Cartoonist Gary Larson, renowned for his single-panel comic series The Far Side, famously created a controversy involving primatologist Jane Goodall. In 1987, Larson published a comic that featured chimpanzees and made a nod to Goodall, prompting her institute to threaten legal action.

In an unexpected turn of events, Goodall herself stepped in and embraced the cartoon, leading to a lasting friendship between her and Larson. This episode remains a significant example of the intersection between popular culture and scientific admiration.

The Incident Behind Gary Larson and Jane Goodall

In August 1987, Gary Larson released a Far Side cartoon depicting a female chimpanzee picking blonde hairs off a male chimpanzee. The female chimp comments, “Well, well, another blonde hair… conducting a little more ‘research’ with that Jane Goodall tramp?” This resulted in backlash from the Jane Goodall Institute, which issued a cease-and-desist letter threatening legal action.

Despite the institute’s anger, Larson expressed his respect for Goodall. He was more upset about any hurt feelings than he was about the lawsuit. The cartoon aimed for humor and was not meant to defame.

Jane Goodall’s Surprising Response to the Cartoon

Despite the institute’s initial outrage, Jane Goodall returned from her research in Africa, saw the cartoon, and actually loved it. She told her institute to drop the legal threats. This gesture of goodwill led to a friendship between Larson and Goodall.

Larson later licensed the cartoon for merchandise to raise funds for her institute. Goodall even wrote a preface for one of The Far Side’s collected editions, showing mutual respect despite the comic’s cheeky tone.

The Far Side and its History of Bold Humor

The Far Side was famous for its quirky, sometimes controversial humor focused on animals and social oddities. The cartoon about Jane Goodall was one of several instances where Larson pushed boundaries without meaning to harm.

Earlier, a comic titled “Cow Tools” confused readers, illustrating the unique and often misunderstood nature of Larson’s work. The strip ended in 1995 but remains influential, with Larson occasionally releasing new strips online.