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Farage Aides Resign as Illegal Donation Sting Probe Deepens

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Nigel Farage is battling to steady Reform after two senior aides stepped back amid a growing row over an alleged “illegal” donations sting.

The Reform leader denied that any law had been broken following the release of undercover footage in which he and members of his team were shown discussing donations with a man posing as a US businessman.

Mr Farage dismissed the episode as a “clear case of entrapment”, while conceding that the footage captured aides “boasting” and making remarks that “perhaps should not have been said”.

James Orr, Reform’s head of policy, and Dan Jukes, an assistant to Mr Farage, are both standing aside from their roles while the claims are examined.

In a striking defence, Mr Farage referred to the pair as “contractors”, despite their status as key figures around him, with Mr Jukes having been a constant presence at his side for years.

The furore is threatening to overshadow Reform’s conference in Birmingham, where Mr Farage is hoping to revive the party’s fortunes after a torrid spell. 

A report broadcast by Channel 4 News claimed Reform took funding from a US firm for three polls it commissioned earlier this year, costing £32,500. 

Senior Reform figures including leader Nigel Farage are said to have discussed a £500,000 donation from a purported US businessman through his son, who lives in the UK

Senior Reform figures including leader Nigel Farage are said to have discussed a £500,000 donation from a purported US businessman through his son, who lives in the UK 

Farage and his senior aide Dan Jukes were filmed meeting a US businessman and his son, who lives in the UK, and discussing donations. The men were both in fact undercover members of Verbatim, a group of investigative journalists

Farage and his senior aide Dan Jukes were filmed meeting a US businessman and his son, who lives in the UK, and discussing donations. The men were both in fact undercover members of Verbatim, a group of investigative journalists

The purported donors were in fact undercover reporters from investigative group Verbatim posing as an American financier and his UK-based son.

The provenance of the polls was not revealed when they were published in national newspapers, and the costs were not declared by Reform as donations in kind. 

Senior officials including Mr Farage are also said to have discussed a £500,000 donation from the fake businessman through his son.

Speaking to LBC, Mr Farage said: ‘The party has broken no laws. The party has not taken any dodgy money or anything like that whatsoever.

‘However, it is a clear case of entrapment, and they worked at it for a very, very long time, and they got a couple of our contractors to say things that perhaps should not have been said.

‘And as a result of that, you know, they have been removed this morning. And yeah, you know, I’m not happy about it.’

On the polls, which were published in the run-up to local elections, he said: ‘Whilst the poll benefited Reform, it wasn’t commissioned by Reform.

‘It had nothing to do with Reform. It was an independent third party that did it. So that’s nothing. That’s nothing. Polls are funded by overseas people every single week. Every single week.’

At a press conference alongside French PM hopeful Jordan Bardella later, Mr Farage said he was ‘annoyed’ the undercover reporters were able to meet him.

‘We have not taken an illegal penny in funding, that is important. The loose pub talk, frankly, there was a bit of boasting, a bit of jack-the-lad-dery going on there,’ he said.

‘If it was more serious than that, then I refer you back to the BBC’s question earlier, the names would have been put onto the programme and there would be a hell of a row. They don’t exist. Those donations don’t exist.

‘Am I annoyed? Am I annoyed that these people even got to meet me? Yes, I am. It should not have happened. It should not have happened.

‘The two individuals involved are not even part of our fundraising team, so they should have gone through the appropriate channels. Checks would have been made, and they would never, ever have got to sit down at a table with with me.

‘So do we need to do better as we professionalise? Yes, absolutely we do. So yeah, there was certainly human error here and of that there’s no question.’

Mr Farage said he ‘didn’t like’ losing Mr Jukes from his team, but suggested an investigation was likely to find he ‘should never had said one or two of the things that he said’. 

‘I’ve worked with Dan very closely for many years, many, many years, and I described it as loose pub talk, and that’s what it was, because what he said simply wasn’t true,’ he insisted.

‘He got put into a position and he should never have said what he did.

‘I believe the investigation will find he should never have said one or two of the things that he said.’

A Reform spokesman said: ‘Reform UK has launched an investigation following the broadcast of a Channel 4 News programme.

‘Both individuals involved have stepped down from their respective positions pending the outcome of the investigation.

‘The party believes it is important that the investigation is allowed to proceed independently and without prejudice. No further comment will be made while the investigation is ongoing.’

Reform UK chairman Lee Anderson told Sky News there was ‘no chance’ of them returning to the party. 

However, deputy leader Richard Tice refused to rule out a comeback, telling BBC Radio 4’s Today programme: ‘Let’s wait and see what the investigation says.’

Mr Jukes said in a statement this morning: ‘This was entrapment over a prolonged period of nearly a year by foreign-funded climate change activists.

‘I totally deny any wrongdoing but have stepped back from politics in order to clear my name.’

Foreign political donations are banned in the UK and no donation of that size was ever made.

The Lib Dems have written to the Metropolitan Police and Electoral Commission about the issue. 

Labour has also reported the allegations to the police, and the Greens have called for a probe.

Labour Party chair Bridget Phillipson said the ‘scandal goes right to the top of Reform’.

‘Farage must co-operate with the authorities and urgently prove that his top team haven’t broken the law and secretly plotted to undermine our democracy,’ she posted on X. 

In a letter to the Met Police, Lib Dem frontbencher Lisa Smart wrote: ‘The breach raises alarming questions about whether there has been a wider complacency toward foreign interference by the individuals involved.’

Channel 4 News said it had ‘thoroughly checked and verified’ the work by Verbatim and ‘did not pay for the polling and paid no money to Verbatim or any associated company’.

Mr Anderson told Sky News of Mr Jukes and Mr Orr: ‘They’ve stepped down. They was told, you know, they had to step down, they have stepped down, and that’s got to be the right thing to do on the day, the first day of our conference.

‘Let’s remember, we’ve got 5,000 members coming through the door today to listen to what we’ve got to say about our first 100 days in government and how we’re going to change the course of this country.

‘So it’s right to get rid of this distraction straight away. The pair concerned have gone, and the investigation starts today. It’s as simple as that.’

He added: ‘There’s no chance of them coming back. They’ve stepped aside.

‘You know, we’re a serious party, you know, and sometimes in politics, you have to make tough decisions, harsh decisions.’

Mr Tice denied that the party broke any laws regarding allegations about impermissible donations.

He told Today: ‘The reality is that no money has been received whatsoever. We’ve got a KC’s opinion that makes clear no rules have been broken.’ He added that ‘no benefit in kind was received’.

An Electoral Commission spokesman said: ‘We are considering all relevant information, in line with our regulatory remit, and we are in touch with the Met Police.

‘The Electoral Commission has not approved the donor vetting process for Reform, or any other party. Parties are responsible for ensuring their internal processes and controls are fit for purpose.

‘We provide advice and guidance to political parties on how to comply with electoral law.

‘The law requires political parties to report all permissible donations they accept with a value over £11,180 and all impermissible donations over £500.

‘Information about any potential attempt to evade the controls on donations is for the police to consider.’

Mr Farage is expected to give the first of his two conference speeches this afternoon, promising to declare a ‘national emergency’ on his first day in government, introducing a flood of legislation and doing ‘anything and everything’ to deliver his party’s policies.

He will say: ‘Within days of winning the general election, we will introduce dozens of Bills and force Parliament to sit all through summer for seven days a week to pass them.

‘Britain is in serious trouble. We don’t have time to wait around to fix it.’

The two-day conference in Birmingham is expected to hear from other senior Reform figures setting out their own pledges for their first 100 days in office, as well as an address from Jordan Bardella, leader of the French National Rally.

Mr Farage opened the Reform conference in Birmingham today by paying tribute to Ann Widdecombe

Mr Farage opened the Reform conference in Birmingham today by paying tribute to Ann Widdecombe

Mr Jukes (left) has been an ever-present figure at Mr Farage's side for many years

Mr Jukes (left) has been an ever-present figure at Mr Farage’s side for many years

Mr Farage is expected to announce that any frontbenchers who fail to deliver on their pledges ‘will be sacked’.

He is also due to make his own promise to focus on reducing the cost of living and lead on efforts to end small boat crossings in the Channel.

An Electoral Commission spokesman said: ‘We are considering all relevant information, in line with our regulatory remit, and we are in touch with the Met Police.

‘The Electoral Commission has not approved the donor vetting process for Reform, or any other party. Parties are responsible for ensuring their internal processes and controls are fit for purpose.

‘We provide advice and guidance to political parties on how to comply with electoral law.

‘The law requires political parties to report all permissible donations they accept with a value over £11,180 and all impermissible donations over £500. ‘Information about any potential attempt to evade the controls on donations is for the police to consider.’

Beyoncé Faces Backlash Over $1,000 Empty Wooden Box Sale

Beyoncé’s devoted fanbase is buzzing — but not entirely in approval — over the superstar’s newest piece of luxury merchandise.

The Grammy-winning artist, who reportedly entered billionaire territory last year, has released a limited-edition Bey Keeper Collector’s Box priced at $948.01. Only 500 of the collector’s items are being made available.

The unusually specific price tag appears to carry personal meaning: it references Beyoncé’s birthday, Sept. 4, 1981.

According to the product listing, the 18-by-14-inch pine wood crate is “lined with deep green velvet” and created to “house and display your Beyoncé vinyl collection.” The design is described as taking inspiration from “the beauty of traditional beekeeper crates,” complete with “custom engraved details” and “a faux gator-skin leather carrying strap with gold hardware.”

Still, buyers should take note: the website makes clear that “vinyls [are] not included” with the nearly $1,000 box.

With shipping coming in at an estimated $60.50, and taxes approximately $103.38, the estimated total cost would set a fan back $1,111.89. That being said, we can’t imagine many Beyhive members will get in formation for this one! (Unless you’re @AccessAnthony.)

On social media, many users are already having a heyday over the “absurd” price of the product, which dropped on Friday, Beyoncé’s 45th birthday, as part of the 20th anniversary celebration of her second album, “B’Day.”

“A band and I can’t even get real gator on the strap?” one tweeted, with another comparing it to a “coffin for a hamster” or the songwriter “clearing out her storage units.”

A third wrote via Instagram, “This would’ve made sense if vinyls were included but almost 1k for just the box by itself…? girl no.”

Beyoncé released 13 records as part of Destiny’s Child, including five studio albums, five compilation albums, two remix albums and one extended play.

Additionally, she launched 26 more — eight studio albums, five live albums, five compilation albums, one soundtrack album, two karaoke albums and five EPs — after leaving the group to go solo.

Many referred to the listing as “insane robbery,” while one fan quipped, “Insane because do you know how CHEAP pine wood is? You can easily make this for maybe $30 🙄.”

Some, however, speculated that the box could include “Easter eggs,” sharing “theories” that there is actually “stuff in there” as a “surprise.”

Others defended the item — and their decision to purchase it.

“Idk bout y’all, but i’ma do WHAT I WANT!” one wrote alongside a screenshot of their shopping cart.

One social media user who “love[s] B” urged fans to not “be stupid” and “buy that damn box,” saying, “If y’all idiots pay $948.01 for an empty box … that has a bee on it, y’all are psychos. Do you understand me?”

Beyoncé’s rep did not immediately respond to Page Six’s request for comment.

Cathy Engelbert Ousted as WNBA Commissioner Amid Mounting Controversies

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WNBA Commissioner Cathy Engelbert is preparing to step down, closing out her time at the helm of the league after a turbulent stretch marked by high-profile controversies.

The league announced Friday that Engelbert will retire at the end of the season, a decision that follows growing pressure from critics calling for her departure.

Her exit comes after the WNBA navigated several recent flashpoints, including backlash over the handling of Caitlin Clark and the wider debate over transgender athletes, an issue that has sharply divided voices around the league.

‘Over the years, it has been amazing to watch WNBA players thrive and lead the massive cultural surge around women’s sports,’ Engelbert, 61, said in a statement.

‘I retire knowing we have built something bigger, stronger and more enduring than we could have imagined. I am grateful to the WNBA and NBA team owners and staff, players, investors, fans and the powerhouse league office staff, who believed in what this league could become. I retire with immense gratitude and tremendous optimism for the future of the WNBA, with the best yet to come.’

Engelbert is in the midst of her seventh season in charge of the league with her current contract set to expire after the 2026 season.

WNBA Commissioner Cathy Engelbert is set to retire at the end of the season

WNBA Commissioner Cathy Engelbert is set to retire at the end of the season  

The WNBA has faced uproar over the treatment of Indiana Fever superstar Caitlin Clark

The WNBA has faced uproar over the treatment of Indiana Fever superstar Caitlin Clark

Yet, while her seven-year tenure has seen the league experience what she branded ‘hypergrowth,’ it has also been marred by numerous controversies. 

Her leadership has come into question in recent months amid increasing discontent in league circles over her response to emerging crises, according to ESPN. 

However, Engelbert insisted that the decision to step away was solely her own and that she did not face pressure from WNBA stakeholders. 

‘When I first came to the league I intended to do this for three and a half years,’ she told The Associated Press. ‘The seven and a half years exceeded that time. This is a really good time given the financial transformation journey we’ve been on. Getting the collective bargaining agreement done, getting a long-term media rights deal done, getting expansion done.’ 

The decision comes just five months after the commissioner oversaw the introduction of a historic Collective Bargaining Agreement with the WNBA Players’ Association following length and tense negotiations. 

The deal greatly increased stars’ salaries with million-dollar players – a first for the league – after the WNBA witnessed exponential growth in revenue, TV rights and viewership following the arrival of Clark as the 2024 No 1 overall pick. 

However, the deal hasn’t eased the pressure of Engelbert with the chief facing increased protests and calls for her to retire throughout the course of a tumultuous season.

Most recently, Engelbert has come under fire after Indiana Fever star Sophie Cunningham sparked a firestorm surrounding transgender eligibility in the league.

Englebert's leadership has come into question in recent months amid increasing discontent

Englebert’s leadership has come into question in recent months amid increasing discontent

The decision comes after Sophie Cunningham sparked a firestorm over transgender athletes

The decision comes after Sophie Cunningham sparked a firestorm over transgender athletes  

Cunningham spoke out about ‘protecting young girls’ competing in women’s sports, but faced a huge backlash, including from opposing coaches, with Minnesota Lynx head coach Cheryl Reeve wearing a ‘Trans kids belong’ T-shirt when the two teams met.

The Fever guard has been met with boos at most games while protests and counter demonstrations supporting her have become commonplace at games around the country. 

At one game, fans wearing T-shirts supporting her stance were told to cover them up by league security in an incident the WNBA later admitted ‘shouldn’t have happened.’

Engelbert has faced huge criticism for her handling of the issue, which has seen the WNBA’s eligibility policy challenged by two former NBA players attempting to enter the 2027 WNBA Draft. 

Despite that effort, the league taskforce recently met to discuss trans eligibility and concluded: ‘There are no immediate eligibility matters affecting the WNBA, and we strongly denounce the bad-faith efforts to use these topics to demean or marginalize others.’

Engelbert hit back at the criticism last month as she addressed the controversy for the first time publicly, suggesting that the league is being tarnished by those with very little interest in the product.

‘We’re being the center of political football for people who have never watched the WNBA, never have written about the WNBA or reported on the WNBA,’ Engelbert said.

She is in her seventh season in charge and her contract is expiring at the end of the season

She is in her seventh season in charge and her contract is expiring at the end of the season

Protests have broken out ahead of multiple Indiana Fever games following Cunningham's take

Protests have broken out ahead of multiple Indiana Fever games following Cunningham’s take 

‘People are trying to use the league to sow divisiveness. There’s always going to be haters out there and we denounce it. The vitriol has got to stop against our players.

‘There’s always going to be haters out there and we denounce it. But that’s what happens when you have made it as a legitimate sports media and entertainment product.’

Meanwhile, Engelbert’s leadership has also faced questions over the treatment of Clark – arguably the WNBA’s biggest superstar – in the league. 

Clark has found herself at the center of multiple foul storms again this season. The former No 1 pick has been subjected to controversy ever since being drafted into the league in April 2024.

This season alone, she has been punched in the throat and slammed to the court on two separate occasions, leaving battered by physical confrontation and the commentary surrounding it. Alyssa Thomas and Chelsea Gray both said they revealed vile abuse and death threats in the wake the fouls on Clark.

The WNBA’s lack of reaction to the fouls on Clark has sparked a firestorm directed at the player, officials and the league for what some believe is a routine failure to protect the Indiana superstar.

Fever star Caitlin Clark was punched in the throat by Phoenix Mercury forward Alyssa Thomas

Fever star Caitlin Clark was punched in the throat by Phoenix Mercury forward Alyssa Thomas

A group of 11 Republican lawmakers even wrote a letter to Engelbert this week demanding that the WNBA Commissioner take ‘accountability’ for the ‘multiple attacks’ on Clark.

Minnesota Lynx forward Napheesa Collier has also previously taken aim at the league office over player welfare and labor negotiations, calling for greater accountability as the current collective bargaining agreement nears its conclusion. 

She also faced criticism in July for cancelling an interview on the Dan Patrick Show, while playing in the celebrity golf tournament, the ACC Championship, in Lake Tahoe, despite initially agreeing to appear on the show.

During the NBA Summer League in July, NBA Commissioner Adam Silver praised the WNBA’s growth but remained noncommittal when asked if the NBA or WNBA Board of Governors had addressed the Commissioner’s long-term future.

Ryan Reynolds’ Mayday Roasts American Individualism in One Joke

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At first glance, Mayday—the new Ryan Reynolds and Kenneth Branagh film that started streaming today on Apple TV+—appears to be a familiar piece of action-comedy comfort food: wisecracks, explosions and Russian bad guys.

Look a little closer, though, past the barrage of sexual jokes and Top Gun nods, and the movie is playing with something more unexpectedly textured: the old ideological clash between Eastern collectivism and Western individualism. Mayday never quite musters the nerve to offer a serious critique of America, but it does land one sharp, well-timed jab at the country’s “every man for himself” mindset.

Written and directed by Jonathan Goldstein and John Francis Daley, the filmmaking team behind Game Night and the recent Dungeons and Dragons movie, Mayday casts Reynolds as Troy, a U.S. Navy pilot who crash-lands behind enemy lines in Soviet Russia in 1987, during the Gorbachev era of the Cold War. Troy is proudly patriotic, fiercely pro-capitalism and, as expected from an American serviceman in this kind of story, deeply opposed to repressive Russian communist rule.

“Collectivism is always at the cost of individual freedom,” Troy tells his Army buddies during a boozy night out. The line is hardly subtle—and maybe a bit too polished for a drunk Air Force pilot suddenly waxing philosophical—but it serves a purpose. It lets the audience know that Mayday is at least flirting with the idea of being more than another “Russia bad, America good” action comedy. Whether the film actually subverts that formula is another question; disappointingly, it mostly does not. Still, it adds just enough shading to keep the premise from feeling entirely automatic.

After a spy mission falls apart, Troy ends up wounded and stranded in the isolated home of Russian carpenter Nikolai Ustinov, played by Branagh with a gleefully broad and goofy Russian accent. Nikolai—or “Nick,” as he urges Troy to call him—is enchanted by American capitalism. His favorite movie is Top Gun. He fantasizes about eating McDonalds. More than anything, he wants to move to the United States. So Troy offers him a bargain: help him escape Russia, and he will use his connections to secure Nick legal passage to America. From there, the two tumble into a string of absurd, buddy-comedy misadventures.

Mayday

Photo: Apple Films / Jan Thijs

One adventure leads them to the home of an impoverished Russian family. Having just escaped another scrape, Troy and Nick are out in the cold, hungry and tired. They need shelter for the night. Despite Troy’s apprehension, Nick knocks on the door of a nearby home, and asks for help. And, to Troy’s shock, it’s that easy. The family takes them in, welcomes them, and feeds them a hot meal. While eating, Nick relays to Troy that family is very poor, and barely has enough food to themselves.

“Then why would they let us in?” Troy asks, bewildered.

“If someone came to the door in America and asked for help, wouldn’t they be taken in?” Nick replies, still assuming the best about this country he idolizes.

Troy stares at Nick blankly for a moment, before he rushes to say, “Of course they would!” with a nervous chuckle.

The answer satisfies Nick. But the audience hears the joke, thanks to Reynold’s spot-on timing and subtle indicators in his performance.

In fact, Troy is not certain that a stranger would be taken in if they knocked on a door in the U.S. and asked for help. It’s 1987, Reagan is president, greed is good, and a man’s home is his castle. His resources are for him and his family, and no one else. It’s an American homeowner’s right to demand strangers stay off their private property. Sometimes with a gun in hand, if necessary.

This scene is as close as the movie ever gets to an endorsement of collectivism and an indictment of individualism. Later, Troy will admit his country isn’t “perfect,” but doesn’t really go into details as to why that is. But this one small moment says so much. If not for the spirit of collectivism, of sharing resources—the same ideas Troy dismissed at the beginning of the film—Troy may not have made it out of Russia alive.

In the end, Mayday still indulges in the “evil Russian villain” trope. But thanks to that one perfect joke, it does so with considerable more nuance than the vast majority of American action flicks. For a Ryan Reynolds comedy, funded by one of America’s biggest corporations, that’s pretty impressive.

Charlotte Dawson Cradles Bump Amid Fiancé Sexting Scandal

Pregnant Charlotte Dawson stepped out on Tuesday for the first time since revealing she is expecting her third child, with the appearance coming in the wake of fiancé Matthew Sarsfield’s sexting scandal.

The 31-year-old reality star, who has been in a relationship with the 32-year-old rugby league player for eight years, was reportedly left devastated and embarrassed after discovering two weeks ago that he had sent intimate messages to a former partner of one of his rugby friends.

Putting on a brave face, Charlotte smiled as she left a podcast recording in Manchester, gently cradling her growing baby bump while making her way outside.

She looked chic for the outing, pairing glossy black vinyl leggings with a brown spotted long-sleeved blouse.

The TV personality completed the look with knee-high boots that added height to her frame, while carrying her essentials in a large handbag.

Pregnant Charlotte Dawson was seen for the first time on Tuesday since announcing she is expecting her third child following fiancé Matthew Sarsfield's sexting scandal

Pregnant Charlotte Dawson was seen for the first time on Tuesday since announcing she is expecting her third child following fiancé Matthew Sarsfield’s sexting scandal 

Charlotte flashed a smile while cradling her growing baby bump as she departed her podcast recording in Manchester

Charlotte flashed a smile while cradling her growing baby bump as she departed her podcast recording in Manchester

The reality star, 31, has been with the rugby league player, 32, for eight year but was left hurt and humiliated after finding out two weeks ago he had sent intimate texts to a rugby friend's former flame

The reality star, 31, has been with the rugby league player, 32, for eight year but was left hurt and humiliated after finding out two weeks ago he had sent intimate texts to a rugby friend’s former flame

Styling her long tresses in voluminous curls, Charlotte completed her daytime ensemble with a felt hat and a pair of reading glasses.

The beauty looked in good spirits as she stopped to showcase her growing baby bump by posing for cameras.  

It comes after she begged her followers to ‘be kind’ following her announcement that she is expecting her third child with Matthew, just weeks after their relationship was rocked by a sexting scandal.

On Saturday, she revealed that she is pregnant with their ‘surprise’ third child, after already welcoming sons Noah, three, and one-year-old Jude.

Charlotte revealed her pregnancy to OK! Magazine, and said Matthew has begged her to give their relationship another go.

She explained she wants to do ‘what’s best for my kids’ but was still unsure about whether to give Matthew another chance, and admitted she hoped the new baby could ‘make him a better man.’ 

Taking to her Instagram Stories later on Saturday evening, the TV personality  thanked her fans for their support, but revealed that she had also received several ‘nasty’ messages.

The mum-of-two said she was going through an ‘extremely tough’ first trimester and was trying to ‘remain calm’ for the sake of her unborn child.

She cut a stylish figure for the outing in a pair of black vinyl leggings which she teamed with a brown spotted long sleeved blouse and knee high boots

She cut a stylish figure for the outing in a pair of black vinyl leggings which she teamed with a brown spotted long sleeved blouse and knee high boots

It comes after she begged her followers to 'be kind' following her pregnancy announcement which came just weeks after her relationship was rocked by a sexting scandal

It comes after she begged her followers to ‘be kind’ following her pregnancy announcement which came just weeks after her relationship was rocked by a sexting scandal

She explained she wants to do 'what¿s best for my kids' but was still unsure about whether to give Matthew another chance, and admitted she hoped the new baby could 'make him a better man'

She explained she wants to do ‘what’s best for my kids’ but was still unsure about whether to give Matthew another chance, and admitted she hoped the new baby could ‘make him a better man’

Charlotte confessed that while she was ‘blessed’ to be having another baby, the timing of her pregnancy and heartbreak meant it has been ‘the worst time of my life.’

She wrote: ‘Thank you for all the support, lovely comments and messages! I’m overwhelmed and will try get back to everyone but just so you all know I love you all and very grateful for you all.

‘For the negative ones, remember I’ve had to deal with all this whilst being in my first trimester which has been extremely tough, what meant to be the most happiest time of your life has been the worst time of my life. 

‘But every baby is a blessing and I’m so blessed right now. And I’m really trying to remain as calm as I can right now and look after this baby.’

Begging her followers to keep negative comments to themselves, she insisted that the decisions about her relationship were hers to make, pointing out that ‘it’s my life not yours’.

She concluded: ‘Please be kind, if you have nothing nice to say please just don’t say it. Also whatever I decide to do has nothing to do with anyone else, it’s my life not yours. 

‘I appreciate all your advice and support but some people get far too involved and nasty. Just no need x’.

In the aftermath of the sexts being revealed, Matthew moved back into his parents’ house, but the couple are ‘considering couples’ counselling’ with the Swinton Lions now player living back at the family home.

In her pregnancy announcement, Charlotte said: ‘It’s been a crazy time… horrible, having to deal with the heartache, the hurt, and being pregnant too.’ 

‘Noah was asking where Daddy was and I don’t want a broken home. I want to do what’s best for my kids. 

Taking to her Instagram Stories later on Saturday evening, the TV personality thanked her fans for their support, but revealed that she had also received several 'nasty' messages, while going through an 'extremely tough' first trimester

Taking to her Instagram Stories later on Saturday evening, the TV personality thanked her fans for their support, but revealed that she had also received several ‘nasty’ messages, while going through an ‘extremely tough’ first trimester

In the aftermath of the sexts being revealed, Matthew moved back into his parents' house, but the couple are 'considering couples¿ counselling' with the Swinton Lions now player living back at the family home

In the aftermath of the sexts being revealed, Matthew moved back into his parents’ house, but the couple are ‘considering couples’ counselling’ with the Swinton Lions now player living back at the family home

Just days ago Charlotte recalled the devastating moment she found out her fiancé had been sexting another woman

Just days ago Charlotte recalled the devastating moment she found out her fiancé had been sexting another woman 

‘Matthew says he’s going to give everything he’s got to make this work. But I’ve not made a decision on the future of our engagement yet. He needs to change.

‘It would be amazing to have a little girl – for Matthew, too. I think being a girl dad will make him a better man, but we’ll see.’

Just days ago Charlotte recalled the devastating moment she found out her fiancé had been sexting another woman. 

Speaking out for the first time on the scandal on her My Naughty Corner podcast, she said: ‘I don’t get why he’s done it, it drives me mad because he’s got everything. He doesn’t want to lose his family over this.’ 

She recalled how she was walking to meet Matthew at the barbers when she got a call from her manager who broke the news of his betrayal. 

‘My whole world came crashing down, I was so shocked. I felt really shocked, hurt and disappointed. His family were really shocked with him,’ she said.

She said she sat there shaking unable to get through to her mum and sister on the phone, while her manager rang Matthew to tell him the news.  

She recalled: ‘He rings me and he said ‘please speak to me’. I said: ‘I’m done’. He said he was drunk and begging me not to leave him.’

Charlotte revealed Matthew had met the blonde woman through rugby as he played on the team with her ex, with them messaging on Instagram.

She said: ‘I’ve seen the message they’re not nice, it really hurt’. 

The mother-of-two admitted their relationship has been strained for the past two years. 

She said: ‘We haven’t had a good relationship this past two years, but it’s no excuse. Children come in the middle of the relationship. It hasn’t been good for a while. It’s hard to get that intimate time that’s been a massive thing.’

Charlotte revealed Matthew had met the blonde woman through rugby as he played on the team with her ex, with them messaging on Instagram. She said: 'I've seen the message they're not nice, it really hurt'

Charlotte revealed Matthew had met the blonde woman through rugby as he played on the team with her ex, with them messaging on Instagram. She said: ‘I’ve seen the message they’re not nice, it really hurt’ 

The reality star said she still hasn’t made a decision on whether to forgive Matthew and give their relationship another go

Charlotte said she would sometimes turn down sex as she was exhausted from raising their two young children, but added the lack of intimacy between then was ‘no excuse’ for his actions. 

Days after the scandal broke, it was their son Jude’s first birthday and Charlotte made the heartbreaking decision to tell Matthew to stay away. 

‘It was awful, it was awful,’ she said. ‘I’m not cancelling his birthday party, like I just said to him, ‘I don’t think you should come to his birthday’. He obviously made the decision not to come as well.’

Matthew then moved into his mum and dad’s house and was begging for Charlotte to take him back. 

She said: ‘He’s absolutely broken. He doesn’t even look like himself at all. He’s really upset, but so he should be. He’s hurt it family. It’s whether I can forgive and forget.

‘I need to switch off from all the background noise. I don’t want this affecting Noah at nursery. He keeps saying ‘When is Daddy coming home?’.

‘He’s literally ripped my heart out and stamped on it. He’s trying to make amends every single day.’ 

Charlotte added: ‘The past couple of weeks have been very, very tough. It’s a massive shock because I never expected him to do this. I thought we were a little family unit.’ 

The reality star said she still hasn’t made a decision on whether to forgive Matthew and give their relationship another go. 

She said tearfully: ‘I feel like he doesn’t love me, it drives me mad when I think about it. I still love him but I don’t know where my head is at.’ 

Bayeux Tapestry Torn During Journey From France to British Museum

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The Bayeux Tapestry suffered minor damage while being moved from France to the British Museum in London, officials have confirmed.

Two threads were found to have broken after the exceptionally delicate artefact crossed the Channel for what will be its first exhibition in Britain in almost 1,000 years.

Even so, France’s culture minister said Friday that the historic embroidery remains broadly unchanged, describing it as more or less “in the same state.”

The priceless medieval work was transferred to London in July under stringent conservation measures ahead of a major British Museum exhibition, which opens to visitors next week and is scheduled to run until July next year.

“A break of two threads over a length of 70 metres of a tapestry was reported,” Catherine Pegard told French broadcaster RTL.

‘It was examined with particular care. It took a lot of time because the experts went over it centimetre by centimetre.’

‘So today, if we say it is in the same state after having arrived in London as it was when it left Bayeux, I think we’re not very wrong,’ the minister added.

It comes after the tapestry was visited by King Charles III and French President Emmanuel Macron this week during his visit to Britain.

The landmark exhibition, which opens to the public next week, marks a major moment in Anglo-French relations and follows years of negotiations over bringing the extraordinarily fragile artwork across the Channel

The landmark exhibition, which opens to the public next week, marks a major moment in Anglo-French relations and follows years of negotiations over bringing the extraordinarily fragile artwork across the Channel

Depicting the 1066 Battle of Hastings and the invasion by William the Conqueror's Norman army, the tapestry is widely thought to have been made in England before being transferred to Bayeux in France (Pictured: The Tapestry in the British Museum)

Depicting the 1066 Battle of Hastings and the invasion by William the Conqueror’s Norman army, the tapestry is widely thought to have been made in England before being transferred to Bayeux in France (Pictured: The Tapestry in the British Museum)

The loan marks a major moment in Anglo-French relations and follows years of negotiations over bringing the extraordinarily fragile artwork across the Channel. 

King Charles described the tapestry as a powerful reminder of the enduring ties between the two countries, saying: ‘The tapestry’s story is one of ambition and uncertainty, of oaths and journeys, of ships, councils, kings, comets and consequences.’

He added: ‘Yet it is not merely an English story, nor only a Norman one. Indeed, from the moment of its creation, it may have brought together our two peoples: commissioned in Normandy, yet most likely to have been embroidered in Canterbury by English craftspeople.’

Depicting the 1066 Battle of Hastings and the invasion by William the Conqueror’s Norman army, the tapestry is widely thought to have been made in England before being transferred to Bayeux in France.

It is believed to be the first time the fragile, 68-metre (224-foot) embroidered artwork has left France since then, and the first time it has been moved in over 40 years.

La Croix newspaper has reported that a thorough check by experts had confirmed ‘no major damage’ in its initial findings.

They only noted ‘slight tears in two areas’ of the linen canvas.

France's culture minister Catherine Pegard said the tapestry is still in much the same state, with no major damage reported

France’s culture minister Catherine Pegard said the tapestry is still in much the same state, with no major damage reported

The medieval artwork was spirited into the British Museum in the dead of night, after a high-tech, tight-security operation

The medieval artwork was spirited into the British Museum in the dead of night, after a high-tech, tight-security operation 

The UK Government has agreed to provide insurance coverage estimated at £800million in the event of major damage to the tapestry. 

The medieval artwork was spirited into the British Museum in the dead of night, after a high-tech, tight-security operation. 

The complex move came after experts spent considerable time testing the route it would take in order to protect the fragile fabric. 

The transfer – funded by Britain – is the result of over a year of planning and technical studies, including two test trips with a full-scale reproduction of the lace-like linen tapestry. 

The tapestry was folded accordion-style in a climate-controlled case, the size of a small car, that was placed inside a shock-absorbing cradle. This went into a truck that crossed from France on a vehicle shuttle train through the Channel Tunnel.

After an 11-hour and 350-mile trip escorted by police, the truck backed slowly into a museum loading bay, where workers gingerly eased the container to the ground.

The Metropolitan Police and Kent Police transported the embroidery from Folkestone to London in what the British Museum has called ‘one of the most significant international museum loans ever undertaken between the two countries’. 

The British Museum expects more than one million people to visit the exhibition, potentially making it the institution’s biggest blockbuster yet.

The loan was first announced during Mr Macron’s State Visit to Britain in July 2025, with the UK agreeing to send treasures including objects from the Sutton Hoo burial to France in return.

The diplomatic effort to secure the tapestry has stretched back decades and was complicated by Brexit and the Covid pandemic, as well as concerns about the impact of moving such an old and fragile object.

The British Museum has been contacted for comment. 

Feds Probe Musk’s Steering-Wheel-Free Tesla Robotaxis After Launch

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NEW YORK – Federal safety officials have launched a review of Tesla’s newly introduced driverless taxi service, examining whether the company’s steering-wheel-free vehicles meet U.S. auto safety requirements just one day after rides began.

The National Highway Traffic Safety Administration said it is assessing Tesla’s rollout of its so-called Cybercabs in Austin, Texas, where the two-seat autonomous vehicles are operating without traditional equipment such as steering wheels, side mirrors or brake pedals — features generally required in passenger vehicles under federal standards.

Tesla CEO Elon Musk unveiled the Cybercab service in Austin on Thursday with a highly staged launch, sending dozens of the sleek, futuristic robotaxis onto city roads while hosting an invitation-only event to mark the debut.

Shares of Tesla fell more than 5% to $357.38 in early Friday trading after word of the federal probe surfaced, wiping out much of the stock’s gains from the previous session.

Tesla did not immediately reply to a request for comment.

Before the launch, Tesla had said it had relied on a self-certification procedure to make sure the Cybercabs were in compliance, but the agency apparently is unsure if the taxis do indeed meet standards. In its filing, the agency said it will now conduct an audit to “examine the process and technical data” that Tesla used in the certification.

The Austin service Thursday kicked off what Musk says will be a national rollout of a cheap, driverless taxi service that he promises to transform the way people travel.

Musk plans to integrate Cybercabs, which lack manual controls so passengers could take over in an emergency, into the company’s existing cab service that up to now uses just normal Tesla vehicle. That robotaxi network has been operating in Austin for more than a year, but has also begun offering rides in five other Texas and Florida cities.

The company is facing several federal investigation into the safety of its self-driving software.

One probe is examining the software’s role in several Tesla crashes in fog, sun glare and other low-visibility conditions, including one in which a pedestrian was killed. Another is investigating dozens of incidents in which Teslas using partial self-driving software ran red lights or drove on the wrong side of the road, sometimes crashing into other vehicles and causing injuries. A third is examining why Tesla apparently violated regulatory requirements by failing to report crashes promptly.

Copyright 2026 The Associated Press. All rights reserved. This material may not be published, broadcast, rewritten or redistributed without permission.

5 Movies Like Onslaught to Watch Next

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Adam Wingard’s “Onslaught” makes no secret of the movies that shaped it. The film channels a punchy mix of 1980s action, horror, and science fiction, the kind of genre cocktail built for late-night cable and well-worn VHS tapes. Wingard has pointed to James Cameron and John Carpenter as key creative north stars, and his affection for B-movie craftsmanship runs deep. “All my favorite movies are B-movies,” he has said — a sentiment reflected not only in nods to video-store staples like “Assault on Precinct 13” and “Tremors,” but also in the casting of era-defining performers such as Michael Biehn and Reginald VelJohnson, both of whom appear in his new film.

With that DNA in mind, we’ve put together a compact watchlist for anyone who finished “Onslaught” and immediately wanted another dose of the same adrenaline-fueled spirit. Consider it a crash course in retro action-horror thrills, spanning undisputed genre classics and sharper modern entries that carry the same scrappy, high-impact energy. “Onslaught” may be the newest arrival in this lane, but it is very much part of a long and beloved tradition.

From the influence of Cameron and Carpenter to one of Wingard’s own earlier efforts, these five films make ideal follow-ups if “Onslaught” left you hungry for more.

The Terminator

The obvious place to begin is “The Terminator.” Although “Terminator 2: Judgment Day” tends to dominate the conversation today — and more clearly points toward the large-scale spectacle James Cameron would later embrace — the 1984 original remains a lean, ruthless masterpiece. It fuses science fiction, action, thriller mechanics, and monster-movie menace with remarkable precision, all driven by an unforgettable ’80s synth score and a shadowy, nocturnal visual style.

If you have never watched it, or if years have passed since your last viewing, “Onslaught” offers the perfect excuse to revisit it. The connection is more than tonal: “Onslaught” actor Michael Biehn, one of Cameron’s most memorable collaborators, co-stars opposite Linda Hamilton and Arnold Schwarzenegger, whose famously machine-like performance works entirely to the film’s advantage. Still, the strongest link between the two movies lies in their momentum, atmosphere, and stripped-down genre intensity.

“Onslaught” pulls loads from “The Terminator,” from the “monster with a gun” choreography of its three villainous super soldiers, to the slow-build and use of the long night as devices for added tension. Both films understand there’s nothing scarier than a man with a gun who can’t be reasoned with, and of course, it only helps the drama when those men aren’t really men at all (at least, not anymore, in the case of “Onslaught”). It’s the damn “Terminator,” yall. What else is there to say?

Assault on Precinct 13

There are a lot of different John Carpenter movies that could have easily fit on this list, from “The Fog” to “Escape from New York.” But instead, we’re going to shine a light back on an even earlier Carpenter film that doesn’t get as much attention — “Assault on Precinct 13.”

If you want to talk about “one long night” movies, this has to be part of the conversation. Somewhere between “Dirty Harry” and Carpenter’s impending breakout with “Halloween,” “Assault on Precinct 13” shows a neighborhood falling quickly to the violence of an aggressive street gang. As the local precinct is stripped and prepared to be closed, the killers lay siege to the building in search of vengeance on the cops (and prisoners) still inside, leading to a tense showdown.

The premise itself may not sound like anything special, but as is so often the case with Carpenter, who also wrote and scored the film, it’s the style that makes it pop. Some sources place the budget at just $100,000. The American Film Institute puts it at $200,000. Either way, it was a severely indie operation, yet it oozes style — an early demonstration of Carpenter’s penchant for voyeuristic cinematography, always creeping around a corner or behind a wall, forever holding something back and making you wonder what might be there. 

The press materials for “Onslaught” include a claim from Adam Wingard that “Assault on Precinct 13,” more than any other individual film, was the primary blueprint for “Onslaught.” It shows. So if you watched the latter, what are you waiting for? It’s the perfect opportunity to revisit a classic.

Drive

No film in the last 20 years has evoked that mid-to-low-budget ’80s action/thriller vibe as effectively as “Drive,” directed by Nicolas Winding Refn in 2011 and starring Ryan Gosling in one of the defining roles of his career. A proper neo-noir, complete with Kavinski’s iconic electro tune “Nightcall” (RIP to a real one), the film is a twisting saga of underworld hits, betrayals, vengeance, and love. But like most of the movies on this list, it’s really more about the look, sound, and feel, than the story. And the look, sound, and feel are second to none.

The vista shots of the city at night, the drives down the Pacific Coast Highway, the neon, the headlights, the jacket to end all jackets — “Drive” is often more of a vibe than it is a movie. So it’s all the more impressive that it’s also a hell of a movie, too. With a supporting cast that includes Carey Mulligan, Christina Hendricks, Ron Perlman, Bryan Cranston, and Oscar Isaac, the film is absolutely stacked, with a healthy helping of kinetic chase scenes and frantic action set pieces to keep the adrenaline high. 

While distinctly less in the action/horror niche as “Onslaught” and some of the other films listed here, “Drive” is a natural follow up for its shared love of that ephemeral ’80s energy. And on a budget of just $15 million, it’s also kind of an underdog story.

Planet Terror

Robert Rodriguez’s “Planet Terror” is closer to outright parodying its influences than “Onslaught,” but both embrace a similar grindhouse style — blood and gore in an old-school, darkly comedic, rubber and goo kind of way. The 2007 film is obviously much more ludicrous at face value, as it’s about a zombie outbreak and the ensuing pandemonium, complete with a whole slew of familiar character archetypes. Then again, “Onslaught” does have a Nazi scientist who’s obsessed with feet, so maybe these are more balanced in their absurdity after all. And wouldn’t you know, Michael Biehn is here again.

Unlike “Drive,” “Planet Terror” is not trying to be “cool” in how it evokes a bygone era of genre cinema. And in fairness, it’s really pulling more from the ’70s than the ’80s. Even still, the combination of secret military experiments, a band of rural small-town survivors, and a general affinity for classic monster flicks permeate both.

“Planet Terror” may not rewrite the genre but it’s a whole lot of fun, marked by the signature flair for gore and chaos that its director is known for. It takes itself less seriously than “Onslaught” does, but when your subject matter is the walking dead, and the poster has a woman with a gun for a leg on it, that’s sort of inevitable.

The Guest

“The Guest” isn’t just directed by the same guy as “Onslaught,” or written by the same screenwriter, or is a similar story about PTSD and how the damage of war rarely ends when veterans return home. It’s also in the same continuity, even down to being set in the same town, according to Adam Wingard himself.

The 2014 film stars Dan Stevens as a U.S. Army veteran named David, recently returned from war, where he lost his best friend in combat. Distraught, he tracks down his friend’s family and declares his intention to help them out in the wake of the death. Slowly, though, it becomes clear that David isn’t exactly what he seems to be. A series of violent encounters reveals a dark side, with ties back to a series of secret military experiments. And yup, you guessed it, those are (according to Wingard) directly connected to what we see in “Onslaught.”

Given the lore connections between the two, “The Guest” is a natural pick if you enjoy “Onslaught,” but it’s also a solid thriller in its own right.

Craig Melvin Spars With Today Correspondent in Tense On-Air Exchange

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Craig Melvin sparked an uncomfortable live-TV moment on Today when he appeared to take correspondent Tom Costello to task for arriving late.

The frosty back-and-forth unfolded Thursday during the 3rd Hour of Today, as Costello, 62, reported on the busy and chaotic Labor Day weekend travel rush.

Costello had just wrapped an interview with an airline worker at Reagan National Airport when the broadcast returned to Melvin, 47, anchoring from NBC’s New York studios.

What might have been a routine handoff quickly turned tense, however, after Melvin publicly called out Costello for apparently oversleeping earlier that morning.

“Great story there, Tom. It’s a shame we almost didn’t see it this morning,” Melvin said with pointed sarcasm.

‘We hear that if you were trying to catch a flight this morning, you would have missed it. What happened?’ Melvin pressed as a flustered Costello started laughing.

Melvin gave the camera a very sassy look, raising his eyebrows and smirking.

‘I’ve been doing the Today show for 23 years and I have never overslept until this morning,’ Costello responded.

Craig Melvin got into a tense on-air clash with Today correspondent Tom Costello, as he brutally called Costello out for showing up late

Craig Melvin got into a tense on-air clash with Today correspondent Tom Costello, as he brutally called Costello out for showing up late 

The icy exchange took place during the 3rd Hour of Today on Thursday, while Costello, 62, was covering the chaos of Labor Day weekend travel

Things turned awkward when Melvin confronted Costello for oversleeping that morning

The icy exchange took place during the 3rd Hour of Today on Thursday, while Costello, 62, was covering the chaos of Labor Day weekend travel

He then went on to explain that there was a simple explanation to his lateness: his clock had broken.

‘I get a phone call from my producer at 6:30 and he said, “Where are you?” I said, “I’m in bed, why?” He said, “It’s 6:30.” I said, “No it’s not, it’s 1:30,”‘ Costello said.

‘My clock said 1:30. I took photographic proof a little afterwards. My clock was way off,’ he added, as a snap of a clock came across the screen that read 1:48. 

‘I think it’s time to buy a new clock. All of us on the Today show, we get one mistake. Now I’ve done it. It’s my first one.’

Melvin added that Tom was allowed to make two mistakes because he had been there so long, before he threw in another quip. 

‘1987 called, it wants its Timex back,’ he said, calling out the fact that Costello still used an old-fashioned alarm clock.

‘I don’t know what to say, I guess I have to start using my iPhone,’ Costello added.

It comes days after Melvin and his co-host Dylan Dreyer were left shocked after Today correspondent Emilie Ikeda revealed her pregnancy live on air.

'Great story there Tom. It's a shame we almost didn't see it this morning,' he sarcastically said. 'We hear that if you were trying to catch a flight this morning, you would have missed it. What happened?' he pressed as he gave the camera a very sassy look, raising his eyebrows and smirking

‘Great story there Tom. It’s a shame we almost didn’t see it this morning,’ he sarcastically said. ‘We hear that if you were trying to catch a flight this morning, you would have missed it. What happened?’ he pressed as he gave the camera a very sassy look, raising his eyebrows and smirking

Costello explained that there was a simple explanation to his lateness: his clock had broken

Costello explained that there was a simple explanation to his lateness: his clock had broken

'I get a phone call from my producer at 6:30 and he said, "Where are you?" I said, "I'm in bed, why?" My clock said 1:30. I took photographic proof a little afterwards. My clock was way off,' he said, as a snap of a clock came across the screen that read 1:48

‘I get a phone call from my producer at 6:30 and he said, “Where are you?” I said, “I’m in bed, why?” My clock said 1:30. I took photographic proof a little afterwards. My clock was way off,’ he said, as a snap of a clock came across the screen that read 1:48

The TV host, 32, broke the news during Monday’s episode of 3rd Hour of Today as she stood in for Al Roker. 

Discussing her weekend, Ikeda, from Philadelphia, explained that it was ‘best encapsulated with pictures.’ 

The feed then cut to images of her and husband Pat, who she married in 2022, excitedly holding up an ultrasound. 

‘For those at home, they legitimately don’t know. I’m surprising them right now,’ the mom-to-be shared as Melvin and Dreyer exclaimed with excitement. 

‘Wait, are you serious? Congratulations!’ asked Dreyer, 45, as Melvin extended a hug to Ikeda, adding: ‘This is so exciting!’ 

NBC correspondent Ikeda explained that she is currently five months pregnant with the tot due in January. 

‘I’m so excited. And now I’m in the stage where I can feel the baby kicking, which is miraculous,’ she said. 

‘I might be in a bad mood. I might be preoccupied. I might be into a script and then I feel this baby kick and I’m like, “Oh, it’s my buddy.”‘ 

US Open Party Attended by Top Tennis Players Faces Investigation

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A party held ahead of the U.S. Open appears to have drawn scrutiny from tennis integrity officials.

Several high-profile names from the tennis world were at a New York City event hosted by Miami restaurateur and nightclub owner Dave Grutman at the Crane Club. The gathering was sponsored by DraftKings, a detail that led to the event being flagged to the International Tennis Integrity Agency, according to tennis journalist Ben Rothenberg.

“We are aware of this event, and we are looking into the circumstances and details,” an International Tennis Integrity Agency spokesperson told Rothenberg.

Serena Williams and Coco Gauff attend David Grutman & Draft Kings hosted a US Open players dinner at Crane Club on Aug. 27 2026. BrokenRackets

Grutman later shared an Instagram carousel from the pre-U.S. Open party, showing Aryna Sabalenka, Serena Williams, Eva Lys, Mirra Andreeva and Coco Gauff posing with him in front of a DraftKings-branded backdrop.

“Hosting @draftkings Welcome Players Party is my Favorite!!!” he wrote in the caption.

Grutman’s Groot Hospitality portfolio includes Miami hotspots Gekko, Casadonna, Komodo and the LIV nightclub, with tennis lifestyle brand Prince.

According to his personal website, he counts DraftKings among his partners.

Per Rothenberg, players were not paid to appear at the event, but could still be in violation of anti-corruption rules by attending the shindig due to it’s DraftKings association.

“No Covered Person shall, directly or indirectly, facilitate, encourage and/or promote Tennis Betting,” Tennis Anti-Corruption rule D.1.b reads, while rule D.1.q adds that “No Covered Person, whether personally or via another arrangement or legal entity, may endorse, be employed, sponsored and/or otherwise engaged by a Tennis Betting Operator.”

Punishment could come in the form of a private warning, though Rothenberg notes former players James Blake, Mardy Fish and Bob Bryan were all hit with five-figure fines for paid promotions for gambling companies.

David Grutman, Matteo Berrettini, and Taylor Fritz attending a US Open players dinner.

David Grutman, Matteo Berrettini, Taylor Fritz attend attends David Grutman & Draft Kings hosted a US Open players dinner at Crane Club in NY on August 27 2026. BrokenRackets

Grutman — a self-described “obsessed” tennis fan — has close ties with some of the biggest names in the sport, often hooking them up with perks when in Miami and beyond, per Rothenberg.

Other attendees included Taylor Fritz, Matteo Berrettini, Alexandra Eala, Anna Kalinskya and ESPN commentator Caroline Wozniacki.

Kalinskya told Rothenberg she “went to catch up with my friends,” but did not know the party was sponsored by DraftKings.