Sally Kirkland, stage and screen star who earned an Oscar nomination in 'Anna,' dies at age 84
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Sally Kirkland, a former model who transitioned into a prolific career on stage, film, and television, has passed away at the age of 84. She gained widespread recognition for her performances alongside Paul Newman and Robert Redford in “The Sting,” as well as her Oscar-nominated lead role in the 1987 film “Anna.”

According to her representative, Michael Greene, Kirkland died on Tuesday morning at a hospice in Palm Springs.

Sally Kirkland, stage and screen star who earned an Oscar nomination in 'Anna,' dies at age 84

Earlier this fall, friends organized a GoFundMe campaign to assist with her medical expenses. Kirkland had sustained multiple fractures, including four bones in her neck, her right wrist, and left hip. During her recovery, she also faced complications from infections, necessitating hospital stays and rehabilitation.

Kirkland’s career spanned numerous films, such as “The Way We Were” with Barbra Streisand, “Revenge” featuring Kevin Costner, and “Cold Feet” with Keith Carradine and Tom Waits. She made appearances in Ron Howard’s “EDtv,” Oliver Stone’s “JFK,” “Heatwave” with Cicely Tyson, “High Stakes” alongside Kathy Bates, and “Bruce Almighty” with Jim Carrey. Additionally, she had a memorable cameo in Mel Brooks’ classic comedy “Blazing Saddles.” Her television work included the 1991 movie “The Haunted,” which depicted a family’s battle with paranormal phenomena.

Among her notable achievements, Kirkland’s role in “Anna” stands out, portraying a declining Czech movie star reinventing her life in America while guiding a younger actress, played by Paulina Porizkova. Her performance in this film earned her a Golden Globe and an Academy Award nomination, competing against esteemed actresses such as Cher in “Moonstruck,” Glenn Close in “Fatal Attraction,” Holly Hunter in “Broadcast News,” and Meryl Streep in “Ironweed.”

“Kirkland is one of those performers whose talent has been an open secret to her fellow actors but something of a mystery to the general public,” The Los Angeles critic wrote in her review. “There should be no confusion about her identity after this blazing comet of a performance.”

Kirkland’s small-screen acting credits include stints on “Criminal Minds,” “Roseanne,” “Head Case” and she was a series regular on the TV shows “Valley of the Dolls” and “Charlie’s Angels.”

Born in New York City, Kirkland’s mother was a fashion editor at Vogue and Life magazine who encouraged her daughter to start modeling at age 5. Kirkland graduated from the American Academy of Dramatic Arts and studied with Philip Burton, Richard Burton’s mentor, and Lee Strasberg, the master of the Method school of acting. An early breakout was appearing in Andy Warhol’s “13 Most Beautiful Women” in 1964. She appeared naked as a kidnapped rape victim in Terrence McNally’s off-Broadway “Sweet Eros.”

Some of her early roles were Shakespeare, including the lovesick Helena in “A Midsummer Night’s Dream” for New York Shakespeare Festival producer Joseph Papp and Miranda in an off-Broadway production of “The Tempest.”

“I don’t think any actor can really call him or herself an actor unless he or she puts in time with Shakespeare,” she told the Los Angeles Times in 1991. “It shows up, it always shows up in the work, at some point, whether it’s just not being able to have breath control, or not being able to appreciate language as poetry and music, or not having the power that Shakespeare automatically instills you with when you take on one of his characters.”

Kirkland was a member of several New Age groups, taught Insight Transformational Seminars and was a longtime member of the affiliated Church of the Movement of Spiritual Inner Awareness, whose followers believe in soul transcendence.

She reached a career nadir while riding nude on a pig in the 1969 film “Futz,” which a Guardian reviewer dubbed the worst film he had ever seen. “It was about a man who fell in love with a pig, and even by the dismal standards of the era, it was dismal,” he wrote.

Kirkland was also known for disrobing for so many other roles and social causes that Time magazine dubbed her “the latter-day Isadora Duncan of nudothespianism.”

Kirkland volunteered for people who had AIDS, cancer and heart disease, fed homeless people via the American Red Cross, participated in telethons for hospices and was an advocate for prisoners, especially young people.

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