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HomeMoviesAvengers: Endgame Encore Ending: 3 Post-Credits Scenes Explained

Avengers: Endgame Encore Ending: 3 Post-Credits Scenes Explained

Contains spoilers for “Avengers: Endgame Encore”

“Avengers: Doomsday” is generating major box-office momentum long before its official theatrical launch, underscoring the enormous anticipation surrounding Marvel’s next crossover event. The film is expected to unite several branches of the studio’s live-action universe while bringing a turbulent chapter of the Marvel Cinematic Universe toward a conclusion. With fans constantly debating theories and possible story developments, the excitement has received another boost from the return of 2019’s “Avengers: Endgame.”

Now playing as “Avengers: Endgame Encore,” the re-release gives audiences another chance to experience the cultural phenomenon on the big screen while adding several glimpses at what’s ahead in “Avengers: Doomsday.” In addition to a slightly extended conclusion, the new version includes multiple post-credit scenes designed to set up the next “Avengers” movie. Those additions are particularly intriguing because they may confirm the involvement of familiar MCU characters whose presence in “Doomsday” had previously been rumored.

So, what unfolds in the new “Endgame Encore” material, and how might those scenes connect to the story of “Avengers: Doomsday?” Here’s a closer look at the footage and the clues it appears to offer about Marvel’s upcoming multiverse event.

Who’s that knocking at Steve Rogers’ door?

The first “Avengers: Doomsday” hint arrives before the new credit scenes even begin. During the familiar ending of “Avengers: Endgame,” Steve Rogers (Chris Evans) and Peggy Carter (Hayley Atwell) share a dance in their home within an alternate timeline. The moment initially plays exactly as it did in the 2019 release, with the couple enjoying the life they were denied for so long. Just before the image fades out, however, an unexpected knock sounds at the door.

Steve quickly steps out of sight, suggesting that he may not truly belong in this reality, while Peggy goes to answer. Standing outside is Tom Hiddleston’s Loki—the version seen across both seasons of “Loki” and the same variant who escaped with the Tesseract during the original “Endgame” storyline.

Wearing his TVA uniform, Loki tells Peggy that he can help “both of you.” Steve then emerges from hiding and comes face to face with the former enemy he once battled, bringing the scene to an abrupt close. The exact nature of Loki’s assistance remains unknown, but his extensive experience navigating the multiverse could prove vital to whatever comes next.

Loki’s unexpected offer to Steve and Peggy reinforces one of the apparent ideas behind “Avengers: Doomsday”: allies and adversaries may switch sides in surprising ways. That concept is especially relevant with Robert Downey Jr. stepping into a new villainous role as a figure positioned to fill the kind of threat once represented by Thanos.

An age of Doom comes for Hulk

Bruce Banner’s future looks even bleaker after “Spider-Man: Brand New Day.” In that film, Sadie Sink’s Jean Grey uses telekinesis to break through the control Banner (Mark Ruffalo) had maintained over his Hulk identity for years. The controlled Smart Hulk seen in “Avengers: Endgame” disappears, replaced by the more savage version previously seen in films such as “The Avengers,” who ends up battling Tom Holland’s Spider-Man. By the end, Banner is taken away in an ambulance, anxiously asking whether he injured anyone. The movie offers no further explanation of his fate.

One of the new “Avengers: Doomsday” scenes finally appears to pick up that thread. Banner is shown filming a message inside an underground military site, explaining that he has spent his time away from the public studying gamma science. As he begins, the lights start to flicker and a sinister green radiance spreads across the floor. The image briefly cuts away, but Banner can be heard asking an unseen visitor to identify himself. Doctor Doom then answers that he has come to “collect” Banner.

A Hulk roar suddenly echoes through the facility as broken flashes reveal the green portal Doom used to reach Banner’s reality. Whatever problems Banner faced before, his latest encounter suggests that his circumstances have taken a far more terrifying turn.

Wow! It’s time for a TVA detour

Several major characters introduced through Marvel’s Disney+ series—including Moon Knight and She-Hulk—have yet to appear in a theatrical MCU movie. Owen Wilson’s Mobius, therefore, stands out as one of the few streaming characters to make the jump to the big screen, joining Wyatt Russell’s John Walker and Danny Ramirez’s Joaquin Torres. Aside from the repurposed “Loki” footage used in the “Ant-Man and the Wasp: Quantumania” post-credit scene, Mobius’ true theatrical debut arrives in a new “Avengers: Endgame” credits sequence.

The scene unfolds inside the TVA, where Mobius enters a control room filled with screens showing two Earths attacking one another. One of those worlds is the reality associated with Fox’s “X-Men” characters, most recently seen in “Deadpool and Wolverine.” Ke Huy Quan’s O.B. explains that each universe is attempting to destroy the other before an Incursion can take place. Then the monitors begin filling with countless additional realities—thousands of them. The TVA’s long-standing warnings about keeping universes from interfering with one another have clearly failed.

As Mobius looks on, O.B. delivers the devastating conclusion: the multiverse is collapsing. That catastrophe appears likely to serve as the foundation for the collisions between different corners of Marvel’s reality in “Avengers: Doomsday.” It also suggests that Owen Wilson’s Mobius may have a much larger role to play in the coming chaos.

The Loki mythology is more important than ever

Together, these three sequences—and a brief reuse of Tony Stark’s original “Endgame” audio, now reframed to show Victor von Doom crafting his metal mask—make up the primary new material in “Avengers: Endgame Encore.” Their clearest message is that the mythology established in “Loki” remains deeply important to Marvel’s next major crossover.

When the first season of “Loki” premiered, fans immediately speculated that its TVA and timeline revelations could influence much of MCU Phase Four. Those long-term consequences now appear to be taking shape, with the organization once again positioned at the center of the franchise’s multiverse storyline.

Marvel has indicated that its television projects and theatrical films will operate more independently, but the TVA’s major presence in “Deadpool and Wolverine” made its return to the multiverse saga seem increasingly likely. The possibility was further reinforced by an interactive attraction at Disney’s 2026 D23 fan expo, which allowed visitors to explore a heavily damaged TVA. The new Mobius and O.B. scene in “Endgame Encore” strengthens the impression that these “Loki” characters will be essential to the events of “Avengers: Doomsday.”

That does not necessarily mean every MCU series will be required preparation for “Avengers: Doomsday.” However, the story threads introduced in “Loki” are clearly being positioned as important background for the film. The bigger question now is whether other characters, locations or concepts from the series will also enter the massive crossover.

Friends are about to become enemies and vice versa

Robert Downey Jr.’s casting as Doctor Doom has already signaled that “Avengers: Doomsday” will explore the shifting line between heroism and villainy. Ian McKellen’s Magneto reportedly appears aligned with the heroic mutants, while former antagonists such as John Walker’s U.S. Agent and Ava Starr’s Ghost are expected to fight alongside the Avengers. Doom’s arrival to take Hulk for himself in the new “Endgame Encore” footage adds another layer to that reversal-of-allegiances theme.

The scene also lends weight to one of the more plausible “Avengers: Doomsday” theories: that Doom could recruit former Avengers, potentially including Doctor Strange or Wanda Maximoff, to serve at his side. Neither possibility has been confirmed, but Doom’s plan to “collect” Hulk establishes that at least one familiar Marvel hero may be forced into his service. It leaves the door open for other powerful figures to join him before the multiverse showdown begins.

If Hulk is just the tip of the iceberg for the super-powered pre-existing characters Doom is working with, then “Doomsday” will become a tragic enterprise full of multiverse calamities, leading former friends to turn on one another. Doomsday truly does bring out unexpected alliances.