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Colombia Captures Wife and Daughter of Ecuadorian Gang Leader Fito

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Colombian police said Sunday they had captured the wife and daughter of notorious Ecuadorian gang leader José Adolfo Macías Villamar, who was extradited to the United States last year to face drug-trafficking charges.

The two women, who are wanted in Ecuador on money-laundering allegations, were arrested in Sabana de Torres, a small town in northeastern Colombia. The operation was conducted with support from the FBI and Ecuadorian authorities.

“Colombia will not be a safe haven for the finances of transnational criminal groups,” Colombian President Abelardo de la Espriella said in a message posted on X on Sunday.

“I will send these (women) with pleasure to my friend President Daniel Noboa, so that they face Ecuadorian justice.”

Macías Villamar, widely known by his nickname “Fito,” escaped from a prison in Guayaquil, Ecuador, in January 2024.

His escape triggered a state of emergency across Ecuador, followed by deadly prison riots and widespread unrest in Guayaquil. During the chaos, gang members stormed a television station while it was airing a live broadcast.

Macías Villamar was recaptured last year and extradited to the United States, where prosecutors have charged him with importing thousands of pounds of cocaine.

The US State Department designated his organization, Los Choneros, as a terrorist group last year.

Even after the capture of powerful crime bosses such as Macías Villamar and the deployment of troops to patrol some cities, Ecuador has struggled to curb escalating drug-related violence.

The country’s homicide rate has increased fivefold since 2020. Ecuador recorded its highest homicide rate in recent history last year, with 50 killings per 100,000 residents, according to the Interior Ministry.

Noboa’s crackdown on drug-trafficking groups has drawn criticism from human rights organizations, which have accused the military of abuses, including the killings of four children between the ages of 11 and 15 in 2024.

Despite those setbacks, Noboa won reelection to a four-year term last year as voters increasingly focused on crime and insecurity.

Mother’s Secret $1M Farm Gift to One Son Tears Family Apart

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When Belinda Jane learned at Christmas that her mother had secretly transferred the family farm to one of her siblings, she says the loss went far beyond an asset valued at about $1million.

The 46-year-old, the eldest of seven children, said the decision fractured the family and highlighted the dangers of making significant inheritance arrangements without proper legal advice or open discussion.

Ms Jane said her 72-year-old mother transferred the 64-hectare farm in East Gippsland—land that had been in the family for generations—to one of her sons without speaking to her other six children.

Ms Jane began investigating after becoming suspicious of her sister-in-law’s behaviour at Christmas 2025. She obtained the title documents and discovered that the sheep farm had been gifted to her oldest brother as an early inheritance.

“My mother had basically given her whole inheritance to one of my brothers and had not told us, keeping it a secret for 12 months,” she told the Daily Mail.

When Ms Jane asked why the transfer had not been disclosed, she said her mother replied: “Oh, I meant to, but life got in the way.” Ms Jane said that might explain a delay of a week or two, but not a year.

According to Ms Jane, her mother had frequently spoken about preserving the farming legacy left by her father.

“I said to her, ‘But you neglected to ask whether any of your other children wanted to be part of that legacy,’” she said.

Belinda Jane (pictured right) with her mother, who left the family farm to one son out of six siblings

The East Gippsland farm (pictured) is estimated to be worth about $1million and has been held by the family for generations

Ms Jane said she was deeply concerned that her mother had not sought independent legal advice or discussed the decision with her children before effectively excluding the others from an asset in which they felt they had an interest.

She said several of her siblings had previously shown interest in buying land or becoming involved in the farm, but were never offered a genuine opportunity to do so.

“I’ve never been interested in the farm, but I know some of the others were,” Ms Jane said.

Some siblings had even offered to purchase blocks from their mother, she said, but the discussions broke down after she proposed what they considered to be exorbitant prices.

“I never thought anything would be equal when she passed away, but I thought it would be somewhat fair,” Ms Jane said.

She stressed that the dispute was not chiefly about money. Instead, she said, the secrecy and lack of consultation had damaged trust and left six siblings feeling excluded from a major family decision.

“Mum’s lack of trust in us and lack of communication, honesty and transparency, all of the above, have brought up old hurts for us six other children—and the feeling that we weren’t wanted by her.”

Ms Jane said the dispute had strained relationships across generations, including among the family’s eight grandchildren. Some relatives are now uncomfortable attending long-standing gatherings at the property.

Belinda Jane (pictured) said the dispute is not primarily about money but about secrecy, trust and the emotional impact on six siblings who feel they were shut out of a major family decision

Belinda Jane (pictured) said the dispute is not primarily about money, but about secrecy, trust and the emotional impact on six siblings who feel they were shut out of a major family decision

“I think that’s when Mum’s really going to notice,” she said.

‘Mum has just stuck her head in the sand and refused to answer some pretty simple questions from the beginning, such as: Who did you talk to? Who did you get advice from? Why did you do this? Why didn’t you tell us?

‘She has flat-out refused to answer those questions. She has since attempted to answer some of them, but she doesn’t seem to see the real issue, which is that she has neglected all the other kids.

‘I’m particularly upset for a few of my siblings who do a lot for her. I don’t. I live in the city, and I’ve never had a great relationship with her.

‘But if you can’t give credit to those kids who still do so much for you… my sister lives around the corner from Mum, and she’s constantly helping her out.

‘Another brother has been very close to Mum, not the one who got the farm, and I just don’t understand how she has seemingly forgotten all that and handed it over to one child.’

Ms Jane said she was also concerned about her mother’s future care after giving away a major asset that could potentially have funded aged care. 

‘I asked her what are you going to do when you can’t look after yourself anymore and need to pay for some sort of care, wherever that is?’ 

Farming in East Gippsland (pictured) is predominantly family-based

Farming in East Gippsland (pictured) is predominantly family-based

‘And her response was, “God will provide.”‘

She said she decided to speak publicly because she believes families need to have open conversations about wills, estate planning and inheritance before disputes arise.

‘I have never been one to shy away from talking about things that most people don’t like to discuss. The only way to educate people is for someone to talk about it.’

Daily Mail contacted Ms Jane’s mother for comment, but she refused to speak.

Ms Jane’s family dispute comes as Australia enters what has been dubbed the ‘Great Wealth Transfer’, with trillions of dollars in property, superannuation, investments and other assets set to pass from older Australians to younger generations.

The Productivity Commission has estimated Australians aged over 60 will transfer about $3.5trillion in wealth over the coming decades as the Baby Boomer generation ages. 

More than $120billion was transferred through inheritances and gifts in 2018, more than double the amount in 2002, with inheritances accounting for about 90 per cent of transfers. 

The Commission has projected the value of inheritances could increase around four-fold in real terms by 2050 as Australia’s population ages and decades of rising property and investment values swell the estates being left behind. 

5 Must-Watch Horror Movies Defining the 2020s So Far

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The 2020s have delivered more than enough real-life nightmares to fill a horror anthology. Rising authoritarianism, ongoing genocides and global pandemics have made the world feel frighteningly unreal, so it is little wonder audiences have continued turning to scary movies. In theaters, horror offers a controlled way to confront anxieties that are otherwise impossible to escape. Sharing that experience with a roomful of strangers can make even the darkest material feel more manageable.

That surge in popularity has helped send an unprecedented wave of horror releases into cinemas around the world. The decade has already produced an abundance of daring, distinctive films, but a select few stand above the rest as defining examples of modern horror. The five titles highlighted here—based on entirely subjective judgment—represent the genre at its most inventive during the 2020s. Each is exceptional, yet they differ dramatically in style, mood and ambition.

There is no single formula behind the decade’s most memorable horror movies. Some unsettle through social commentary, others through sheer spectacle or surreal invention. Together, they demonstrate just how many different ways contemporary filmmakers can frighten, astonish and stay with audiences long after the credits roll.

The Ugly Stepsister

Modern cinema has repeatedly reinvented familiar fairy tales, from “Shrek” and “Frozen” to “Wicked.” Few revisions, however, are as disturbing or as carefully realized as “The Ugly Stepsister.” Written and directed by Emilie Blichfeldt, this audacious body-horror film shifts the focus to Elvira (Lea Myren), one of Cinderella’s supposedly unattractive stepsisters, played by Thea Sofie Loch Næss. Once relegated to the margins of the story, Elvira becomes the central figure as her mother tries to secure her a wealthy marriage and rescue the family from financial hardship.

Elvira’s transformation is driven by a brutal desire to satisfy poisonous, male-defined beauty standards. She is subjected to bizarre cosmetic procedures designed to make her appear worthy of a prince, and Blichfeldt does not spare viewers the chiseling, tearing flesh or stomach-churning tapeworm extractions involved. Yet the film’s disgust is never empty provocation. Beneath its grotesque imagery lies a sharp examination of misogyny and the damaging expectations imposed on women.

The film is particularly unflinching in its depiction of older men exploiting young women, while economic desperation becomes another force stripping women and girls of their humanity. By fusing a familiar fairy tale with uncompromising body horror, “The Ugly Stepsister” manages to be both physically nauseating and intellectually incisive.

Nope

Jordan Peele’s influences range across an impressively broad selection of films, a diversity reflected in the shifting tones of his own work. His three features as a director are already strong candidates to inspire future filmmakers, including “Nope,” his only directorial release of the 2020s so far. At its heart, the movie is a warning about humanity’s urge to dominate forces that should never be controlled, expressed through the unlikely collision of a California ranching family and a UFO.

There is enough thematic depth and visual invention in “Nope” to sustain countless academic discussions, but the film never loses sight of its job as a horror story. It can be genuinely terrifying. One standout sequence traps Otis “OJ” Haywood Jr. (Daniel Kaluuya) inside a barn while an apparently alien presence moves steadily closer, turning suspense into an exercise in controlled panic. The creature, nicknamed Jean Jacket, becomes even more frightening because Peele refuses to make its nature fully comprehensible or familiar.

With its assured direction, unforgettable imagery and expertly calibrated scares, “Nope” keeps viewers tense from start to finish. That combination of spectacle and fear is a remarkable achievement, even if it feels entirely consistent with Peele’s body of work.

Teenage Sex and Death at Camp Miasma

Slasher killers and cursed campgrounds may be familiar sources of terror, but writer-director Jane Schoenbrun argues that true fear can come from far more intimate places. In “Teenage Sex and Death at Camp Miasma,” being sexually honest, exploring one’s desires, opening up emotionally and confronting the influence of beloved art all become frightening acts of self-discovery. As the best horror film of 2026 so far, “Camp Miasma” makes that difficult process feel both unnerving and strangely liberating.

The story follows filmmaker Kris Williams as they encounter reclusive movie star Billy Presley at a campground of deep importance to horror enthusiasts within the film’s world. “Camp Miasma” draws on the visual language of classic genre cinema while remaining unmistakably its own creation. Its winter setting glows with purple and pink tones, brought to life through richly textured matte paintings that make the landscape feel almost tangible. The film’s deliberately unstable tone accommodates both an all-time slasher set piece and wildly surreal images that are as mesmerizing as they are disturbing.

Although it is steeped in older horror traditions and shaped by the studio tensions surrounding contemporary genre filmmaking, “Teenage Sex and Death at Camp Miasma” feels wholly singular. Whatever else the remainder of the decade may produce, Schoenbrun’s film is poised to remain one of the signature horror releases of the 2020s.

Titane

There is nothing quite like “Titane.” Julia Ducournau’s 2021 French-language horror film became notorious after causing some viewers to faint in theaters. Its protagonist, Alexia (Agathe Rousselle), has a titanium plate in her head, a history of murder and a startling sexual fixation with automobiles. After a particularly violent massacre, she assumes the identity of Adrien, a missing teenage boy, and moves in with his father, Vincent (Vincent Lindon). An unexpected and deeply affecting bond develops between them, with the song “Macarena” playing an unlikely role in the story.

“Titane” is gloriously unrestrained, showing no interest in courting mainstream approval or following conventional storytelling rules. That refusal is central to its power. Ducournau fills the film with images that push body horror to extraordinary extremes, then heightens them through vivid color palettes and intricate sound design. The result is not simply a series of shocking moments, but a meticulously crafted descent into cinematic madness.

Like the most enduring horror films, “Titane” shocks viewers before leaving them unsettled and unsure of what they have witnessed. Ducournau’s greatest feat is balancing grotesque unions of flesh and metal with moments of genuine tenderness. The film’s ability to be revolting, bewildering and unexpectedly moving at the same time makes it one of the decade’s most astonishing achievements.

Sinners

“Sinners” wasn’t just Ryan Coogler’s most ambitious film yet, nor was it just one of the best vampire movies ever made. It’s also unquestionably the greatest horror movie of the 2020s so far. There are endless elements specific to this feature that make that achievement a no-brainer. However, it’s worth noting all the unique qualities “Sinners” has that no other 2020s horror movie has. Does any other scary title this decade have a sequence as mesmerizing and showstopping as the big “I Lied to You” musical number in “Sinners?” Does any other 2020s frightfest feature such inspired uses of shifting aspect ratios or richly tactile IMAX 70mm camerawork? How about a pair of lead performances as ingeniously realized as the ones Michael B. Jordan delivers as twins Smoke and Stack?

“Sinners” is a rollicking ride (centered on Smoke and Stack starting up a juke joint that gets invaded by Irish vampires) rich with thoughtful social commentary, precisely realized visuals, and also incredibly fun flourishes (like a villainous vampire repeatedly yelling “SAMMIE!”). It just excels on every conceivable level, from Ruth E. Carter’s magnificent costume design to a flawless ensemble cast (Delroy Lindo especially steals the show with his unforgettable work). Also, it succeeds at being truly scary and gnarly with its unabashedly classical take on vampires.

“Sinners” gives you everything you’d want out of a horror movie and then proceeds to provide moviegoers with infinitely more. One of the greatest cinema accomplishments of the 21st century, “Sinners” is undoubtedly the pinnacle of 2020s horror filmmaking so far.

Alex Warren and His Wife Have Awkward Moment on 2026 VMAs Red Carpet

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BEST LATIN

Anitta and Shakira – Choka Choka

Bad Bunny – NUEVAYoL – WINNER

Fuerza Regida – Tu Sancho

Karol G – Papasito

Rosalía – La Perla

Ryan Castro, Kapo and Gangsta – La Villa

Shakira and Burna Boy – Dai Dai

 

BEST K-POP

Blackpink – Jump

BTS – Swim – WINNER

Cortis – Redred

Katseye – Pinky Up

Le Sserafim – Spaghetti

Lisa – Dream

 

BEST COUNTRY

Ella Langley – Choosin’ Texas – WINNER

Kacey Musgraves – Dry Spell

Lainey Wilson – Somewhere over Laredo

Luke Combs – Back in the Saddle

Shaboozey – Cowgirl

Stella Lefty – Boston

Tucker Wetmore – Brunette

 

BEST DIRECTION

Ariana Grande – Hate That I Made You Love me

Bruno Mars – I Just Might

Gener8ion – Storm

Madonna – Confessions II (The Film)

Sabrina Carpenter – House Tour

Taylor Swift – Opalite – WINNER

BEST CINEMATOGRAPHY

Ariana Grande – Hate That I Made You Love Me

A$AP Rocky – Punk Rocky

Lisa – Dream

Madonna – Confessions II (The Film) – WINNER

Shaboozey – Cowgirl

Taylor Swift – The Fate of Ophelia

Madonna dominated as she earned the most wins with seven

Madonna dominated as she earned the most wins with seven 

BEST EDITING

Ariana Grande – Hate That I Made You Love Me

Bruno Mars – I Just Might

Lisa – Dream

Madonna – Confessions II (The Film)

Sabrina Carpenter – House Tour – WINNER

Taylor Swift – The Fate of Ophelia

Sabrina took home Best Editing for House Tour as she accepted Best Collaboration with Madonna

Sabrina took home Best Editing for House Tour as she accepted Best Collaboration with Madonna

BEST CHOREOGRAPHY

Gener8ion – Storm

Harry Styles – Dance No More

Katseye – Pinky Up

Madonna – Confessions II (The Film)n – WINNER

Tate McRae – Nobody’s Girl

Taylor Swift – The Fate of Ophelia

BEST VISUAL EFFECTS

Ariana Grande – Hate That I Made You Love Me – WINNER

Jisoo and Zayn – Eyes Closed

Madonna – Confessions II (The Film) – WINNER

PinkPantheress and Zara Larsson – Stateside

Raye – Click Clack Symphony

Taylor Swift – The Fate of Ophelia

BEST ART DIRECTION

Charli XCX – SS26

Lady Gaga and Doechii – Runway

Madonna – Confessions II (The Film)

PinkPantheress and Zara Larsson – Stateside – WINNER

Sombr – My Body Isn’t Ready

Taylor Swift – The Fate of Ophelia

PinkPantheress earned Best Art Direction alongside Zara Larsson for Stateside

PinkPantheress earned Best Art Direction alongside Zara Larsson for Stateside

George Michael Fans Slam VMAs Tribute: ‘Killed Him All Over Again’

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 VIDEO FOR GOOD

Alexander Stewart — “If Only You Knew” — FAE Grp

Billie Eilish — “What Was I Made For (From the Motion Picture “Barbie”)” — Darkroom / Interscope Records — WINNER

Coldplay — “Feelslikeimfallinginlove” — Atlantic Records

Joyner Lucas and Jelly Roll — “Best for Me” — Twenty Nine Music Group

RAYE — “Genesis” — Human Re Sources

Tyler Childers — “In Your Love” — Hickman Holler Records / RCA Records

BEST DIRECTION

Ariana Grande — “We Can’t Be Friends (Wait for Your Love)” — Republic Records — Directed by Christian Breslauer

Bleachers — “Tiny Moves” — Dirty Hit — Directed by Alex Lockett and Margaret Qualley

Eminem — “Houdini” — Shady / Aftermath / Interscope Records — Directed by Rich Lee

Megan Thee Stallion — “BOA” — Hot Girl Productions — Directed by Daniel Iglesias Jr.

Sabrina Carpenter — “Please Please Please” — Island — Directed by Bardia Zeinali

Taylor Swift featuring Post Malone — “Fortnight” — Republic Records — Directed by Taylor Swift — WINNER

Taylor Swift and Post Malone's Fortnight took home both Best Direction and Editing

Taylor Swift and Post Malone’s “Fortnight” won both Best Direction and Best Editing

BEST CINEMATOGRAPHY

Ariana Grande — “We Can’t Be Friends (Wait for Your Love)” — Republic Records — Cinematography by Anatol Trofimov — WINNER

Charli XCX — “Von Dutch” — Atlantic Records — Cinematography by Jeff Bierman

Dua Lipa — “Illusion” — Warner Records — Cinematography by Nikita Kuzmenko

Olivia Rodrigo — “Obsessed” — Geffen Records — Cinematography by Marz Miller

Rauw Alejandro – “Touching the Sky” – Sony Music Latin / Duars Entertainment – Cinematography by Camilo Monsalve

Taylor Swift ft. Post Malone – “Fortnight” – Republic Records – Cinematography by Rodrigo Prieto

BEST EDITING

Anitta – “Mil Veces” – Floresta Records / Republic Records / Universal Music Latin Entertainment – Editing by Nick Yumul

Ariana Grande – “We Can’t Be Friends (Wait for Your Love)” – Republic Records – Editing by Luis Caraza Peimbert

Eminem – “Houdini” – Shady / Aftermath / Interscope Records – Editing by David Checel

Lisa – “Rockstar” – Lloud Co. / RCA Records – Editing by Nik Kohler

Sabrina Carpenter – “Espresso” – Island – Editing by Jai Shukla

Taylor Swift ft. Post Malone – “Fortnight” – Republic Records – Editing by Chancler Haynes – WINNER

BEST CHOREOGRAPHY

Bleachers – “Tiny Moves” – Dirty Hit – Choreography by Margaret Qualley

Dua Lipa – “Houdini” – Warner Records – Choreography by Charm La’Donna – WINNER

Lisa – “Rockstar” – Lloud Co. / RCA Records – Choreography by Sean Bankhead

Rauw Alejandro – “Touching the Sky” – Sony Music Latin / Duars Entertainment – Choreography by Felix ‘Fefe’ Burgos

Tate McRae – “Greedy” – RCA Records – Choreography by Sean Bankhead

Troye Sivan – “Rush” – Capitol Records – Choreography by Sergio Reis, Mauro Van De Kerkhof

Dua Lipa took home Best Choreography for Houdini

Dua Lipa took home Best Choreography for Houdini

BEST VISUAL EFFECTS

Ariana Grande – “The Boy is Mine” – Republic Records – Visual Effects by Digital Axis

Eminem – “Houdini” – Shady / Aftermath / Interscope Records – Visual Effects by Synapse Virtual – WINNER

Production, Louise Lee, Rich Lee, Metaphysic, Flawless Post

Justin Timberlake – “Selfish” – RCA Records – “Selfish” – RCA Records – Visual Effects by Candice Dragonas

Megan Thee Stallion – “BOA” – Hot Girl Productions – Visual Effects by Mathematic

Olivia Rodrigo – “Get Him Back!” – Geffen Records – Visual Effects by Cooper Vacheron, Preston

Mohr, Karen Arakelian, Justin Johnson

Taylor Swift ft. Post Malone – “Fortnight” – Republic Records – Visual Effects by Parliament

BEST ART DIRECTION

Charli XCX – “360” – Atlantic Records – Art Direction by Grace Surnow

Lisa – “Rockstar” – Lloyd Co. / RCA Records – Art Direction by Pongsan Thawatwichian

Megan Thee Stallion – “BOA” – Hot Girl Productions – Art Direction by Brittany Porter – WINNER

Olivia Rodrigo – “Bad Idea Right?” – Geffen Records – Art Direction by Nicholas des Jardins

Sabrina Carpenter – “Please Please Please” – Island – Art Direction by Nicholas des Jardins

Taylor Swift ft. Post Malone – “Fortnight” – Republic Records – Art Direction by Ethan Tobman

BEST TRENDING VIDEO

Beyoncé – “TEXAS HOLD ‘EM” – Parkwood Entertainment / Columbia Records 

Camila Cabello ft. Playboi Carti – “I LUV IT” – Geffen / Interscope Records

Chappell Roan – “HOT TO GO!” – Amusement Records / Island Records, a division of UMG Recordings, Inc.

Charli xcx – “Apple” – Atlantic Records

Megan Thee Stallion ft. Yuki Chiba – “Mamushi” – Hot Girl Productions – WINNER

Tinashe – “Nasty” – Nice Life Recording Company 

Host Megan Thee Stallion earned Best Trending Video for Mamushi

Host Megan Thee Stallion earned Best Trending Video for Mamushi

BEST GROUP

NSYNC – RCA Records

Coldplay – Atlantic Records

Imagine Dragons – KIDinaKorner / Interscope Records

NCT Dream – SM Entertainment / Virgin Music Group

NewJeans – ADOR / Geffen Records

SEVENTEEN – PLEDIS Entertainment / Geffen Records – WINNER

TOMORROW X TOGETHER – BIGHIT MUSIC / IMPERIAL / Republic Records

Twenty One Pilots – Fueled By Ramen

SONG OF THE SUMMER 

Ariana Grande – “we can’t be friends (wait for your love)” – Republic Records

Benson Boone – “Beautiful Things” – Night Street Records, Inc. / Warner Records

Billie Eilish – “BIRDS OF A FEATHER” – Darkroom / Interscope Records

Chappell Roan – “Good Luck, Babe!” – Amusement Records / Island Records, a division of UMG Recordings, Inc.

Charli XCX & Billie Eilish – “Guess featuring Billie Eilish” – Atlantic Records

Eminem – “Houdini” – Shady / Aftermath / Interscope Records

Future, Metro Boomin & Kendrick Lamar – “Like That” – Wilburn Holding Co. / Boominati / Epic / Republic

GloRilla, Megan Thee Stallion – “Wanna Be” – CMG / Interscope Records

Hozier – “Too Sweet” – Columbia Records

Kendrick Lamar – “Not Like Us” – pgLang, under exclusive license to Interscope Records

Post Malone ft. Morgan Wallen – “I Had Some Help” – Mercury / Republic / Big Loud

Sabrina Carpenter – “Please Please Please” – Island

Shaboozey – “A Bar Song (Tipsy)” – American Dogwood / EMPIRE

SZA – “Saturn” – Top Dawg Entertainment / RCA Records

Taylor Swift ft. Post Malone – “Fortnight” – Republic Records – WINNER

Tommy Richman – “MILLION DOLLAR BABY” – ISO Supremacy / PULSE Records / Concord 

VMAS MOST ICONIC PERFORMANCE

Beyoncé – “Love on Top”

Britney Spears, Christina Aguilera, Madonna, Missy Elliot – “Like a Virgin” & “Hollywood”

Eminem – “Real Slim Shady” & “The Way I Am”

Katy Perry – “Roar” – WINNER

Lady Gaga – “Paparazzi”

Madonna – “Like a Virgin”

Taylor Swift – “You Belong With Me”

Katy Perry earned VMAs Most Iconic Performance for Roar

Katy Perry earned VMAs Most Iconic Performance for Roar

Crowd Sings ‘From the River to the Sea’ at Alexandria Ocasio-Cortez Event Promoting Democrats Ahead of Midterms

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ITHACA, NEW YORK — Progressive politics took center stage at Cornell University as Rep. Alexandria Ocasio-Cortez addressed a packed audience in upstate New York.

Student activists at the event welcomed the Democratic Socialist congresswoman with chants focused on Palestinian rights as her campaign worked to build enthusiasm for Democrats ahead of the midterm elections Sunday.

Before Ocasio-Cortez’s “Students vs. Billionaires” town hall began, Cornell Young Democratic Socialists of America co-chairs Mina Petrova and Zoe Reisman led approximately 2,000 attendees in chants including “from the river to the sea” and “long live the student intifada.” The event was held at the Ithaca Downtown Conference Center.

Rep. Alexandria Ocasio-Cortez speaks with Cornell students during a town hall in Ithaca Sunday. More Perfect Union/X

“Cornell is fundamentally a capitalist institution that prioritizes billionaires and profit over students and community and is controlled by CEO trustees that are profiting off of genocide and war,” Petrova told the crowd, drawing applause.

Ocasio-Cortez’s campaign organized the gathering with student activist group More Perfect University, describing it as part of an effort to increase Democratic turnout in areas where the party traditionally performs well before the November election.

Ocasio-Cortez, who has been traveling across upstate New York as she raises her national profile amid speculation about a future presidential or US Senate campaign, criticized Cornell over what she described as efforts to restrict student protesters’ free-speech rights.

“Whether it’s the issue about Palestine or many others. Whether it’s about people trying to fire those who are forming a union in their workplace, whether it’s people trying to speak up about a number of different issues, we have to respond to that first crackdown,” she said.

Two women speaking at a "More Perfect University" event.

Cornell University Young Democratic Socialists of America Co-Chairs Mina Petrova and Zoe Reisman lead a crowd in singing “from the river to the sea” at a campaign event in Ithaca Sunday. Vaughn Golden

“When we come out in numbers, they cannot take us all,” Ocasio-Cortez added.

The slogan “From the river to the sea, Palestine will be free” remains highly controversial. The US House of Representatives overwhelmingly characterized it as antisemitic in a 2024 resolution, while critics argue that its reference to the Jordan River and Mediterranean Sea implies the elimination of Israel and its people.

Ocasio-Cortez voted against that resolution.

The Bronx-Queens representative became a national political figure after defeating longtime Queens Democratic leader Joe Crowley in the party’s 2018 midterm primary. Earlier Sunday, she had been expected to appear alongside Gov. Kathy Hochul.

A spokesperson for Hochul said the governor canceled the planned Ithaca appearance with Ocasio-Cortez earlier that day.

The governor’s office attributed the decision to the nor’easter affecting New York City, although Hochul had no public events listed for Sunday.

Trump Says He’ll Dine With Anthropic CEO Amid AI Debate

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WASHINGTON — President Donald Trump planned to have a late dinner Sunday with Dario Amodei, CEO of artificial intelligence company Anthropic, despite the executive’s recent clashes with the administration over the military’s use of AI.

Trump told reporters after returning to Joint Base Andrews in Maryland that he would meet Amodei for dinner at 10 p.m. The gathering came two days after Anthropic suffered a legal setback in its challenge to the government’s decision to bar its products from Defense Department work.

The confrontation between Anthropic and the Pentagon began in February, when Trump and Defense Secretary Pete Hegseth accused the company of posing a national security threat and classified it as a supply chain risk. Amodei had resisted pressure to change course, citing concerns that Anthropic’s technology could be used for mass surveillance or autonomous weapons.

On Friday, a federal appeals court rejected Anthropic’s challenge to the government’s designation. The ruling permits the Pentagon to continue removing the company’s Claude AI models from its systems.

Trump has strongly promoted artificial intelligence and frequently says the United States must stay ahead of China in the technology race. Amodei, however, said earlier this month that the industry should slow its rapid development long enough for safety protections to keep pace. Without a pause, he warned, AI could within six to 12 months become capable of directing a swarm of agents able to seize control of the entire internet.

His comments reflect growing concern both within the technology sector and among the broader public about increasingly powerful AI systems. Although these tools can solve problems beyond human capabilities, critics fear they could malfunction, act independently or be used for damaging purposes. Those concerns have also influenced OpenAI, the company behind ChatGPT. Its CEO told Fortune that the company plans to wait until next year before selling stock to Wall Street investors while it concentrates on safety.

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AP White House reporter Darlene Superville contributed to this report.

Copyright 2026 The Associated Press. All rights reserved. This material may not be published, broadcast, rewritten or redistributed without permission.

Lanterns Episode 7 Recap: The Road to Hal Jordan Is Paved With Good Intentions

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Writers working in nerd franchises who want to process their daddy issues on screen: please stop. Seriously. How many times has Damon Lindelof, co-creator of HBO’s Lanterns and co-writer of this episode alongside fellow co-creator Tom King, returned to this particular well? Lost did it. The Leftovers did it. Didn’t he saddle Captain Kirk with father issues in Star Trek, too? Star Wars, Superman, and Indiana Jones and the Last Crusade are foundational texts in this tradition, which has spread across film, television, and comics. Superhero stories are especially vulnerable: This 90-year-old genre keeps generating new material partly by obsessing over LEGACY and the passing of heroism from one generation to the next.

In other words, men would apparently rather write lifeless cold-open flashbacks about intimidating, emotionally distant mustache dads who brawl with Little League coaches and inspire a desperate need for approval than go to therapy.

And even apart from the father-son material, the sequence is painfully obvious. Hal is thrown off his baseball team after refusing to give up the ball during a no-hitter, apparently holding on to it even as the entire team fights him for it. After his father, the rough-edged test pilot Martin Jordan (Jake B. Miller), dies, young Hal (Henry Samiri) searches through the field where Martin made him throw the ball and retrieves it. Adult Hal and the power ring: Do you see the connection? Do you???

Hal's dad and young Hal in 'Lanterns' 107

Photo: HBO

Then Martin delivers a speech about a failsafe he has prepared in case something goes wrong, entrusting the key to young Hal. It is the same idea as adult Hal’s cosmic-cube vault in the storage shed. Do you see that one, too? Do you???

This sort of writing may have seemed fresh and inventive 20 years ago, when Lost helped bring it into the mainstream. But in a series like Lanterns, whose appeal depends so heavily on its likable leads and their lived-in, naturalistic performances, piling on a blunt, overdetermined origin story feels like cutting those characters off at the knees.

Lanterns is therefore 0 for 2 with its flashbacks about the hidden histories of Hal Jordan and John Stewart. Fortunately, the show’s present-day storyline remains largely untouched by that problem. Once it moves away from the past, it focuses on exactly what it should: Aaron Pierre’s John, Kyle Chandler’s Hal, and Kelly Macdonald’s Sheriff Kerry trying to establish an uneasy new relationship.

Halogram behind Kerry in 'Lanterns' 107

Photo: HBO

The complication is that this Hal is neither Kerry’s Hal nor John’s Hal. He is the version preserved by the ring — the Hal last backed up around 2006. The show’s constantly shifting timelines, combined with its limited use of distinctive costumes or aging makeup beyond John’s 2026 goatee, can make it difficult to know when any given character is meant to be from. This Hal is kinder and more cooperative, but he is also understandably devastated to discover that he has been murdered. Learning how badly he damaged his reputation hits him just as hard.

He can also sincerely praise John’s accomplishments, something the original Hal never literally did. That praise disarms John. Though the two continue to argue, John calls the construct “Hal” by the episode’s end — a name he never used while Jordan was alive. Pierre and Chandler make these exchanges land by keeping their reactions understated while making it clear that John and Hal, rather than the actors Aaron and Kyle, are the ones trying not to show how deeply affected they are. Their reluctance to reveal their emotions becomes emotional in itself.

The same is true of Hal’s meeting with Kerry, whom he catches off guard with the brashness that has always defined him. It is a remarkable little scene. This version of Hal seems never to have been in love and wants to meet the woman he eventually trusted enough to open up to, including about his father. Kerry, meanwhile, is looking at a dead man while also encountering a side of him she never knew. It feels almost like magic unfolding in front of her. In less capable hands, this would be a mildly confusing time-travel story from a forgettable comic. With Chandler, Macdonald, and Pierre guiding it, the scene rises above its familiar science-fiction machinery and finds the human — or, in Hal’s case, human-adjacent — emotion at its center.

Sheriff Kerry is occupied with a party for her son Noah, whose major decision about which college will get him as a quarterback is to wait until after he wins the season’s final high school game. That leaves her on the sidelines while John and Hal enter the vault. Inside, they discover a gun, a poncho, and a huge mass of black goo that proves to be a wormhole or portal connected directly to another location somewhere in the universe.

When the two heroes pass through, they arrive on the planet Zoe the Manhunter devastated, prompting survivor Antaan to pursue revenge. The muted color palette is a letdown — this is superhero space opera, so why not make it as vivid as possible? Still, the drained look fits the devastation. A ruined city hangs in the sky above them, while the baked desert is strewn with the bodies of people who leaped to their deaths after the Manhunter released a fear gas that drove them mad. The gas remains in the atmosphere, becoming especially dangerous when it rains. At one point, John nearly kills himself while hallucinating his father and his younger self. Hal’s duplicate grumbles that this is precisely why the older Hal insisted they bring the damn poncho.

John in 'Lanterns' 107

Photo: HBO

The pair discover a boat abandoned by older Hal and use it to cross a lake toward a distant island made of debris, where a blue-green light flickers above the wreckage. Along the way, Hal finally discusses his family. His father’s fatal crash was actually a suicide, something Hal knows because the failsafe Martin mentioned contained a suicide note — a secret Hal spent his life concealing. Martin’s own father also died by suicide, creating a legacy of lethal depression that reaches far enough back to earn the name Jordan Boys Legacy. See what I mean? See??? This raises the possibility that Hal himself died by suicide, with Kerry hiding the truth to preserve his legacy.

But the biggest discovery on the garbage island is Sinestro. The escaped convict attempts to ambush the two quasi-Lanterns, only for John to drop him with a single punch and expose who he is.

Sinestro in 'Lanterns' 107

Photo: HBO

“Great arm, kid,” Hal tells John, echoing the words his own father once said to him. Come on. Come on!!!

Put the flashbacks and the Father’s Day Hallmark-card material aside, and I’ll sound like a broken record: Lanterns thrives because of its leads. All three are attractive and charismatic, yet all three — even the genuinely godlike John — feel like people who would be interesting to have a beer with. Not necessarily fun, but memorable, and the kind of company you would be glad to keep. They are appealing despite being, let’s be honest, three deeply strange and compromised people. They are the gold amid all that green.

Sean T. Collins (@seantcollins.com on Bluesky and theseantcollins on Patreon) has written about television for The New York Times, Vulture, Rolling Stone, and elsewhere. He is the author of Pain Don’t Hurt: Meditations on Road House. He lives with his family on Long Island.

Trouble in Paradise for Aussie Who Killed and Ate a Puppy

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The second marriage of an Australian man filmed beating a puppy to death and eating it during a traditional wedding ceremony in Indonesia may already be under strain.

Robby Wirramanda, 53, whose real name is Robert Knight and who is a convicted drug dealer, provoked widespread outrage this month after the black puppy was killed on the Indonesian island of West Nusa Tenggara, east of Bali.

In footage recorded during his wedding to 20-year-old local bride Rensi Ana, the dog can be heard whimpering as its hind legs are tied to prevent it escaping. Wirramanda is then seen striking the animal with a stick until it dies.

Ana initially shared the video on Facebook. The footage also appeared to show Wirramanda killing a piglet with a knife. The post was later removed as criticism intensified.

Wirramanda has since uploaded videos showing him being baptised ahead of a second wedding ceremony, styled in a more Western fashion, in which his bride wore a lacy white dress.

However, a series of tense videos featuring the couple arguing and trading barbs has fueled speculation that the relationship is already facing difficulties.

The clips also show Wirramanda handling other puppies, including one that appeared strikingly similar to the animal killed during the earlier ceremony.

In one video, he pets a golden labradoodle-type dog while Ana adds a disturbing caption: ‘People who eat animals for breakfast should also have breakfast hehe.’

The new marriage of the Aussie who beat a puppy dog to death and ate it during his traditional wedding in Indonesia may already be on the rocks.

The second marriage of an Australian man filmed beating a puppy to death and eating it during a traditional wedding in Indonesia may already be under strain.

Convicted drug dealer Robby Wirramanda, 53, real name Robert Knight (pictured), sparked fury this month after he killed the black pup in West Nusa Tenggara island, east of Bali

Convicted drug dealer Robby Wirramanda, 53, whose real name is Robert Knight (pictured), triggered outrage this month after allegedly killing a black puppy on West Nusa Tenggara, an island east of Bali.

The whimpering pup's back legs were tied to stop it escaping while Wirramanda was filmed beating it to death with a stick during his wedding to local bride, Rensi Ana, 20

The puppy’s hind legs were tied to stop it fleeing as Wirramanda was filmed beating it to death with a stick during his wedding to 20-year-old local bride Rensi Ana.

The latest footage has prompted a warning from animal protection group Bali Dogs and other online commentators. One message read: ‘He is playing with it to gain its trust… then will kill it the same way.’

Another commenter wrote: ‘You shouldn’t be allowed near any animals.’

Only weeks after the couple’s second wedding—and shortly after Wirramanda was baptised—their relationship appears to be showing signs of tension.

Ana has appeared to clash with her husband in one of several videos recently posted to Facebook as she capitalises on the attention surrounding the couple.

Wearing a crisp white shirt, Ana tells Wirramanda to move away while she poses for her phone and explains that she is filming herself eating.

Wirramanda responds in an increasingly frustrated tone, repeatedly asking: ‘Is there anything you want me to put in the bag? How many times do you want me to ask you?’

When Ana ignores him and gestures toward her phone camera again, he exclaims: ‘Oh my God!’

He then appears to grab the phone from her hand in an aggressive manner before the recording cuts out.

Robby Wirramanda and his Indonesia wife pose in what is an apparent second, Western-style wedding, for which she has bought a lacy white dress

Robby Wirramanda and his Indonesian wife pose for what appears to be a second, Western-style wedding ceremony, for which she purchased a lacy white dress.

Despite finding God and getting married a second time in traditional white, it seems there may be trouble in paradise for Wirramanda and his wife Rensi Ana (above)

Despite finding God and getting married a second time in traditional white, it seems there may be trouble in paradise for Wirramanda and his wife Rensi Ana (above)

Aussie drug trafficker Robby Wirramanda who beat a puppy to death with a stick and ate it causes more alarm as he and his new bride play with dogs on an Indonesian island where killing and eating dogs is traditional

Aussie drug trafficker Robby Wirramanda who beat a puppy to death with a stick and ate it causes more alarm as he and his new bride play with dogs on an Indonesian island where killing and eating dogs is traditional 

Wirramanda, from Mildura in Victoria, was jailed for six and a half years in 2012 over an amphetamine trafficking operation he ran from his Melbourne gym.

He broke his silence after the puppy dog video went viral to deny slurs made by online trolls.

‘An extraordinary amount of false, defamatory and deeply disturbing information has been circulated about me across social media,’ he posted.

‘A significant amount of this material appears to be coming from, or being amplified by members and associates of my former partner’s family.

‘But there is an enormous difference between discussing someone’s documented past and inventing accusations of murder, rape, paedophilia, child trafficking and other serious crimes.’

He said he would report any further comments ‘to the appropriate authorities’.

However he continues to come under fire for the puppy-killing videos, although some locals have leapt to his defence. 

‘Back when I was in junior high, I absolutely loved eating dog meat,’ said one user, posting in the local Indonesian Bahasa language.

‘I don’t eat it anymore because I’m an animal lover. That said, I still acknowledge the tradition in Sumba; my family does eat it, but we don’t kill dogs that guard the house.’ 

The whimpering pup's back legs were tied to stop it escaping while Wirramanda was filmed beating it to death with a stick during his wedding to local bride, Rensi Ana, 20 (pictured)

The whimpering pup’s back legs were tied to stop it escaping while Wirramanda was filmed beating it to death with a stick during his wedding to local bride, Rensi Ana, 20 (pictured)

Speculation is now growing that their marriage may already be in trouble, after a series of fractious videos showed him snapping and sniping with his young wife

Speculation is now growing that their marriage may already be in trouble, after a series of fractious videos showed him snapping and sniping with his young wife

Wirramanda, from Mildura in Victoria, was jailed for six and a half years in 2012 over an amphetamine trafficking operation he ran from his Melbourne gym

Wirramanda, from Mildura in Victoria, was jailed for six and a half years in 2012 over an amphetamine trafficking operation he ran from his Melbourne gym

The notorious Facebook clip showed Wirramanda beating the dog before delivering the final death blows to the head while being egged on by his bride at his side. 

‘If you encounter suspected animal cruelty, abuse, neglect, or other actions that could cause suffering to an animal, document the incident safely and report it,’ Animal Lawyer Indonesia pleaded on Instagram.

The Daily Mail has contacted Wirramanda for comment.

READ MORE: Butchered in front of their cage-mates: Terrified dogs wait to be bludgeoned, blow-torched and dismembered at ‘hellish’ Indonesian dog-meat market where puppies are served on sticks

Former NRL Star Whose Career Was Ended by Horror Injury Offers Nathan Cleary Hope

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Former Brisbane Broncos winger Jharal Yow Yeh has offered Nathan Cleary a message of hope after the Penrith Panthers halfback suffered a serious ankle injury.

Cleary sustained a compound fracture to his left ankle during a hip-drop tackle from Newcastle’s Phoenix Crossland in Sunday’s 22-14 preliminary final loss.

The Panthers star had already been battling a broken right foot and is expected to undergo multiple surgeries, leaving NRL supporters anxiously awaiting further news about his recovery.

Yow Yeh knows the long-term impact of a major ankle injury better than most. He suffered a catastrophic injury against South Sydney in Perth in 2012, endured 10 operations and almost two years of rehabilitation before his career was brought to an early end at just 24.

However, speaking to Daily Mail, the former Queensland and Australian winger said the distressing similarities between the two incidents did not mean Cleary would necessarily face the same outcome.

‘I actually don’t think it’ll be as bad as what a lot of people think,’ Yow Yeh said.

Former Broncos star Jharal Yow Yeh has offered hope that all may not be lost for Nathan Cleary after he suffered a devastating injury

Former Broncos star Jharal Yow Yeh has given Nathan Cleary hope after the Panthers playmaker suffered a devastating ankle injury

Yow Yeh offered Nathan Cleary a heartfelt message of hope after the Panthers star¿s devastating ankle injury

Yow Yeh delivered a heartfelt message of hope to Nathan Cleary following the Panthers star’s serious ankle injury

Yow Yeh stressed that his optimism came with a caveat: he did not yet know the full extent of Cleary’s injuries.

Sunday night’s incident also revived painful memories of the injury that cut short Yow Yeh’s promising career.

‘I just feel so bad for him,’ he said.

‘I know that feeling. I know where he’s at when you’re sitting there and you’re just helpless.

‘You never think that that’s gonna happen to you. I can guarantee you I never thought in my life that I would ever do something like that.’

He also warned against making a direct comparison, pointing out that an ankle dislocation was a major element of his own injury.

‘Mine was a dislocation of my ankle joint,’ he said.

‘So I think a lot of people are trying to throw similarities. I’m not sure if he’s done that.’

Yow Yeh urged caution about comparing Cleary¿s injury with the one that ended his own career

Yow Yeh cautioned against comparing Cleary’s injury with the ankle injury that ended his own career

Cleary had also been managing a stress fracture in his opposite foot before the preliminary final

Cleary had also been dealing with a stress fracture in his opposite foot before the preliminary final

Yow Yeh said the exact fracture and the extent of any additional damage would be critical in determining Cleary’s recovery, while acknowledging the added risks when a broken bone breaks through the skin.

‘I think the complication part is because it has pierced skin, there is a chance there where you can get an infection,’ he said.

Yow Yeh raised the question of how Cleary would feel when he eventually returned to the demands of professional football.

‘It’s just whether you’ll have pain, I suppose, when he comes back, because we’ve gotta remember you’re holding your body weight on your ankles, your legs,’ he said.

‘Keep in mind, I wasn’t a kicker. I didn’t kick the ball a lot like him. I didn’t kick the goals. He’s still a very healthy young man.’

Physiotherapist Brien Seeney, who provides injury analysis under the NRL Physio name, also highlighted the uncertainty surrounding an open fracture.

In his initial assessment on X, Seeney said the usual recovery range for ankle fractures and dislocations was three to four months, but warned Cleary’s situation could be more complicated.

‘The open nature of the injury increases the uncertainty here and it might not be so clear cut,’ Seeney wrote.

Yow Yeh believed access to trusted specialists in Sydney would benefit the Panthers halfback

Yow Yeh believed access to trusted specialists in Sydney would benefit the Panthers halfback

Physiotherapist Brien Seeney warned that the open nature of Cleary¿s injury made his recovery timeline less certain

Physiotherapist Brien Seeney warned that the open nature of Cleary’s injury made his recovery timeline less certain

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Should harsher penalties be imposed for dangerous tackles that cause serious injuries like Cleary’s?

He explained that an open wound greatly increased infection risk and would require a washout during surgery to reduce that risk.

Yow Yeh believed Cleary’s access to the club’s trusted medical specialists in Sydney was a reason for encouragement.

‘He’s got everyone that the club would trust in the vicinity,’ he said.

‘I’ve got no doubt that the club doctor or the surgeon would have been called immediately.

‘We’re talking about the best player in the world, right? Like, arguably best player in the world.’

He expected there would be no shortage of specialists willing to help the Panthers halfback.

‘I can guarantee you there’s that many surgeons putting their hands up to be inside that room to help,’ he said.

READ MORE: Newcastle Knights star faces judiciary showdown

READ MORE: Penrith hero Cleary will need surgery on both feet