a matter of free speech. Fair enough—Bad Bunny can voice his grievances from festival stages or streaming sets without issue. But the NFL operates in a different league. Its broadcasts weave in military honors, national anthems, and tributes that evoke unity under one flag. Past controversies, from kneeling protests to wardrobe malfunctions, taught that halftime risks becoming a lightning rod.


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