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Blake Snell Leads Dodgers Rotation Surge Ahead of Playoffs

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Six scoreless innings from Blake Snell gave the Dodgers exactly the kind of outing any club would welcome.

On paper, it looked like a performance worth applauding.

Snell, however, framed it more cautiously, calling the start a “good starting point.”

“I think I can be way better,” Snell said.

As Snell reflected on his work in the Dodgers’ 5-3 win over the Washington Nationals on Saturday night, his tone made clear that satisfaction had not yet arrived. The results were strong, but in his view, his form still had another level to reach.

More From Dylan Hernandez

He isn’t alone.

The starters who will comprise the Dodgers’ postseason rotation know that when the playoffs start, they will have to pitch better than they have. Their team’s inconsistent offense will once again give them little margin for error, perhaps even less than last year with Shohei Ohtani dealing with multiple injuries.

If October marks the start of the baseball season in Los Angeles, September is spring training. The pitchers have three weeks to prepare for the starts that will define their seasons, or perhaps even careers. Up next will be Tyler Glasnow, who pitches Saturday in only his third start since returning from a 3 ½-month absence that was forced on him by back spasms.

The night before Snell beat the Nationals, Tarik Skubal was flabbergasted by his stat line in his start against the St. Louis Cardinals: 5 ⅓ innings, two runs, 10 hits, all of them singles.

“I mean, 10 singles,” said Skubal, taking solace in how he didn’t give up any extra-base hits. 

Skubal said he threw the ball well, pointing to how pitches that missed by a couple of inches to either side radically transformed certain at-bats.

“In my eyes,” Skubal said, “that’s executing a pitch.”

Which isn’t to say he Skubal viewed himself entirely as a victim of dumb luck.

“I’ve gotta continue to make pitches and continue to suppress contact and try and get misses when I can,” he said.

The start was the sixth for Skubal since his trade from the Detroit Tigers. He has pitched more than six innings only once for the Dodgers, with whom he is 1-2 with a 3.03 earned-run average.

“I know we haven’t seen the best of him yet,” manager Dave Roberts said.

The Dodgers saw the best of Yoshinobu Yamamoto on Wednesday – for five innings.

Facing the Cardinals, Yamamoto had a no-hitter through five innings that was broken up in the sixth on a leadoff single by José Fermín. Two batters later, Yamamoto gave up a home run to Thomas Saggese. 

In the next inning, Yamamoto gave up a leadoff double to Jordan Walker, which was followed by a home run by Leo Bernal.

“When I went into the stretch, my control was really bad,” Yamamoto said in Japanese.

He departed the game with a 5-4 lead, which the bullpen failed to protect. The Dodgers lost the game in extra innings.

Yamamoto was frustrated, as he thought it was inexcusable to lose a game in which the Dodgers’ slumping offense scored five runs.

“They scored for me, and it was a game we could have won if I’d held the other team,” Yamamoto said.

Yamamoto has made 25 starts, and his numbers are better than they were last year at the same stage, as he has a 2.67 ERA in 165 innings. Through his first 25 starts last year, he had a 2.90 ERA in 139 ⅔ innings.

Yamamoto’s personal trainer, Osamu Yada, said Yamamoto should start hitting his stride in the second half of the month, which should position him to perform as well, if not better, in the playoffs than he did last year when he was the most valuable player of the World Series.

As for Snell, he said he had to be more efficient.

His six-inning effort was an inning longer than his previous start, but he continued to call on himself to pitch deeper into the game.

“Going six is cool, and it’s a good starting point,” Snell said. “I really want to go seven, eight. I want to get to nine.”

Snell, who pitched for only the fifth time since he returned from an early-season elbow operation, threw 100 pitches.

“I just can’t be walking guys that I know I can get out. Just gotta get ahead, quit trying to be so perfect and just attack it.”

That’s what Snell did when he pitched seven shutout innings against the Cincinnati Reds in Game 1 of the Wild Card Series last year. That’s what he did when he blanked the Milwaukee Brewers over eight innings in the opening game of the National League Championship Series.

Snell knows where he wants to be when the playoffs open. He has three more regular-season starts to get there.

5 Classic Marlon Brando Movies That Haven’t Aged Well Today

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Marlon Brando is almost impossible to leave out of any serious conversation about the greatest actors in film history. A seismic presence in American cinema, he helped transform screen acting itself and created unforgettable characters in classics like “The Godfather” and “Apocalypse Now” that remain part of pop culture conversation decades later. To study American movie performance is, inevitably, to spend time with Brando’s most celebrated work. Still, the actor’s career was as erratic as it was influential, and his filmography also includes some deeply regrettable misfires.

Because Brando’s impact was so vast, the weaker and more troubling chapters of his career deserve scrutiny too. For all his reputation as a Hollywood rule-breaker who pushed against traditional acting conventions, Brando also starred in films that upheld some of the industry’s most damaging habits instead of dismantling them. The Marlon Brando movies that are hardest to watch today make that contradiction painfully clear. Several of these titles were once embraced by audiences, critics, or the box office, but early success has done little to protect them from aging terribly.

Whether because of offensive creative choices, dated storytelling, or misguided performances, these five Marlon Brando vehicles prove that even one of cinema’s most gifted actors did not always choose wisely. In some cases, his instincts led him into projects that were problematic from the start.

The Teahouse of the August Moon

Donald Bogle’s book “Bright Boulevards, Bold Dreams: The Story of Black Hollywood” recalls a late-1940s letter written by Betsy Blair, the acclaimed performer and then-wife of Gene Kelly, to Hollywood’s major guilds. In it, Blair urged the industry to radically improve the way non-white characters, particularly Black characters, were represented on screen. Among the examples she cited was the disturbing practice of casting white performers in Black roles. The racism of blackface and related traditions was not some later-discovered problem; its ugliness was being plainly called out even in the 1940s.

Yet almost 10 years after that warning, Hollywood was still leaning on dehumanizing casting choices. One glaring example was the 1956 comedy “The Teahouse of the August Moon,” which featured Marlon Brando as Sakini, a Japanese interpreter. Though the film has largely slipped from mainstream memory, Brando’s performance continues to draw criticism today. The story was intended to show Japanese and American characters finding common ground, but even that already simplistic framing carried uneasy weight in the aftermath of Hiroshima and Nagasaki. Whatever message of understanding the film hoped to deliver was badly undermined by Brando’s exaggerated, caricatured portrayal.

Playing this individual like an aggressively arch cartoon character, Brando’s performance sank any attempts by “The Teahouse of the August Moon” to work as a piece of art. If only the film’s producers had heeded Betsy Blair’s warnings from years earlier. 

The Nightcomers

Part of the untold truth of Marlon Brando was that he was basically all washed up as a bankable actor by the end of the 1960s. Then, “The Godfather” came around, and in one fell swoop, Brando’s star was restored. Easily one of Marlon Brando’s best movies, “The Godfather” gave this performer a new lease on life that prior boondoggles like “Mutiny on the Bounty” made impossible to obtain. But just before his Don Vito Corleone performance changed everything, he headlined “The Nightcomers” as Peter Quint. This Michael Winner directorial effort functioned as a prequel to the famous novella “The Turn of the Screw” and co-starred Stephanie Beacham and Thora Hird, among others.

At the time of its release, Brando secured a BAFTA best actor nomination for “Nightcomers.” Unfortunately, not every aspect of the movie is still regarded so loftily. For one thing, Brando’s  decision to give Quint a peculiar Irish accent has earned its fair share of modern ribbing. Meanwhile, the project’s attempt of being a cozy prequel to “The Turning of the Screw” has only garnered more controversy with time, especially given how many subsequent prequels with similarly tidy narrative impulses have dominated theaters. The blueprint for their failures was laid down by “The Nightcomers.”

While less egregious than some films on this list, “The Nightcomers” has still aged weirdly and not for the better.

Sayonara

A year after “The Teahouse of the August Moon,” Brando returned to anchor another movie about American and Japanese cultures colliding with “Sayonara.” Here, he portrayed Major Lloyd “Ace” Gruver, who, while stationed in Japan, falls in love with Hana-ogi (Miiko Taka). Their relationship is complicated by America declaring mixed-race marriages illegal and Gruver already being engaged to Eileen (Patricia Owens). When it first hit theaters, “Sayonara” was a critical triumph. It scored a whopping ten Oscar nominations and even won a slew of them, including acting victories for supporting performers Red Buttons and Miyoshi Umeki.

Decades after its debut, though, assessments of “Sayonara” are more complicated than the enduringly euphoric reputation of the best movies of the 1950s. Writer Scarlet Cheng of the Los Angeles Times, for one, observed that “Sayonara” and its pleas for racial tolerance were undercut by its often dehumanizing perspective on Japanese-American women, specifically in idealizing them as “subservient” to white men. The title’s stereotypical approach to depicting Japanese culture has also been critiqued in modern reviews. Similarly troublesome and persistently controversial is its reductive approach to Japanese-American men, embodied by Ricardo Montalban in yellowface to portray the most prominent Japanese-American male character.

While “Sayonara” presented itself as forward-thinking, it unfortunately fell into common Hollywood traps when depicting foreign countries. No amount of Oscar glory can erase these frustrating issues.

Viva Zapata!

For anyone hoping that “The Teahouse of the August Moon” was the only example of Marlon Brando unfortunately playing a non-white ethnicity, think again. As if ratting out his friends to HUAC wasn’t bad enough, director Elia Kazan’s 1950s exploits also included helming “Viva Zapata!,” where Brando played legendary Mexican figure Emiliano Zapata. Two years after “Viva Zapata!” hit theaters, the excellent pro-labor movie “Salt of the Earth” populated its cast with actual Mexican performers like Rosaura Revueltas and Juan Chacón. Meanwhile, “Viva Zapata!” put Brando, Jean Peters, Joseph Wiseman, and others in brownface and called it a day.

When it first hit theaters, “Viva Zapata!” did quite well in establishing a positive reputation. Brando even won a prestigious Cannes award for his performance asZapata. However, this title eventually became another popular movie that aged terribly. In hindsight, “Viva Zapata!” has come under fire for being so far removed from Mexican culture and history that it came off as unintentionally comical. Then there’s the use of the one major Mexican performer, Anthony Quinn, as a traitorous villain while the white people in brownface get to be heroic.

Everything about “Viva Zapata!” was woefully miscalculated, which makes it downright cringe-worthy to watch today. Spend your time watching actual ’50s Mexican films, such as Luis Buñuel’s “Él,” instead.

Last Tango in Paris

Today considered one of the best 1970s movies of all time, “Last Tango in Paris” was an instant critical darling when it was released in 1972. No less than Pauline Kael hailed it as a landmark event in cinema, while Martin Scorsese praised “Last Tango in Paris” as a microcosm of what made director Bernardo Bertolucci special. However, a dark cloud hovers over this motion picture. “Last Tango in Paris” features a scene involving Marlon Brando’s Paul raping Jeanne (Maria Schneider). The execution of that moment, and especially its use of butter, was not cleared with Schneider beforehand.

“They only told me about it before we had to film the scene and I was so angry … I felt humiliated and to be honest, I felt a little raped, both by Marlon and by Bertolucci,” Schneider recalled in 2007 with Daily Mail. “After the scene, Marlon didn’t console me or apologize. Marlon said to me: ‘Maria, don’t worry, it’s just a movie,’ but during the scene, even though what Marlon was doing wasn’t real, I was crying real tears.” This horrifying and harrowing account, coupled with Bertolucci declaring “I feel guilty, but I don’t regret it” in response to Schneider’s testimony (via The Guardian), has now put “Last Tango in Paris” in an unavoidable new light.

Whatever its initial power, the larger context of “Last Tango in Paris” now boils down to it being a movie where two men traumatized a 19-year-old actor.

Middlesbrough Police Chief Rejects Claims Gangs Control the Town

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Cleveland Police’s chief constable has rejected claims that gangs have taken control of Middlesbrough, insisting the force is “doing the very best with what we’ve got.”

Victoria Fuller said Cleveland Police needs an extra £26million to take on organised crime groups and deal with street-level offending, speaking in an emotional interview after the deaths of two officers, PC Matthew Blades, 37, and PC Tom Clough, 38.

The officers were killed in the line of duty on August 22 when a Volkswagen Passat being driven the wrong way along the A66, near Middlesbrough, collided with them.

Five young men in the car — Jakub Matusiak, 23, Michael Cahill, 23, Makai Saddington, 18, Theo Rae, 17, and Cole Worthy, 17 — also died in the crash, which has since triggered violence and unrest across Middlesbrough and County Durham.

Cleveland Police covers an area that includes Middlesbrough and currently records the highest crime rate in England and Wales.

There has been a spate of car rammings in the area, typically used to intimidate rival gangs, while vulnerable teenagers have been recruited for county lines.

In an interview with the BBC, Ms Fuller denied gangs have taken control of Middlesbrough, but admitted the area needs far more funding. 

‘We’re doing the very, very best with what we’ve got – and we absolutely do need more,’ she said.

Authorities say organised crime is being fuelled by high deprivation and unemployment in the area. 

Chief Constable Victoria Fuller begged for more funding and officers as she appeared in an emotional interview following the death of two of her officers, PC Matthew Blades, 37, and PC Tom Clough, 38

Chief Constable Victoria Fuller begged for more funding and officers as she appeared in an emotional interview following the death of two of her officers, PC Matthew Blades, 37, and PC Tom Clough, 38

Cars were torched during a vigil for Michael Cahill, one of the A66 crash gang who died

Cars were torched during a vigil for Michael Cahill, one of the A66 crash gang who died

PC Tom Clough, left, and PC Matthew Blades were killed in the car crash on the A66

PC Tom Clough, left, and PC Matthew Blades were killed in the car crash on the A66

‘When young people have little aspiration or hope, who don’t have confidence in the state, then unfortunately criminals exploit these people,’ Ms Fuller said.

‘They give confidence, and they give them hope, and they give them aspiration. And sadly what that means is young people doing things without thought of consequences.’

Ms Fuller described PC Blades and PC Clough as ‘brave, committed, professional people who put the public before themselves’.

‘What Matty and Tom were doing that day was a routine part of their role, so I can’t sit here and say that anything would have prevented this from happening,’ she said.

‘But we have been calling for better funding for many years now. I’ve been here for four years now and, even in my time, there’s been two, two direct funding requests for additional funding here.’

Ms Fuller, who joined Cleveland in 2022 and was appointed chief constable in June last year, welcomed a £2million cash boost from Home Secretary Shabana Mahmood to tackle serious crime after a spate of incidents in the area.

But she said £26million was required to defeat organised gangs and tackle street crime. 

Ms Fuller told The Times: ‘These are complex, multi-generational issues that will not be solved by policing alone.

‘It won’t be solved overnight — and certainly not with £2 million.’ 

She added: ‘We deal with issues akin to inner-city crime [but] the budget doesn’t match. I don’t want Cleveland to have the highest crime rate.’ 

Cleveland Police and Crime Commissioner Matt Storey said the force was facing a £2.4 million funding shortfall, said to be the equivalent of about 40 full-time police officers.

Mr Storey previously said the Government’s funding for the force ‘completely fails to deliver the resources required to meet the demand faced by Cleveland Police and falls far short of what is needed’.

Ms Fuller said she was ‘passionate’ about leading the force through this ‘difficult time’, and for the next few years.

She continued: ‘Do you know what? I’ve got the best workforce. I’ve got the best workforce of the most selfless, committed people who do punch above their weight.

‘I just want to say thank you to the vast majority of people that live in our area, who are really good, law-abiding people, who care deeply about their communities, who care deeply for their police service, and who have really supported us through.’

Mourners yesterday gathered for the funeral of one of the five young men killed in the A66 crash

Mourners yesterday gathered for the funeral of one of the five young men killed in the A66 crash 

Mourners attend the funeral of Jakub Matusiak. Many were dressed in orange while some were masked

Mourners attend the funeral of Jakub Matusiak. Many were dressed in orange while some were masked

Yesterday, hundreds of mourners gathered in Middlesbrough for the funeral of Jakub Matusiak – one of the five young men who died in the A66 crash.

A white carriage drawn by two grey horses carrying Matusiak’s coffin arrived at St John The Evangelist Church, just before 3pm.

Family members and close friends arrived in a Rolls Royce, two Lamborghinis, a Porsche and two limousines.

Floral tributes spelling the words ‘Dad’ and ‘Friend’ had been placed on top of the carriage while two black hearses followed behind carrying photographs of Matusiak framed with cream and orange flowers.

The family had requested mourners wear orange, his favourite colour. Traffic was held up as the coffin, engraved with the words ‘son’, was carried into the church by six pallbearers, the solemn silence interrupted briefly by applause and whistles.

It came after schools were accused of ‘giving in to thugs’ by closing at lunchtime over fears of disorder.

Six schools in Middlesbrough shut their doors at midday on Friday to avoid clashing with Matusiak’s funeral in the South Bank area of the town.

The decision, which was condemned by the Conservatives, followed a meeting between head teachers and the local authority over concerns about large crowds, motorbikes and quad bikes gathering.

Officers stayed away from the service when it began even as crowds continued to gather outside, with some attending in balaclavas and hoodies.

Members of the press who were reporting on the funeral were advised to leave the area half-way through with one man exclaiming ‘It would be a good idea to leave…now.’

At a ‘memorial’ for Matusiak last month, close to the crash site in South Bank, orange balloons were released, fireworks set off and balaclava-clad bikers intimidated residents.

Matusiak had previously shared footage on social media of him driving a Volvo recklessly, veering off the road and speeding across a grass park in May. 

He had two previous convictions for driving without a licence and using a vehicle without insurance. 

Police are investigating whether the five men had links to ‘serious and organised criminal activity’.

Four of the group had at least 37 previous convictions between them.

US Military Strikes Three Iranian Oil Tankers After Navy Warships Report Missile Attacks

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CAIRO — The U.S. military said Saturday it had hit three Iranian oil tankers after Navy warships came under missile fire, issuing a sharp warning that it would “if necessary, destroy Iran’s limited and exposed oil fleet.”

The attacks came just a day after President Donald Trump attempted to downplay the conflict as “small potatoes,” but they underscored a renewed shift toward open fighting in a stop-start war now stretching into its sixth month. The conflict began with U.S. and Israeli strikes on Feb. 28, and since then both sides have pursued military and economic pressure as diplomatic efforts have fallen apart.

According to the U.S. military statement, an American aircraft carrier and a destroyer avoided “multiple unprovoked Iranian attacks” while operating in the region. No U.S. service members were injured, officials said. The military added that two Iranian oil carriers were “permanently disabled,” while a third tanker, which was not carrying cargo, was destroyed.

U.S. officials said the vessels belonged to a shadow shipping network used to generate funding for Iran’s influential Revolutionary Guard and allied armed groups across the Middle East.

Earlier, Iranian state television reported that four U.S. missiles had struck a tanker roughly six miles (10 kilometers) off Kharg Island, the site of a key export terminal handling much of Iran’s oil. The island has been hit repeatedly during the war, including in March when U.S. strikes targeted military facilities there.

The U.S. said one tanker was struck off Kharg Island and another was struck near Jask, east of the Strait of Hormuz. The unladen tanker was hit in the Gulf of Oman. The statement shared what it called video footage of the strikes.

“We will not hesitate to defend American forces, and if necessary, destroy Iran’s limited and exposed oil fleet,” the head of U.S. Central Command Adm. Brad Cooper said.

The strikes came nearly a week after the U.S. and Iran resumed attacks following a month of relative calm, with the strait and Iranian communities along it again being targeted. At least five people were killed earlier in the week during a U.S. bombardment of southern Iran. One strike hit a wedding.

The resumption of fighting came after new U.S. efforts to apply economic pressures on Tehran, whose hard-line new senior leaders have signaled the willingness to dig in after weathering decades of sanctions.

Meanwhile, the issue that helped lead to the war – Iran’s nuclear program – was meant to be addressed in negotiations that fell apart soon after the U.S. and Iran signed a memorandum of understanding in mid-June. Instead, Tehran’s new leverage focuses on the strait that is crucial to global oil and natural gas shipments and was seen as an international waterway before the war began.

The U.S. military has been helping to guide ships through the strait as Tehran asserts control and targets some vessels, but overall traffic remains low.

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Anna reported from Jerusalem.

Copyright © 2026 by The Associated Press. All Rights Reserved.

American Airlines Passenger Duct-Taped During Wild Onboard Tirade

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An American Airlines passenger was restrained with duct tape during a flight after an alleged alcohol-fueled outburst involving racist and homophobic remarks forced the aircraft to divert.

Arthur Lundeen, 67, of Arizona, was allegedly zip-tied and taped to his seat aboard Flight 618, which was traveling from Dallas, Texas, to Newark, New Jersey, TMZ reported.

Passengers said Lundeen appeared to be intoxicated when he began shouting at the man seated next to him at around 10pm, after the flight had completed roughly three-quarters of its route.

The disturbance escalated as the 67-year-old allegedly ranted about Jesus and going to hell, prompting a flight attendant to step in and check on the situation, sources told TMZ.

Lundeen, who was seated in first class, then allegedly directed the N-word at the Black flight attendant and made homophobic comments, according to the outlet.

A female passenger allegedly attempted to help, but the unruly passenger reportedly pushed her, causing three male passengers to get up. 

Lundeen then allegedly bit one male passenger and attempted to bite another. 

‘Just like a light switch, all of a sudden, it went from quiet to yelling and chaos,’ Juan Mejia, a retired police officer who was on the flight, told CBS News

‘I turned around to look, and the poor gentleman that was sitting next to him in the aisle seat, the individual had his hands around his neck and was, like, assaulting him.’ 

Arthur Lundeen, 67, of Arizona, allegedly had to be zip-tied and duct-taped to his seat on Flight 618 from Dallas, Texas, to Newark, New Jersey, on Thursday after allegedly going on a racist and homophobic tirade 

'Just like a light switch, all of a sudden, it went from quiet to yelling and chaos,' Juan Mejia, a retired police officer who was on the flight, said

‘Just like a light switch, all of a sudden, it went from quiet to yelling and chaos,’ Juan Mejia, a retired police officer who was on the flight, said

Mejia and Richard Olenick, who were both sitting two rows in front of Lundeen, jumped up to help. 

A flight attendant handed the men duct tape, and they reportedly tied him up, wrapping the gray adhesive around his wrists, head, and body to secure him to the seat. 

Lundeen allegedly tried to get out of his restraints and the male passengers held him down. 

Flight 618 was diverted to Baltimore/Washington International Thurgood Marshall Airport, landing 15 minutes later. 

Lundeen was taken into custody on state charges, and federal charges could to be filed by the FBI, according to TMZ. 

Lundeen also allegedly hit his seatmate and smashed his computer. 

American Airlines told the Daily Mail the flight was diverted due to a ‘disruptive customer.’ 

Lundeen was deplaned and the flight then continued on to Newark. 

The plane was diverted to a Baltimore airport, where Lundeen was removed. It then flew to Newark

The plane was diverted to a Baltimore airport, where Lundeen was removed. It then flew to Newark 

‘The ​safety and ​security of our customers ​and ​team members is our ​top ​priority, ​and ​we do ​not tolerate violence,’ a spokesperson said. 

‘We ​thank ​our team members ​for ​their ​professionalism and ​our customers for ​their ​understanding.’ 

The Daily Mail has reached out to the FAA for comment.  

Bruce Campbell Says Doctors Gave Him Five Years to Live Amid Cancer Battle

Bruce Campbell is sharing a candid update on his cancer diagnosis, emphasizing that he has no intention of allowing the illness to define the way he spends his life.

The 68-year-old actor, beloved by horror fans for his long-running role as Ash Williams in the Evil Dead franchise, opened up about his health during a September 3 appearance on The Adam Carolla Show. While Campbell did not disclose the specific type of cancer he is facing, he said his current prognosis suggests he has roughly five years to live, “give or take.”

“I’ve decided though, pretty specifically, to live with it, not die from it,” Campbell told host Adam Carolla. He added that the world of cancer research, forums and support groups can quickly become overwhelming, saying, “The cancer rabbit hole is enormous. You can go into focus groups of 10,000 guys who have exactly what you have. I won’t touch it with a 10 foot pole.”

Campbell said his approach is rooted in protecting his time and mental energy rather than letting the diagnosis consume his every thought. Instead, he is focusing on the work in front of him, including promoting Ernie & Emma, the independent dramedy he wrote, directed and produced, in addition to starring in as the lead.

“I’m moving on. I got a movie to promote. And when I promote this movie, I have nothing. I’m free and clear when I promote this movie mentally,” Campbell said. “You have to make this decision of, ‘well, okay, but do I have to stop everything that I’m doing because of this?’ Well, no.”

Campbell said he feels “perfect” right now and doesn’t intend to put his life on hold because of his illness. He also acknowledged that the disease itself isn’t necessarily the only thing that concerns him.

“The cancer, it creep me out because of the ancillary stuff that it does. It’s not just, you don’t die for cancer. You die from what cancer does to you,” he continued.

You can listen to the full episode below via Spotify:

Campbell first revealed that he was dealing with cancer in March, when he said his condition was “treatable, not curable.” He didn’t offer specifics about his diagnosis then, either, but explained that treatment would force him to step back from some of his usual professional obligations.

“I apologize if that’s a shock – it was to me. I’m not gonna go into more detail,” he wrote. “I’m posting this because professionally, a few things will have to change – appearances and cons and work in general need to take back seat to treatment.”

Even with treatment taking priority, Campbell said at the time that he was hoping to be feeling well enough by the summer to get out and promote Ernie & Emma. The movie has remained a major focus for him throughout the health battle.

“It doesn’t change anything for me,” he told the Salem Statesman Journal in March. “It makes you prioritize 100 percent, and for me, the priority is this movie.”

And Ernie & Emma is certainly personal to Campbell, who wears several hats on the project. The movie follows a small-town pear salesman who sets off on a strange and ultimately reflective journey after his wife’s death, following a detailed list of instructions for what to do with her ashes.

According to the film’s synopsis, the man’s journey takes him through a series of “challenging and reflective escapades.” For Campbell, meanwhile, the movie seems to represent exactly the kind of thing he’s choosing to put his energy into now: making something, getting it out into the world and continuing to move forward.

16-Year-Old Faces Adult Charges in Lewis Place Shooting

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GAINESVILLE, Fla. – A 16-year-old Gainesville teen, Peter L. Roman III, is facing adult charges after police say he opened fire at a male outside Lewis Place Apartments on August 7. Roman has been charged with attempted homicide and possession of a firearm by an adjudicated delinquent.

According to the Gainesville Police Department, officers were called to Lewis Place Apartments at 4121 NE 15th Street around 7:25 p.m. after reports of gunfire. When they arrived, they found two victims, including one person who had been grazed in the cheek by a bullet.

The victims told investigators they had been standing outside Building 1 when a white Nissan sedan pulled into the apartment complex parking lot. They said one occupant got out and approached them, later referenced as the first witness, while Roman was allegedly seated in the front passenger seat. The victims also identified the driver and a back-seat passenger, later referenced as the second witness.

One victim told police that he and the other victim began walking toward the vehicle because they planned to “go smoke,” but the car then pulled away. As it left, he said Roman, who is also known as “P3,” leaned out of the front passenger-side window and fired several shots at them with a handgun. The victim reported that one of the rounds grazed his cheek.

The second victim told officers he did not see who fired the gun, but he confirmed that he knew the three males who were inside the vehicle at the time of the shooting.

The first witness reportedly said the two victims were standing in the breezeway of an apartment building when they drove into the parking lot, and Roman told the first witness he “need[ed] to pick a side.” He said he saw Roman rack a gun, and he got out of the car. He said he saw Roman fire multiple rounds in the direction of the victims as the car left the parking lot; he also said that the three occupants of the car put on ski masks just before the shooting.

Another witness at the scene reportedly confirmed the identities of the car’s occupants.

Officers reportedly found six .45-caliber bullets near the front entrance of the apartment complex; they did not find any impacts to buildings or vehicles.

Surveillance video reportedly showed a black male leaning out of the front passenger-side window of the white sedan as the car drove out of the parking lot and then pointing the gun at the victims.

After the shooting, Roman and the driver reportedly made several phone calls to their respective parents, and they refused to return to the scene to speak with officers.

The second witness reportedly said he saw the first victim pull out a handgun with a purple laser and then point the gun at the sedan; he said the driver took a pistol from his waistband, racked the slide, and handed the pistol to Roman. The witness said the first victim returned his pistol to his waistband but continued walking toward the sedan, and Roman told the driver to “pull out,” so they began driving out of the parking lot. He said Roman started shooting from the passenger side of the building, and then they drove to Santa Fe Oaks Apartments (8203 NW 31st Avenue), where the sedan was later found by Alachua County Sheriff’s Deputies.

On August 11, Roman was interviewed, and post Miranda, he reportedly said that as the driver sped out of the apartment complex, he handed Roman a black Glock and told him to fire it. He said he aimed the pistol at the victims and fired multiple shots in their direction; he said they drove to Santa Fe Oaks Apartments, where the driver asked for his pistol back. He said he only shot the gun because the driver told him to.

Roman has been charged with attempted second-degree murder with a firearm and possession of a firearm by an adjudicated delinquent. According to court documents, he has an “extensive” juvenile history, including convictions for attempted burglary of an unoccupied vehicle and resisting an officer without violence. Judge Joy Danne set bail at $600,000, the amount set by Judge James Colaw in his order transferring Roman to the adult criminal court.

Married Influencer Dies After Penis Enlargement Surgery

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Katie Holmes Stuns in Retro ’60s Minidress and Finds Her Perfect Look

For a fashion designer and A-list star with access to some of the world’s most sought-after stylists, Katie Holmes has not always had the easiest time landing on a signature look.

That appeared to change on Tuesday, when the 35-year-old mother of one arrived at a Tiffany event channeling polished 1960s glamour, with an outfit that looked as if it could have stepped straight out of the world of Mad Men.

The retro-inspired choice suited her beautifully. The former Dawson’s Creek star looked fresher, more refined and, yes, noticeably cooler than she has in years.

Modish: Katie Holmes looked sensational in a '60s inspired shift and pumps at the Tiffany & Blue Book Celebration on Thursday in New York

Modish: Katie Holmes looked sensational in a ’60s-inspired shift dress and pumps at the Tiffany & Blue Book Celebration in New York.

Holmes wore a fluid navy shift dress with a cream underlay, a sleek silhouette that flattered her classic figure while giving the look an elegant, modern finish.

Her slim legs looked great in the versatile pointed pumps that became popular in the decade that swung, and remain so today.

Katie kept her retro theme strong with a chignon swept forward into a half fringe.

Makeup and jewellery was kept to a minimum, in the former’s case the emphasis was on pretty pink and kohled eyes.

She's got it: Katie's found her signature look, and it swings

She's got it: Katie's found her signature look, and it swings

She’s got it: Katie’s found her signature look, and it swings

Perfection: Katie looked wonderful in her simple frock

Perfection: Katie looked wonderful in her simple frock

The independent young woman -who has denied she is dating comedian Jason Segal –  attended the event solo.

Life has moved on in the 21 months since Katie’s split from Tom Cruise, and she has done a fantastic job of reinventing herself as a working actress with a routine and relatively low-profile.

Aced: Katie's Jackie O inspired looked trumped Jessica Biel's ostensibly more glamorous dress

Aced: Katie’s Jackie O inspired looked trumped Jessica Biel’s ostensibly more glamorous dress

Confident: Katie knew she'd scored a hit

Confident: Katie knew she’d scored a hit

Key to achieving this was her move to New York, ostensibly to be nearer Broadway but also, it seems, so she can lose herself in the masses of Manhattan.

She certainly seems to enjoy the bustle, which is the antithesis of the deserted yet lushly manicured sidewalks of Beverly Hills where she lived with the 51-year-old megastar.

In Holmes’ Hollywood, getting around would involve nothing more liberating than a blacked out Escalade or pedalling on the spot at Soul Cycle.

Swaying to the beat: Katie looked like she was about to burst into song at some points

Swaying to the beat: Katie looked like she was about to burst into song at some points

Titfer tat: Katie was sporting a jaunty purple hat that was somewhere between a fedora and a trilby

Titfer tat: Katie was sporting a jaunty purple hat that was somewhere between a fedora and a trilby

Concrete jungle where dreams are made of: Katie seems in her element now she can walk about the city daily

Concrete jungle where dreams are made of: Katie seems in her element now she can walk about the city daily

Concrete jungle where dreams are made of: Katie seems in her element now she can walk about the city daily

She’s frequently seen strolling the city streets merrily.

And recently, Katie has been busy filming her new show in the city that never sleeps.

According to Deadline Hollywood, the series is ‘in the vein of Dangerous Liaisons’.

Comfortable footwear: The Louboutins now stay in the box as far as Ms Holmes is concerned

Comfortable footwear: The Louboutins now stay in the box as far as Ms Holmes is concerned

By her side: Last week, Katie took Suri to the set of her new series so she could see the action firsthand

By her side: Last week, Katie took Suri to the set of her new series so she could see the action firsthand

Penned by Richard LaGravenese the untitled New York set project ‘revolves around the love and rivalry between two equally matched, powerful socialites, Philip Fitzgerald Julien (Rufus Sewell) and Margot Worth Cole, who play out their obsessive attraction and seduction of each other through their manipulation of others’.

Katie’s character is also a powerful player in the well-to-do world.

Named Ann, Katie’s character along with her with her husband, runs a philanthropic foundation that helps bring clean water to African villages.

Business as usual: Tom is still working the megastar rounds, here in London he signs autographs before accepting Lifetime Achievement at the Empire Film Awards

Business as usual: Tom is still working the megastar rounds, here in London he signs autographs before accepting Lifetime Achievement at the Empire Film Awards

The way she was: Katie in Beverly Hills back in 2005 as she enjoyed a Golden Globes party

The way she was: Katie in Beverly Hills back in 2005 as she enjoyed a Golden Globes party

Mets Lead Underachieving Teams Shaping the 2026 MLB Season

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This was supposed to be remembered as Pete Crow-Armstrong’s arrival, the season Cam Schlittler carved out a reputation as a true ace, and the 2026 campaign in which the White Sox finally climbed out of baseball’s basement.

Instead, the lasting headline will be something far less celebratory: a year defined by disappointment, and not just from one underachieving club.

The Mets failed to absorb the hard lessons of last season and somehow slid even further. The 2025 ALCS field turned into a warning label for almost everyone except the Yankees — yes, Blue Jays, Mariners and Tigers, that includes you. More broadly, the American League was so shockingly weak that even some of baseball’s most frustrating teams remained mathematically alive for a postseason spot with three weeks still on the schedule.

Pittsburgh appeared to build a stronger roster around Paul Skenes, only for Skenes to regress and drag the Pirates down with him. Terry Francona’s familiar managerial magic did not carry the Reds for a second straight season, and Tony Vitello’s college-baseball energy failed to translate into a spark for the Giants.