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How Travis Kelce Supported Taylor Swift From Afar at the 2026 VMAs

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Travis Kelce continues to be Taylor Swift’s biggest cheerleader.

Although the Kansas City Chiefs tight end couldn’t join the Grammy winner at the 2026 MTV Video Music Awards in Los Angeles on Sept. 27, he still found a way to show his love and support.

Kelce, who was preparing for an away game in Miami, appeared to be following Swift’s big night from afar by “liking” social media posts featuring her on the VMAs blue carpet.

Sharp-eyed Swifties noticed that Kelce hearted both a photo and a video of Swift shared by Billboard on Instagram Sept. 27.

While his NFL schedule kept him from attending in person, Kelce’s love for Swift was still reflected in her special-night look. The “Patient Zero” artist prominently wore both her engagement ring and wedding band.

Swift turned heads in a form-fitting black halter gown with an asymmetrical silver skirt. She completed the show-stopping ensemble with her rings and Leviev diamond earrings.

Texas Man Arrested for Crashing Into Closed Kroger to Use Bathroom

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A 60-year-old Texas man was arrested after police said he deliberately drove through the entrance of a Kroger grocery store because he needed to use the restroom.

The man allegedly became upset when he found the store closed and its doors locked, then crashed his vehicle into the building overnight Sunday.

Rosenberg police said the incident occurred shortly before 4:30 a.m. Sunday in Rosenberg, Texas.

A Texas man crashed his car into a Kroger

Police said a Texas man intentionally drove his vehicle through the entrance of a Kroger grocery store. (Rosenberg Police)

The collision caused significant damage throughout the store’s entrance area.

Photos released by police showed the vehicle inside the Kroger, surrounded by broken glass from the shattered doors. The entrance’s metal frames also appeared heavily damaged.

The crash caused extensive damage to the Kroger store, police said. (Rosenberg Police)

“On Sunday, September 27th, at approximately 0428, a known male individual intentionally accelerated into Kroger, causing extensive damage to the pharmacy entrance,” the Rosenberg Police Department wrote on Facebook.

“I guess when you gotta go, you gotta go but we strongly advise finding a store open for business…to do your business,” the department added.

Kroger where Texas man crashed car into pharmacy because he needed a bathroom

The crash was reported just before 4:30 a.m. Sunday in Rosenberg, Texas. (Rosenberg Police)

Authorities identified the suspect only as a 60-year-old man.

The man was arrested on a criminal mischief charge, police told FOX 26.

A HAWK Is Protecting One of Ford’s Most Important Factories

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A trained hawk is helping Ford Motor tackle a long-running pigeon problem at one of its most significant manufacturing sites.

At Ford’s vast 12.1 million-square-foot assembly plant in Hermosillo, northern Mexico, the two-foot-tall bird has completed more than 300 patrols, totaling over 1,170 hours of work.

Named El Charro—a familiar Mexican word associated with a cowboy—the Harris’s hawk began guarding the facility in July 2025, just over a year ago.

Its mission is to drive away the pigeons that had been causing trouble inside and around the Ford assembly plant for years.

The birds created several risks, including entering machinery and interfering with light beams. Their droppings could also land on newly painted vehicles, making them difficult to clean, while the birds themselves posed potential health concerns for employees.

‘Having birds inside creates a lot of risks,’ the factory’s central maintenance manager, Jesus Teran, told the Wall Street Journal.

Before bringing in a bird of prey, workers tried a range of conventional pigeon deterrents, including fake predator eyes and recordings of raptors played through loudspeakers.

The pigeons, however, quickly learned that the threats were not real and soon returned to the plant.

A Hawk named El Charro has been enlisted to stop a pigeon infestation at a major Ford Motor assembly plant in Mexico. A stock image of a trained Harris's hawk is pictured

El Charro, a trained hawk, has been brought in to combat a pigeon infestation at a major Ford assembly plant in Mexico. A stock image of a Harris’s hawk is shown

The Ford factory in the Mexican city of Hermosillo has been plagued by a pigeon infestation for years, which can cause disruptions and is considered a health hazard

Ford’s Hermosillo factory has battled pigeons for years, with the birds creating operational problems and posing a potential health risk to workers

El Charro's daily shifts typically last two to three hours as the bird flies around half the huge factory's exterior. Its flights have reduced pigeon activity by around 80 percent, Ford said

El Charro typically works two- to three-hour shifts, covering roughly half the exterior of the enormous plant. Ford says the hawk’s patrols have cut pigeon activity by about 80 percent

With those methods proving ineffective, plant managers concluded that falconry—the use of specially trained birds of prey—could offer a more lasting answer.

A falconer initially arrived with a Harris’s hawk called Chalino. During one patrol, Chalino encountered another hawk and flew off with it; neither bird was ever seen again.

The falconer later introduced El Charro, another Harris’s hawk that has since become a reliable presence at the Mexican factory.

Ford told the Wall Street Journal that the hawk’s regular flights have lowered pigeon activity at the facility by approximately 80 percent.

‘It has given very good results,’ Teran, the central maintenance manager, added.

El Charro generally begins work in the afternoon, spending two or three hours flying around about half of the building’s exterior. While searching for pigeons, the hawk can also help employees locate nests, which are then removed.

Falconry has gained ground as a way to control nuisance birds because it works without relying on methods such as poison, which are viewed as less humane, Jennifer Coulson, vice president of the Raptor Research Foundation, told the Journal.

The regular appearance of a predator is enough to discourage pigeons, seagulls, sparrows and other nuisance birds from settling in places where they could disrupt operations.

Falconry is a growing solution to nuisance birds, as it is considered more humane than alternatives. A hawk is pictured returning to its falconer at an airport (stock image)

Falconry is increasingly being used to manage nuisance birds because it is considered a more humane approach than some alternatives. A stock image shows a hawk returning to its falconer at an airport

Airports use falconry to deter small birds that can collide with planes or helicopters. The repeated presence of birds of prey is an effective solution against nuisance birds

Airports use falconry to deter small birds that can collide with planes or helicopters. The repeated presence of birds of prey is an effective solution against nuisance birds

Airports use falconry to deter small birds that can collide with planes and helicopters, and beaches use it to keep seagulls from carrying off trash or trying to take food from diners’ plates, for example. 

‘The goal is not to kill the prey, but scare the prey so it doesn’t come back,’ Coulson told the Journal.

In addition to offering an effective and humane solution to the factory’s pigeon problem, El Charro’s presence at the facility has been a hit with staff, Teran told the outlet. 

Many employees ask to take photos with the hawk whenever it is with its owner, the manager said.

The factory plans to continue enlisting El Charro’s help for the foreseeable future, as the bird of prey has proved itself to be an invaluable guardian against pigeons.

VMAs 2026 Best and Worst Moments: Dolly Parton Tributes and Madonna’s Bizarre Speeches

The 2026 MTV VMAs delivered several standout performances, along with a handful of uncomfortable moments that viewers likely would have preferred to see cut from the broadcast.

Held Sunday at Los Angeles’ Peacock Theatre, this year’s ceremony marked the VMAs’ first return to the West Coast since 2017.

With major performances from Madonna, LISA and other stars, the evening ultimately belonged to Taylor Swift. The pop superstar premiered the music video for her new track, “Patient Zero,” and set a new VMAs record by becoming the most-awarded artist in the show’s history.

Here’s a look at the biggest highs and lowest points from the 2026 MTV VMAs.

WORST: The show’s catastrophic 20-minute delay

The night began with viewers already annoyed. Although the VMAs were set to air live on CBS and MTV at 7:30 p.m. ET, the ceremony was pushed back more than 20 minutes after the Baltimore Ravens–Dallas Cowboys NFL game ran overtime.

The delay became even more frustrating when clips from the ceremony appeared on social media before the broadcast began. Angry viewers quickly took to X, with one writing, “Who in the fvk scheduled the vmas after a football game??? Like wdym we are missing a Sabrina/madonna opening?”

BEST: Madonna opens the show with a risqué performance

When the show finally got underway, Madonna wasted no time making an impact, returning to the VMA stage for her first live performance at the ceremony in 23 years.

The pop legend was joined by high-profile collaborators, including Sabrina Carpenter for “Bring Your Love” and Charli XCX for “Danceteria Afterhours.”

Madonna also surprised the audience by bringing out longtime friend Debi Mazar and actress Julia Garner, who had been attached to portray her in the now-scrapped biopic. Together, they helped turn the medley into one of the evening’s most entertaining sequences.

True to her reputation for provocation, Madonna leaned fully into spectacle. Dancers appeared with lasers shooting from their lower bodies, while the performers moved through an elaborate set designed to resemble a row of bathroom stalls.

WORST: Snoop Dogg hosts the show

The rapper proved serviceable as host, but his performance was hardly memorable. Most of his scripted punchlines earned only scattered laughs, and his opening monologue struggled to gain momentum. He did, however, score one sharp joke at Madonna’s expense after her provocative set.

“Madonna just killed it, now that is an icon,” he told the cheering crowd, before adding, “One thing I want to say is, she ain’t no virgin no more.”

BEST: Kacey Musgraves pays tribute to Dolly Parton with an emotional performance

Musgraves headlined a tribute to the late country music legend, who died in August at 80 following a private battle with cancer.

With only a piano accompanying her, Musgraves delivered a beautifully restrained rendition of Parton’s 1974 classic, “I Will Always Love You.” The sparse arrangement put the full focus on her voice.

Its emotional power came from its simplicity, and Musgraves appeared close to tears as she brought the moving tribute to a close.

WORST: Nirvana’s underwhelming Video Vanguard Award acceptance speech

Nirvana received the VMAs’ prestigious Video Vanguard Award on Sunday, becoming the first band to take home the honor since Duran Duran in 2003.

Still, many Nirvana fans felt the moment fell short. Dave Grohl, Krist Novoselic and Pat Smear accepted the award, and after an introduction by Chuck D, the surviving members honored their late frontman Kurt Cobain. The tribute, however, lacked the emotional or theatrical impact some viewers had expected.

WORST: Madonna’s rambling acceptance speeches

Madonna collected several Moon Person trophies, including Best Collaboration for her work with Carpenter, Artist of the Year and Best Dance. Her acceptance speeches, though, became increasingly rambling, with several odd details leaving the audience more puzzled than entertained.

While accepting Artist of the Year, she offered the unusual line, “First of all I would like to thank my fingers, because I can always count on them.”

Later, after winning Best Dance, Madonna acknowledged that she had completely forgotten what the award recognized.

The Material Girl might need a nap.

BEST: Taylor Swift debuts ‘Patient Zero’ music video

What can’t she do?

Swift debuted the music video for her new song, “Patient Zero,” after winning the first-ever Artist Director Honors award presented by her good friend, Dakota Johnson.

The music video stars Johnson as well as Colin Farrell, who plays a villainous abusive husband to Johnson.

Swifties no doubt gobbled up the new music video, which didn’t disappoint with its A-list talent and twist ending.

WORST: Sombr’s George Michaels tribute

Sombr, Raye, Teddy Swims and Adam Lambert were chosen to pay tribute to the legendary British singer, who died in 2016. He was 53 years old.

The tribute opened with Sombr singing Michael’s classics “Faith” and “Father Figure,” but he completely lacked energy.

Lambert later attempted to bring life back onto the stage with his high-energy cover of “Freedom! ’90,” but the tribute was definitely lacking given Michaels’ iconic legacy.

BEST: Swift honors ‘ultimate showgirl’ Parton

Swift dedicated her Video of the Year award for “The Fate of Ophelia” to Parton, calling Parton “the ultimate showgirl.”

“She handles this thing with such grace and joy and love and gratitude for the fact that she got to do this,” she said.

Swift closed the night on a perfect, heartwarming note

“We were all very, very lucky to share this planet with Dolly Parton for a time,” she said.

WORST: Lack of celebs in the audience

We miss the days of Swift enthusiastically dancing in the audience with her celeb pals.

This year’s show surprisingly lacked cuts to celebs in the audience during the performances, a missed opportunity for fans to see the always viral candid reactions.

New Probe Into Cornell Seven Rape Allegations as Victim Can’t Sleep

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A new criminal investigation is underway into allegations that a Cornell University student was drugged and sexually assaulted by seven fraternity members, just days after she said the trauma has left her struggling to sleep.

Tompkins County District Attorney Matthew Van Houten said prosecutors plan to present the case to a grand jury as they revisit allegations surrounding an October 2024 incident at Cornell’s Chi Phi fraternity house.

The renewed scrutiny follows a civil lawsuit filed this month by the former student, identified as Jane Doe, who alleges that seven Cornell students participated in an hours-long sexual assault.

It also comes after the Daily Mail interviewed Doe’s attorney, Thomas P. Giuffra, who said his client continues to struggle with the effects of the alleged attack nearly two years later.

‘She is basically stalled, and her life is devoted to dealing with the trauma,’ Giuffra told the Daily Mail. ‘It’s like a constant, constant reminder.’

In a sworn statement, Doe said she has experienced anxiety, depression and persistent sleeplessness. She also said she stopped attending Cornell after the alleged assault.

Prosecutors are now taking a fresh look at whether the allegations warrant criminal charges.

‘It’s our intention to present the case to the Tompkins County grand jury with Jane Doe’s cooperation,’ Van Houten told ABC News.

Tompkins County District Attorney Matthew Van Houten has reopened the investigation and says prosecutors intend to present the case to a grand jury

Tompkins County District Attorney Matthew Van Houten has reopened the investigation and said prosecutors intend to take the case to a grand jury

The renewed probe centers on allegations that a Cornell University student was drugged and gang raped by seven fraternity members in October 2024. Pictured, the Cornell campus

The revived investigation focuses on allegations that a Cornell University student was drugged and sexually assaulted by seven fraternity members in October 2024. The Cornell campus is pictured

‘We want to reexamine whether there’s additional evidence that we were not aware of in November of 2024, that exists now that would change our assessment of the case and would result in the grand jury finding that there was criminal conduct.’

However, Van Houten emphasized that the allegations in Doe’s recent civil complaint are ‘dramatically different’ from the account authorities say she initially provided to police.

The district attorney said prosecutors did not file charges in 2024 because Doe’s original statement did not claim that she had been unknowingly drugged or engaged in sexual activity without her consent.

‘She never says that she was drugged without her knowledge,’ he said. ‘She admits to taking drugs and alcohol voluntarily and with knowledge.’

‘She does not allege that she was forced to engage in any acts. She does not say that she was physically helpless or unconscious or incapacitated at any point during the time at the fraternity house.’

Giuffra strongly disputes that account and has criticized what he described as shortcomings in the initial investigation.

‘In my experience, speaking with an abuse survivor requires delicacy, understanding and specialized training,’ he told ABC News.

‘An average University Police officer would not have these skills. It would be the role of a specially trained detective or district attorney. However, Ms. Doe was never contacted by anybody with those skills.’

Doe alleged the attack took place at at the Chi Phi house, above, late on October 19, 2024. The fraternity has remained suspended from Cornell's campus

Doe alleges the incident occurred at the Chi Phi house, above, late on October 19, 2024. The fraternity remains suspended from Cornell’s campus

One of the men allegedly posted to the fraternity's active-members Snapchat group saying that there was 'free p***y' upstairs, referring to Doe, according to the filing, which included an image of the purported chat

According to the court filing, one of the men allegedly posted in the fraternity’s active-members Snapchat group that there was ‘free p***y’ upstairs, referring to Doe. The filing included an image of the purported chat

Van Houten acknowledged his office relied upon Cornell University Police’s investigation and did not ‘independently investigate’ the allegations, which he said was consistent with practices in many upstate New York counties.

Another potentially crucial point of contention is a Snapchat group conversation described in Doe’s lawsuit.

The complaint alleges that during the purported assault, one fraternity member posted to a ‘Chi Phi Actives’ group that there was ‘free p***y’ upstairs, referring to Doe.

‘Like you can walk in and whip it out,’ another member allegedly responded, according to a screenshot described in the filing.

Van Houten told ABC News that the group chat was never provided to his office although Giuffra insists authorities had access to it.

‘They were given the group chat inviting the members of the fraternity to rape my client,’ he said, describing it as ‘a critical piece of evidence supporting that a crime had occurred.’

‘Despite this there was no follow-up with Ms. Doe either by the Cornell Police or the Tompkins County District Attorney.’

The lawsuit alleges Doe, then 20, arrived at the fraternity house on October 19, 2024, already heavily intoxicated following a night of drinking in Ithaca.

The seven men were not criminally charged following the original investigation, but prosecutors are now reexamining the case to determine whether new evidence warrants charges

The seven men were not criminally charged following the original investigation, but prosecutors are now reexamining the case to determine whether new evidence warrants charges

She alleges she was pressured to take ketamine and given marijuana and high-proof alcohol before being repeatedly sexually assaulted as additional fraternity members entered the room.

The complaint alleges seven men eventually participated and that Doe became ‘completely incapacitated.’ She says the ordeal continued until around 5:45am, when she lost consciousness.

Doe reported the allegations to Cornell University Police on November 8 after friends encouraged her to come forward, according to the lawsuit.

Cornell temporarily suspended the fraternity and seven students that day.

The university said this month that it takes allegations of sexual violence ‘extremely seriously’ and that its civil rights and student conduct offices ‘investigated and adjudicated the allegations consistent with university policies.’

Federal privacy laws prevent Cornell from revealing individual disciplinary outcomes, it said, while the Xi chapter of Chi Phi remains barred from campus.

The defendants have not all publicly responded to the allegations, but at least two have denied wrongdoing.

Jeremy Saland, an attorney for defendant Scott Kretzschmar, said the alleged incident ‘did not happen.’

‘At bottom, Scott never sexually assaulted or even touched the plaintiff in any way. Period,’ Saland said.

Doe ultimately left Cornell and says she continues to struggle with anxiety, depression and sleepless nights nearly two years after the alleged attack

Doe ultimately left Cornell and says she continues to struggle with anxiety, depression and sleepless nights nearly two years after the alleged attack

‘We look forward to confronting the plaintiff in a court of law for her selfishly false claims with both the evidence and her own words.’

Defendant Scott Norris separately denied participating in sexual activity or drug use, while acknowledging sending one message cited in the complaint.

‘I did not participate in any sexual activity or drug use,’ Norris said. ‘I thoughtlessly engaged in Snapchat and briefly stopped in the room where misconduct happened but not when it happened.’

For Doe, her attorney says the consequences have stretched far beyond the night at the center of the lawsuit.

‘And now she’s dropped out of Cornell. She’s dropped out of college,’ Giuffra previously told the Daily Mail.

‘You could give her all the money in the world; nobody wants to have this as their story. Nobody wants to have this in their lives.’

Taylor Swift Fans Go Wild Over Her Bridal Gown in New Video

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Taylor Swift fans have jokingly declared that a staged wedding portrait in her new “Patient Zero” music video may be the nearest thing they get to seeing a real photo from her marriage to Travis Kelce. The pop superstar appears in bridal attire during the visual.

The 36-year-old Grammy winner, who married NFL star Travis Kelce in July, premiered the video Sunday while accepting the first-ever Artist Director Honors at the 2026 VMAs.

The star-studded video includes appearances from Dakota Johnson and Colin Farrell, along with a brief cameo by model Cara Delevingne.

In the closing moments, the camera moves toward a gravestone marking the final resting place of Swift’s character.

At the lower right of the scene, viewers can spot an oval gold frame containing a fictional wedding portrait of Swift alongside Farrell.

The playful image quickly became a talking point on X, where fans noted that Swift has not released official wedding pictures from her nuptials to Kelce three months ago.

Taylor Swift fans joked that 'this is the closest we are getting' to a Travis Kelce wedding picture as the pop star, 36, donned a bridal gown in her new Patient Zero music video

Taylor Swift fans joked that the bridal look in her “Patient Zero” video may be “the closest we are getting” to a photo from her wedding to Travis Kelce

On the bottom right corner, an oval-shaped gold frame showed a fake wedding photo with Swift and Farrell

A framed fictional portrait shows Swift and Colin Farrell dressed as newlyweds

“This is the closest we are going to get to a Tay wedding picture, isn’t it?” one fan wrote.

Another posted, “Thank you for the wedding photo Taylor,” while a third Swiftie excitedly declared, “WAKE UP TAYLOR SWIFT’S WEDDING PHOTOS DROPPED.”

“This being the closest we have seen Taylor as a bride in 2026,” another X user added.

Daily Mail has contacted Swift’s representatives for comment and is awaiting a response.

Fans who enlarged the image noticed that Swift’s character wears a sleeveless white gown, completed by a sheer veil flowing from the back of her head.

Swift and Kelce reportedly exchanged vows over the Fourth of July weekend during an elaborate ceremony held at Madison Square Garden.

Billboards placed around the venue appeared to confirm the marriage with the message “JusT&T married,” a playful reference to the couple’s names.

Swift’s longtime publicist, Tree Paine, who attended the event, shared details about the celebration in an email sent shortly after the ceremony.

Social media users quickly jumped over to X to playfully joke about the image, with the Love Story songstress yet to unveil her official wedding photos after saying 'I do' three months earlier

Fans took to X to joke about the staged portrait, as Swift has yet to share official wedding photos from her marriage three months earlier

Swift married Kelce over Fourth of July weekend in a lavish ceremony that took place at Madison Square Garden; seen in March in L.A.

Swift and Kelce reportedly married over the Fourth of July weekend at Madison Square Garden; Swift was seen in Los Angeles in March

The couple selected Christian Dior Haute Couture designs for their wedding looks and chose not to include traditional bridesmaids or groomsmen in the ceremony.

Among the high-profile guests seen arriving at the venue were Karlie Kloss, Hugh Grant, Selena Gomez, Benny Blanco, Gigi Hadid, Bradley Cooper and Dakota Johnson.

Earlier this week on Tuesday, a countdown clock had appeared on Swift’s website, causing some fans to speculate that she was going to share wedding photos. 

However, the singer soon announced that new music was on the way. 

The music artist dropped four new songs on The Life of a Showgirl: The Encore, which has been labeled as ‘derivative and flat’ in some reviews. 

The latest tracks include Patient Zero, as well as Pink Clouding, Babylon and Cleveland!, with the latter appearing to be a reference to Kelce’s hometown in the state of Ohio.

Kelce did not appear to accompany Swift to the VMAs over the weekend, with the sports star in the midst of the current NFL season. 

The Bad Blood songstress took to the stage to accept the inaugural Artist Director Honors. 

Earlier this week on Tuesday, a countdown clock had appeared on Swift's website, causing some fans to speculate that she was going to share wedding photos; seen in 2024 in Paris

Earlier this week on Tuesday, a countdown clock had appeared on Swift’s website, causing some fans to speculate that she was going to share wedding photos; seen in 2024 in Paris

The music artist dropped four new songs on The Life of a Showgirl: The Encore, which has been labeled as 'derivative and flat' in some reviews

The music artist dropped four new songs on The Life of a Showgirl: The Encore, which has been labeled as ‘derivative and flat’ in some reviews

‘I got to start making music videos and being a part of these videos 20 years ago and since then, I’ve gotten to be a part of making 60 music videos, roughly 60,’ she said during her speech. 

‘Eighteen of those I wrote and directed, and I really love writing and directing music videos.’

Swift then gave a shout out to her fans for inspiring her to write and direct music videos. 

‘You make it so rewarding because you actually care about what we’re making so I want to say thank you to everyone who ever worked on a music video that I got to be a part of.’ 

The star also unveiled her latest music video for her new single Patient Zero which starred Johnson and Farrell. 

The pair played a couple that seemingly were in a perfect relationship, until their rocky and toxic romance came to light. 

Delevingne also made a cameo in the clip as she portrayed Farrell’s mistress. Swift played the ghost of Farrell’s late wife in the video. 

The Bad Blood songstress took to the stage to accept the inaugural Artist Director Honors

The Bad Blood songstress took to the stage to accept the inaugural Artist Director Honors

The star then unveiled her latest music video for her new single Patient Zero which also starred Johnson and Farrell; Swift and Johnson seen above

The star then unveiled her latest music video for her new single Patient Zero which also starred Johnson and Farrell; Swift and Johnson seen above 

Join the discussion

Should celebrities keep their wedding photos private or share them with their fans?

Swift wowed at Sunday’s awards show in a sleeveless, halter-styled gown with a black velvet top piece that had a sheer corset back. 

The bottom portion of the ensemble was made of a shimmering silver skirt that dazzled underneath the bright stage lights. 

Her blonde locks were parted in the middle and fell down naturally to brush the tips of her shoulders. 

Later during the ceremony, Swift also accepted the award for Video of the Year for her song The Fate Of Ophelia.  

Colombia Captures Wife and Daughter of Ecuadorian Gang Leader Fito

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Colombian police said Sunday they had captured the wife and daughter of notorious Ecuadorian gang leader José Adolfo Macías Villamar, who was extradited to the United States last year to face drug-trafficking charges.

The two women, who are wanted in Ecuador on money-laundering allegations, were arrested in Sabana de Torres, a small town in northeastern Colombia. The operation was conducted with support from the FBI and Ecuadorian authorities.

“Colombia will not be a safe haven for the finances of transnational criminal groups,” Colombian President Abelardo de la Espriella said in a message posted on X on Sunday.

“I will send these (women) with pleasure to my friend President Daniel Noboa, so that they face Ecuadorian justice.”

Macías Villamar, widely known by his nickname “Fito,” escaped from a prison in Guayaquil, Ecuador, in January 2024.

His escape triggered a state of emergency across Ecuador, followed by deadly prison riots and widespread unrest in Guayaquil. During the chaos, gang members stormed a television station while it was airing a live broadcast.

Macías Villamar was recaptured last year and extradited to the United States, where prosecutors have charged him with importing thousands of pounds of cocaine.

The US State Department designated his organization, Los Choneros, as a terrorist group last year.

Even after the capture of powerful crime bosses such as Macías Villamar and the deployment of troops to patrol some cities, Ecuador has struggled to curb escalating drug-related violence.

The country’s homicide rate has increased fivefold since 2020. Ecuador recorded its highest homicide rate in recent history last year, with 50 killings per 100,000 residents, according to the Interior Ministry.

Noboa’s crackdown on drug-trafficking groups has drawn criticism from human rights organizations, which have accused the military of abuses, including the killings of four children between the ages of 11 and 15 in 2024.

Despite those setbacks, Noboa won reelection to a four-year term last year as voters increasingly focused on crime and insecurity.

Mother’s Secret $1M Farm Gift to One Son Tears Family Apart

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When Belinda Jane learned at Christmas that her mother had secretly transferred the family farm to one of her siblings, she says the loss went far beyond an asset valued at about $1million.

The 46-year-old, the eldest of seven children, said the decision fractured the family and highlighted the dangers of making significant inheritance arrangements without proper legal advice or open discussion.

Ms Jane said her 72-year-old mother transferred the 64-hectare farm in East Gippsland—land that had been in the family for generations—to one of her sons without speaking to her other six children.

Ms Jane began investigating after becoming suspicious of her sister-in-law’s behaviour at Christmas 2025. She obtained the title documents and discovered that the sheep farm had been gifted to her oldest brother as an early inheritance.

“My mother had basically given her whole inheritance to one of my brothers and had not told us, keeping it a secret for 12 months,” she told the Daily Mail.

When Ms Jane asked why the transfer had not been disclosed, she said her mother replied: “Oh, I meant to, but life got in the way.” Ms Jane said that might explain a delay of a week or two, but not a year.

According to Ms Jane, her mother had frequently spoken about preserving the farming legacy left by her father.

“I said to her, ‘But you neglected to ask whether any of your other children wanted to be part of that legacy,’” she said.

Belinda Jane (pictured right) with her mother, who left the family farm to one son out of six siblings

The East Gippsland farm (pictured) is estimated to be worth about $1million and has been held by the family for generations

Ms Jane said she was deeply concerned that her mother had not sought independent legal advice or discussed the decision with her children before effectively excluding the others from an asset in which they felt they had an interest.

She said several of her siblings had previously shown interest in buying land or becoming involved in the farm, but were never offered a genuine opportunity to do so.

“I’ve never been interested in the farm, but I know some of the others were,” Ms Jane said.

Some siblings had even offered to purchase blocks from their mother, she said, but the discussions broke down after she proposed what they considered to be exorbitant prices.

“I never thought anything would be equal when she passed away, but I thought it would be somewhat fair,” Ms Jane said.

She stressed that the dispute was not chiefly about money. Instead, she said, the secrecy and lack of consultation had damaged trust and left six siblings feeling excluded from a major family decision.

“Mum’s lack of trust in us and lack of communication, honesty and transparency, all of the above, have brought up old hurts for us six other children—and the feeling that we weren’t wanted by her.”

Ms Jane said the dispute had strained relationships across generations, including among the family’s eight grandchildren. Some relatives are now uncomfortable attending long-standing gatherings at the property.

Belinda Jane (pictured) said the dispute is not primarily about money but about secrecy, trust and the emotional impact on six siblings who feel they were shut out of a major family decision

Belinda Jane (pictured) said the dispute is not primarily about money, but about secrecy, trust and the emotional impact on six siblings who feel they were shut out of a major family decision

“I think that’s when Mum’s really going to notice,” she said.

‘Mum has just stuck her head in the sand and refused to answer some pretty simple questions from the beginning, such as: Who did you talk to? Who did you get advice from? Why did you do this? Why didn’t you tell us?

‘She has flat-out refused to answer those questions. She has since attempted to answer some of them, but she doesn’t seem to see the real issue, which is that she has neglected all the other kids.

‘I’m particularly upset for a few of my siblings who do a lot for her. I don’t. I live in the city, and I’ve never had a great relationship with her.

‘But if you can’t give credit to those kids who still do so much for you… my sister lives around the corner from Mum, and she’s constantly helping her out.

‘Another brother has been very close to Mum, not the one who got the farm, and I just don’t understand how she has seemingly forgotten all that and handed it over to one child.’

Ms Jane said she was also concerned about her mother’s future care after giving away a major asset that could potentially have funded aged care. 

‘I asked her what are you going to do when you can’t look after yourself anymore and need to pay for some sort of care, wherever that is?’ 

Farming in East Gippsland (pictured) is predominantly family-based

Farming in East Gippsland (pictured) is predominantly family-based

‘And her response was, “God will provide.”‘

She said she decided to speak publicly because she believes families need to have open conversations about wills, estate planning and inheritance before disputes arise.

‘I have never been one to shy away from talking about things that most people don’t like to discuss. The only way to educate people is for someone to talk about it.’

Daily Mail contacted Ms Jane’s mother for comment, but she refused to speak.

Ms Jane’s family dispute comes as Australia enters what has been dubbed the ‘Great Wealth Transfer’, with trillions of dollars in property, superannuation, investments and other assets set to pass from older Australians to younger generations.

The Productivity Commission has estimated Australians aged over 60 will transfer about $3.5trillion in wealth over the coming decades as the Baby Boomer generation ages. 

More than $120billion was transferred through inheritances and gifts in 2018, more than double the amount in 2002, with inheritances accounting for about 90 per cent of transfers. 

The Commission has projected the value of inheritances could increase around four-fold in real terms by 2050 as Australia’s population ages and decades of rising property and investment values swell the estates being left behind. 

5 Must-Watch Horror Movies Defining the 2020s So Far

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The 2020s have delivered more than enough real-life nightmares to fill a horror anthology. Rising authoritarianism, ongoing genocides and global pandemics have made the world feel frighteningly unreal, so it is little wonder audiences have continued turning to scary movies. In theaters, horror offers a controlled way to confront anxieties that are otherwise impossible to escape. Sharing that experience with a roomful of strangers can make even the darkest material feel more manageable.

That surge in popularity has helped send an unprecedented wave of horror releases into cinemas around the world. The decade has already produced an abundance of daring, distinctive films, but a select few stand above the rest as defining examples of modern horror. The five titles highlighted here—based on entirely subjective judgment—represent the genre at its most inventive during the 2020s. Each is exceptional, yet they differ dramatically in style, mood and ambition.

There is no single formula behind the decade’s most memorable horror movies. Some unsettle through social commentary, others through sheer spectacle or surreal invention. Together, they demonstrate just how many different ways contemporary filmmakers can frighten, astonish and stay with audiences long after the credits roll.

The Ugly Stepsister

Modern cinema has repeatedly reinvented familiar fairy tales, from “Shrek” and “Frozen” to “Wicked.” Few revisions, however, are as disturbing or as carefully realized as “The Ugly Stepsister.” Written and directed by Emilie Blichfeldt, this audacious body-horror film shifts the focus to Elvira (Lea Myren), one of Cinderella’s supposedly unattractive stepsisters, played by Thea Sofie Loch Næss. Once relegated to the margins of the story, Elvira becomes the central figure as her mother tries to secure her a wealthy marriage and rescue the family from financial hardship.

Elvira’s transformation is driven by a brutal desire to satisfy poisonous, male-defined beauty standards. She is subjected to bizarre cosmetic procedures designed to make her appear worthy of a prince, and Blichfeldt does not spare viewers the chiseling, tearing flesh or stomach-churning tapeworm extractions involved. Yet the film’s disgust is never empty provocation. Beneath its grotesque imagery lies a sharp examination of misogyny and the damaging expectations imposed on women.

The film is particularly unflinching in its depiction of older men exploiting young women, while economic desperation becomes another force stripping women and girls of their humanity. By fusing a familiar fairy tale with uncompromising body horror, “The Ugly Stepsister” manages to be both physically nauseating and intellectually incisive.

Nope

Jordan Peele’s influences range across an impressively broad selection of films, a diversity reflected in the shifting tones of his own work. His three features as a director are already strong candidates to inspire future filmmakers, including “Nope,” his only directorial release of the 2020s so far. At its heart, the movie is a warning about humanity’s urge to dominate forces that should never be controlled, expressed through the unlikely collision of a California ranching family and a UFO.

There is enough thematic depth and visual invention in “Nope” to sustain countless academic discussions, but the film never loses sight of its job as a horror story. It can be genuinely terrifying. One standout sequence traps Otis “OJ” Haywood Jr. (Daniel Kaluuya) inside a barn while an apparently alien presence moves steadily closer, turning suspense into an exercise in controlled panic. The creature, nicknamed Jean Jacket, becomes even more frightening because Peele refuses to make its nature fully comprehensible or familiar.

With its assured direction, unforgettable imagery and expertly calibrated scares, “Nope” keeps viewers tense from start to finish. That combination of spectacle and fear is a remarkable achievement, even if it feels entirely consistent with Peele’s body of work.

Teenage Sex and Death at Camp Miasma

Slasher killers and cursed campgrounds may be familiar sources of terror, but writer-director Jane Schoenbrun argues that true fear can come from far more intimate places. In “Teenage Sex and Death at Camp Miasma,” being sexually honest, exploring one’s desires, opening up emotionally and confronting the influence of beloved art all become frightening acts of self-discovery. As the best horror film of 2026 so far, “Camp Miasma” makes that difficult process feel both unnerving and strangely liberating.

The story follows filmmaker Kris Williams as they encounter reclusive movie star Billy Presley at a campground of deep importance to horror enthusiasts within the film’s world. “Camp Miasma” draws on the visual language of classic genre cinema while remaining unmistakably its own creation. Its winter setting glows with purple and pink tones, brought to life through richly textured matte paintings that make the landscape feel almost tangible. The film’s deliberately unstable tone accommodates both an all-time slasher set piece and wildly surreal images that are as mesmerizing as they are disturbing.

Although it is steeped in older horror traditions and shaped by the studio tensions surrounding contemporary genre filmmaking, “Teenage Sex and Death at Camp Miasma” feels wholly singular. Whatever else the remainder of the decade may produce, Schoenbrun’s film is poised to remain one of the signature horror releases of the 2020s.

Titane

There is nothing quite like “Titane.” Julia Ducournau’s 2021 French-language horror film became notorious after causing some viewers to faint in theaters. Its protagonist, Alexia (Agathe Rousselle), has a titanium plate in her head, a history of murder and a startling sexual fixation with automobiles. After a particularly violent massacre, she assumes the identity of Adrien, a missing teenage boy, and moves in with his father, Vincent (Vincent Lindon). An unexpected and deeply affecting bond develops between them, with the song “Macarena” playing an unlikely role in the story.

“Titane” is gloriously unrestrained, showing no interest in courting mainstream approval or following conventional storytelling rules. That refusal is central to its power. Ducournau fills the film with images that push body horror to extraordinary extremes, then heightens them through vivid color palettes and intricate sound design. The result is not simply a series of shocking moments, but a meticulously crafted descent into cinematic madness.

Like the most enduring horror films, “Titane” shocks viewers before leaving them unsettled and unsure of what they have witnessed. Ducournau’s greatest feat is balancing grotesque unions of flesh and metal with moments of genuine tenderness. The film’s ability to be revolting, bewildering and unexpectedly moving at the same time makes it one of the decade’s most astonishing achievements.

Sinners

“Sinners” wasn’t just Ryan Coogler’s most ambitious film yet, nor was it just one of the best vampire movies ever made. It’s also unquestionably the greatest horror movie of the 2020s so far. There are endless elements specific to this feature that make that achievement a no-brainer. However, it’s worth noting all the unique qualities “Sinners” has that no other 2020s horror movie has. Does any other scary title this decade have a sequence as mesmerizing and showstopping as the big “I Lied to You” musical number in “Sinners?” Does any other 2020s frightfest feature such inspired uses of shifting aspect ratios or richly tactile IMAX 70mm camerawork? How about a pair of lead performances as ingeniously realized as the ones Michael B. Jordan delivers as twins Smoke and Stack?

“Sinners” is a rollicking ride (centered on Smoke and Stack starting up a juke joint that gets invaded by Irish vampires) rich with thoughtful social commentary, precisely realized visuals, and also incredibly fun flourishes (like a villainous vampire repeatedly yelling “SAMMIE!”). It just excels on every conceivable level, from Ruth E. Carter’s magnificent costume design to a flawless ensemble cast (Delroy Lindo especially steals the show with his unforgettable work). Also, it succeeds at being truly scary and gnarly with its unabashedly classical take on vampires.

“Sinners” gives you everything you’d want out of a horror movie and then proceeds to provide moviegoers with infinitely more. One of the greatest cinema accomplishments of the 21st century, “Sinners” is undoubtedly the pinnacle of 2020s horror filmmaking so far.

Alex Warren and His Wife Have Awkward Moment on 2026 VMAs Red Carpet

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BEST LATIN

Anitta and Shakira – Choka Choka

Bad Bunny – NUEVAYoL – WINNER

Fuerza Regida – Tu Sancho

Karol G – Papasito

Rosalía – La Perla

Ryan Castro, Kapo and Gangsta – La Villa

Shakira and Burna Boy – Dai Dai

 

BEST K-POP

Blackpink – Jump

BTS – Swim – WINNER

Cortis – Redred

Katseye – Pinky Up

Le Sserafim – Spaghetti

Lisa – Dream

 

BEST COUNTRY

Ella Langley – Choosin’ Texas – WINNER

Kacey Musgraves – Dry Spell

Lainey Wilson – Somewhere over Laredo

Luke Combs – Back in the Saddle

Shaboozey – Cowgirl

Stella Lefty – Boston

Tucker Wetmore – Brunette

 

BEST DIRECTION

Ariana Grande – Hate That I Made You Love me

Bruno Mars – I Just Might

Gener8ion – Storm

Madonna – Confessions II (The Film)

Sabrina Carpenter – House Tour

Taylor Swift – Opalite – WINNER

BEST CINEMATOGRAPHY

Ariana Grande – Hate That I Made You Love Me

A$AP Rocky – Punk Rocky

Lisa – Dream

Madonna – Confessions II (The Film) – WINNER

Shaboozey – Cowgirl

Taylor Swift – The Fate of Ophelia

Madonna dominated as she earned the most wins with seven

Madonna dominated as she earned the most wins with seven 

BEST EDITING

Ariana Grande – Hate That I Made You Love Me

Bruno Mars – I Just Might

Lisa – Dream

Madonna – Confessions II (The Film)

Sabrina Carpenter – House Tour – WINNER

Taylor Swift – The Fate of Ophelia

Sabrina took home Best Editing for House Tour as she accepted Best Collaboration with Madonna

Sabrina took home Best Editing for House Tour as she accepted Best Collaboration with Madonna

BEST CHOREOGRAPHY

Gener8ion – Storm

Harry Styles – Dance No More

Katseye – Pinky Up

Madonna – Confessions II (The Film)n – WINNER

Tate McRae – Nobody’s Girl

Taylor Swift – The Fate of Ophelia

BEST VISUAL EFFECTS

Ariana Grande – Hate That I Made You Love Me – WINNER

Jisoo and Zayn – Eyes Closed

Madonna – Confessions II (The Film) – WINNER

PinkPantheress and Zara Larsson – Stateside

Raye – Click Clack Symphony

Taylor Swift – The Fate of Ophelia

BEST ART DIRECTION

Charli XCX – SS26

Lady Gaga and Doechii – Runway

Madonna – Confessions II (The Film)

PinkPantheress and Zara Larsson – Stateside – WINNER

Sombr – My Body Isn’t Ready

Taylor Swift – The Fate of Ophelia

PinkPantheress earned Best Art Direction alongside Zara Larsson for Stateside

PinkPantheress earned Best Art Direction alongside Zara Larsson for Stateside