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Chappell Roan and Paris Jackson brought their unique flair to the Vivienne Westwood show during Paris Fashion Week on Saturday, capturing attention with their striking appearances.
Chappell, the 28-year-old singer known for her bold style choices, sported a dress that appeared conventional from the front but made a dramatic statement with an open back, leaving her behind bare to the audience.
Her outfit, a metallic silver corseted dress, featured a plunging neckline adorned with intricate black embellishments, adding an edge to her ensemble. The sleeves of the dress transitioned seamlessly into sheer black gloves, coordinating perfectly with her black tights and open-toe heels.
Completing her look, Chappell opted for her signature glamorous makeup, featuring a pale complexion, smoky eyes, and a touch of blush accentuating her high cheekbones.
Chappell also wore her classic glam look of a pale white face, smokey eyes and blush sat high on the cheekbones.
Paris, daughter of the late Micheal Jackson, also attended the event wearing Vivienne Westwood’s designs.Â
Chappell Roan, 28, (pictured) and Paris Jackson cut quirky figures at Vivienne Westwood’s Paris Fashion Week show on SaturdayÂ
The singer wore a seemingly ordinary dress from the front but left her bottom completely exposed at the backÂ
Paris, daughter of the late Micheal Jackson, also attended the event wearing Vivienne Westwood’s designsÂ
The 27-year-old wore a skintight jumpsuit with a plunging halter neckline in a classic Westwood pattern featuring red rocking horses.Â
Paris sat front row alongside American actor Benito Skinner and singer-songwriter Marco Mengoni.
Chappell sat amongst broadway actor Jeremy Pope and Lola Young, who won the Breakthrough Artist award at the BRITs last week.
Lola, 25, looked stunning in a white corset with black cups beneath a pale blue Vivienne Westwood co-ord made from a loose fitted jacket and a pair of trousers.
Last month, Chappell – who’s known to travel with an entourage 28 strong – revealed her support system includes friends, an acupuncturist, a life coach, a therapist and a craniosacral massage therapist.
‘I have a whole team of women behind me that help me be kinder to myself,’ Roan told Nylon.
‘I don’t really know what I’m doing. I’m still learning how to be kind to myself because I actually have a lot of regret sometimes. I’m like, “Why the f*ck did I pick this job? It’s ruining my life.”‘
The Giver singer continued: ‘I think the way to be kind to myself in the music industry is to just get out of it for a moment because I don’t think it’s kind. I think it’s really f***ed up.’
Chappell stepped out on Saturday to put on a cheeky display at the Vivienne Westwood show amongst the star studded attendees
The long sleeves morphed into sheer black gloves which matched her black tights and open toe heels
Chappell also wore her classic glam look of a pale white face, smokey eyes and blush sat high on the cheekbones
Chappell’s bottom was only covered by a black lace thong under her sheer tights
Chappell sat amongst broadway actor Jeremy Pope and Lola Young, who won the Breakthrough Artist award at the BRITs last weekÂ
Paris sat front row alongside American actor Benito Skinner (L) and singer-songwriter Marco Mengoni (C)
The 27-year-old wore a skintight jumpsuit with a plunging halter neckline in a classic Westwood pattern featuring red rocking horses
Lola, 25, looked stunning as she donned a white corset with black cups beneath a pale blue Vivienne Westwood co-ord made from a loose fitted jacket and a pair of trousers
Chappell is always tempted to delete the social media accounts that connect her to her 16.2 million followers: ‘The Internet is not kind to you or me or anyone. That is self-harm.’
‘My therapist said something like, “You’re going to get better, but not soon.” I think that’s what I have to remember. It’s not going to be soon,’ the Hot to Go singer said.
‘[Therapy] is important for being an artist, and especially one where there’s a lot of eyes on you. But also the religious s***, I’ve been in therapy for years and years, and I’m still like, “F***.” I’m not even religious anymore, and I’m still singing about it. I don’t know if it ever goes away.’