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Migrant Accused of Attempted Murder, Kidnapping Released Under Biden

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An illegal immigrant faces multiple charges after investigators say he stabbed a 15-year-old girl and attempted to abduct her from a Baltimore, Maryland, home. The alleged attack occurred about three years after he was allowed to remain in the United States during the Biden administration.

The Baltimore Police Department identified the suspect as 23-year-old Abubakarr Barrie, who is accused of stabbing the girl inside a residence. Multiple reports indicate that Barrie worked as an unlicensed cab driver.

The Department of Homeland Security said Barrie picked up the victim and brought her “to a basement property that he was renting at the time.”

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ICE placed a detainer on the illegal immigrant accused of attempted murder. (WBFF, DHS)

Investigators allege that Barrie repeatedly stabbed the girl in the basement before she managed to escape and flee.

The incident took place on Oct. 22, and Barrie was arrested two days later. Immigration and Customs Enforcement lodged a detainer against him on the day of his arrest.

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Investigators say the victim was taken to a basement rented by the suspect, where she was stabbed. (WBFF)

Earlier this year, the New York City Police Department arrested Barrie on a charge of third-degree possession of a forged instrument. ICE also issued a detainer at that time, but New York City officials released him in July.

DHS confirmed that Barrie is an illegal immigrant from Sierra Leone who entered the United States through Arizona in December 2023. Border Patrol agents arrested him after his entry, and he was later released under the Biden administration.

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Authorities said the alleged attack occurred in the 3800 block of Belle Avenue in Baltimore. (WBFF)

DHS Secretary Markwayne Mullin said in a statement, “This tragedy would never have happened were it not for the multiple failures of sanctuary policies. First, Biden’s open borders let this monster into our country, then sanctuary politicians in New York refused to hand him over to ICE and released him after a previous arrest three months before this horrific crime. DHS is urging Baltimore County authorities to learn from sanctuary New York’s mistakes, honor ICE’s detainer against this illegal alien, and prevent him from harming any more Americans.”

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Baltimore police officers investigate the scene of the alleged stabbing and kidnapping. (WBFF)

News Media has contacted the NYPD and the City of New York for comment.

John Lewis Christmas Advert Divides Viewers as Festive Campaign Sparks Debate

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The much-anticipated John Lewis Christmas advert has established itself as one of the UK’s most beloved festive traditions.

Each year, viewers tune in to discover the retailer’s latest seasonal story, before discussing it with friends and relatives and, increasingly, sharing their reactions across social media.

Since the first campaign launched in 2007, the John Lewis Christmas adverts have delivered everything from magical adventures to emotional family moments. Here is a look back at every instalment.

2025: WHERE LOVE LIVES 

Last year, John Lewis moved away from its familiar festive tearjerker formula with Where Love Lives, a campaign that offered something more upbeat and nostalgic.

The advert appealed to parents who remembered Britain’s nightclub culture before having children, taking audiences on a nostalgic journey back to the dance floors of their younger years.

At its centre was the bond between a father and his teenage son, marking the first time one of the retailer’s Christmas campaigns had focused on that relationship.

The story began with the teenager anxiously waiting for his dad to discover a present tucked beneath the Christmas tree: a vinyl copy of Alison Limerick’s 1990 club classic Where Love Lives.

Touched by the thoughtful gift, the father placed the record on his turntable. Nearby, his son watched nervously, headphones resting around his neck as he waited to see how his dad would respond.

When the opening beat filled the room, the father was suddenly swept away from his living room and into a packed, pulsating nightclub surrounded by fellow revellers.

Scenes of the dad dancing in the club were intercut with memories of his son as a baby and toddler. As a softer modern rendition of the song played, the advert returned to the present, where the emotional father drew his embarrassed teenager into a hug.

2024: THE GIFTING HOUR 

John Lewis delivered another emotional Christmas advert in 2024, taking viewers on a magical adventure as one sister embarked on a heartfelt search for the perfect present for her sibling.

The story followed Sally, who hurried into the John Lewis Oxford Street flagship shortly before closing after leaving her Christmas shopping until the last minute.

In a scene inspired by The Lion, the Witch and the Wardrobe, Sally fell through a rail of dresses and entered an enchanted world, eventually emerging from an old wardrobe in the attic of her childhood home.

Her quest continued through a series of whimsical memories as she searched for a meaningful gift for her beloved sister. The most moving moment came when Sally encountered her late mother and shared a fleeting festive moment with her.

2023: SNAPPER: THE PERFECT TREE

In 2023, John Lewis opted for a colourful and cheerful campaign instead of its customary tearjerker. It was also only the second time the retailer had chosen an original song rather than a cover of a well-known classic.

The heartwarming story centred on a young boy named Alfie, who asked his grandmother for a seed so he could “grow your own perfect Christmas tree”. Andrea Bocelli supplied the advert’s soundtrack.

After planting the seed, Alfie was thrilled to see a Venus flytrap emerge from the pot instead of a traditional festive fir. He affectionately named the animated plant Snapper — “the perfect tree”.

But soon the plant caused chaos and was pushed outside – until Christmas morning, when Alfie presented the flytrap with a gift. Snapper gobbled the offerings up, spitting out festive gifts for the family – everything from headphones to Lego sets and slippers. 

2022: THE BEGINNER

Titled ‘The Beginner’, the 2022 festive clip told the story of a foster father learning to skateboard in the run-up to Christmas.

The hapless skater collected many bruises and scrapes along the way, but persevered with his new hobby – even doing homework by watching skating tutorials at work. 

When Christmas Day comes around, it is finally revealed that the character had been training in order to impress the foster child, Ellie, who was coming to stay with him and his wife over the holidays. She was welcomed into their home clutching a skateboard – bedecked with stickers – close to her chest.

And appropriately, the ad was set to a slow rendition of skater-pop anthem Blink-182’s ‘All The Small Things’ – a more upbeat choice than the ballads usually selected. 

2021: UNEXPECTED GUEST

The retailer’s two-minute ad in 2021, titled ‘Unexpected Guest’, featured a young boy introducing an alien to Christmas traditions, before she emotionally departed back to her home planet. 

It starred space traveller Skye crash-landing at the height of festivities in the woods near the home of 14-year-old Nathan, who introduced her to the traditions of eating mince pies, decorating the tree and, to her slight confusion, wearing novelty jumpers.

The soundtrack was provided by London singer and songwriter Lola Young, who performed a cover of Together In Electric Dreams, originally released by Philip Oakey and Giorgio Moroder in 1984.

The ad started with Nathan, who on his way home from school spotted a flashing light in the distance and chased it to the woods beside his home. It was here he encountered space traveller Skye and her spaceship.

2020: GIVE A LITTLE LOVE

The 2020 campaign hoped to raise a smile with light-hearted scenes of magical flying snowmen, supersized Christmas crackers and a hedgehog who dreams of being a pigeon.

The two-minute commercial showed how small acts of kindness can alleviate loneliness and bring joy to people who are quietly struggling.

Told through a series of nine interconnecting vignettes, the ad followed a chain reaction of good deeds that changed someone else’s life in small but meaningful ways. 

Each scene was done in a different style, from hand-drawn animation to claymation and cinematography.

2019: EDGAR THE DRAGON

This offering starred an excitable and accident-prone dragon called Edgar who lives in a freezing mythical village with his red-headed best friend Ava.

In the heart-warming and funny ad, the pair try to quell Edgar’s disastrous fire-breathing after it threatened to destroy the festive period for everyone as a giant Christmas tree was set on fire, a snowman was destroyed and the local ice rink melted.

It marked the first time the department store joined with sister brand Waitrose for a festive commercial. After a mixed response to the 2018 ad, which featured Elton John and charted his rise from childhood, the new ad seemed to be a return to formula.

2018: THE BOY AND THE PIANO 

The retailer ended a decade of heart-warming tear-jerkers featuring loveable animals and charming children last year when it featured Sir Elton John in its Christmas ad. 

It charted the singer’s rise from humble beginnings to fame and fortune. 

The mini-biopic, set to his 1970 hit Your Song, showed how one present can change a life and ended with a four-year-old Elton unwrapping his first piano on Christmas Day in 1951. 

The £7million advert then cuts to the emotional 71-year-old playing the same instrument while thinking about his mother Sheila, who died in 2017 aged 92, followed by the slogan: ‘Some gifts are more than just a gift’. 

However, it was panned by some who thought that it focused more on the singer than on Christmas. 

Some fans were also disappointed that cuddly stars such as Monty the penguin and Moz the monster were jettisoned for a celebrity-endorsed campaign. 

2017: MOZ THE MONSTER

2017’s effort featured the story of a boy who befriends the monster under his bed, with the music a cover of The Beatles’ Golden Slumbers by rock band Elbow.

It left viewers in tears over the mischievous and flatulent monster called Moz and his relationship with a seven-year-old soulmate – with fans comparing it to Disney’s much-loved Monsters Inc.

The giant furry monster with a bulbous nose, wonky teeth and a love of snoring, jumped out from under the bed every night to play with companion Joe in a festive tale making many laugh and cry.

The little boy, aged seven, who is played by young twin brothers from London named Ethan and Tobias, is initially frightened after seeing a pair of enormous eyes peering from the dark under his bed.

But the two unlikely friends are shown sharing games, playing piggyback and Scalextric in his bedroom – all without mum, dad, or older sister finding out. 

2016: BUSTER THE BOXER

Buster the Boxer was the star of the 2016 edition.

John Lewis said the advert where the dog, played by five-year-old Biff, beats a young girl to her new toy was an attempt to cheer up Britain after a ‘tough year’.

The advert told the story of a little girl called Bridget who loves to jump.

Set to a cover version of ‘One Day I’ll Fly Away’, her mother and father buy her a trampoline, toiling while she sleeps to build it before hiding it in the garden to surprise her with on Christmas Day. As the snow falls an array of animals start using it as the Boxer watches forlornly through the window.

The next morning Bridget sprints out to use it for the first time but her joy turns to shock as cheeky Buster has the last laugh and uses her new toy before her.

2015: MAN ON THE MOON

In 2015, a lonely Man on the Moon is shown to viewers sitting by himself on a bench, completely unaware that he is being observed by the youngster back down on Earth.

The elderly man, played by a 77-year-old French actor called Jean, gazes up wistfully towards the Earth, as the Oasis song Half The World Away, performed by 19-year-old Norwegian singer Aurora plays mournfully in the background.

She tries desperately to send him a message but all her efforts fail, while he remains unaware that anyone cares about him and sits alone on a bench, staring up at the Earth.

Eventually, on Christmas morning, a present arrives from the sky, carried by party balloons, and the old man unwraps it to reveal a vintage telescope.

He uses it to spot Lily and, realising that someone cares about him, his eyes fill with tears.

2014: MONTY THE PENGUIN

In 2014, John Lewis hoped the bond between a boy and a penguin would capture the public’s imagination.

The two-minute festive commercial told the story of seven-year-old Sam, played by actor Rhys Edwards from Hertfordshire, and his friend Monty.

The boy gradually realises Monty is longing for a penguin companion. And so on Christmas morning Sam surprises Monty with the gift of a new penguin friend named Mabel.

The soundtrack was John Lennon’s song Real Love, performed by Tom Odell.

2013: THE BEAR AND THE HARE

In 2013, the £7million Disney-inspired advert told the story of a selfless hare who is determined to make sure his best friend, a bear, doesn’t miss Christmas for once.

The commercial features the tale of two good friends, a bear and a hare, who are sad at the thought of being separated for Christmas.

The tale opens as winter is starting to draw in and the fun and excitement of preparing for Christmas begins.

As the first snowflake falls and lands on the bear’s nose, the hare starts to feel sad because he realises his friend will soon go off to hibernate, so – as usual – missing Christmas.

While the bear is keen to join in, eventually he finds he cannot hold off his winter sleep any longer and disappears into his cave.

Viewers see the bear fast asleep while all the other woodland creatures become excited about the big day to come.

However, the hare is missing his friend and finds it increasingly difficult to join in the preparations until the moment he has a great idea for a very special present.

He disappears off in to the wilderness to return with the gift – an alarm clock – which wakes the bear just in time to gather around a beautifully decorated tree to celebrate with all his friends.

2012: THE JOURNEY

The Christmas ad from 2012, called The Journey, shows the extraordinary lengths to which some will go in their search for a gift for someone they love.

The 90-second commercial opens in a family’s snow-covered garden, with children happily making a snowman and snowwoman.

When the snowman mysteriously disappears the next morning, the viewer is transported to a magical world, following him on an epic journey across river, mountain, road and city.

The motive for the snowman’s secret journey isn’t revealed until the last scene, when he returns on Christmas morning with gifts for his wife. 

Gabrielle Aplin sings The Power Of Love, the 1984 hit from Frankie Goes To Hollywood, as the soundtrack. 

2011: THE LONG WAIT

In 2011, the John Lewis advert showed a young boy desperately excited about Christmas.

He eagerly counts down the days to December 25 with viewers left to imagine he is looking forward to getting presents. 

However, it is revealed at the end that he actually couldn’t wait to give presents to his parents.

It was accompanied by a cover of The Smiths’ Please Please Let Me Get What I Want’.

2010: A TRIBUTE TO GIVERS

The 2010 offering saw individuals choosing and wrapping their presents in the lead up to the big day, as Ellie Goulding sings a cover of Elton John’s Your Song.

Various people furtively hide the presents they’ve carefully chosen.

Parents sneak a rocking horse upstairs while their children’s backs are turned; a mechanic struggles to wrap a spotted teapot; and a small boy braves the snow in his dressing gown to hang a stocking outside his dog’s kennel.

2009: SWEET CHILD O’MINE 

2009 was the first of the store’s Christmas campaigns created by advertising agency Adam & Eve.

It was also the first to feature a musical cover by a current artist, on this occasion a Taken By Trees version of Sweet Child O’ Mine by Guns N’ Roses.

The ad shows children opening gifts for adults including a laptop, coffee machine and handbag.

It’s followed by the tagline: ‘Remember how Christmas used to feel? Give someone that feeling.’

2008: FROM ME TO YOU 

Culminating in the tagline: ‘If you know the person, you’ll find the present,’ the 2008 version shows a succession of characters followed by a matching gift.

The soundtrack is a cover of The Beatles’ From Me To You recorded for the campaign.

It included vocals by Matt Spinner, a member of the John Lewis IT department and its music society.

2007: SHADOWS 

The first John Lewis Christmas ad shows a group of people stacking a pile of potential gifts including a desktop lamp, a computer and a leather satchel in an empty room. 

The finished product ends up creating a shadow that looks like a woman walking her dog through the snow.

It is accompanied by the tagline: ‘Whoever you’re looking for this Christmas.’  

Godzilla Minus Zero Review: A Bolder, Stranger and More Ambitious Sequel

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RATING : 7 / 10

Pros
Cons

Ishirō Honda’s original 1954 “Godzilla” transformed a monster movie into a potent metaphor for Japan’s post-Hiroshima nuclear fears. The 37th entry in the franchise, 2023’s “Godzilla Minus One,” made that subtext considerably more explicit. Although the nostalgic return to the series’ earliest roots became a major international success, Japanese critics were more cautious about celebrating it. The film’s militaristic undertones, easy to overlook overseas, carried an especially uncomfortable resonance at home.

Set shortly after the Second World War and the American occupation’s dismantling of Japan’s military, writer-director Takashi Yamazaki presented renewed armed resistance as a form of patriotism. That framing placed “Godzilla Minus One” uneasily alongside Japan’s right-wing movement and its calls to revise the country’s pacifist constitution. What played abroad like a rousing “Top Gun”-style adventure could feel far more troubling to Japanese audiences. “Godzilla Minus Zero,” Yamazaki’s considerably stronger follow-up, confronts that tension head-on. The story unfolds four years after the war and two years after the monster’s previous rampage.

Even without American characters enforcing strict demilitarization, this sequel feels markedly more powerless than its crowd-pleasing predecessor. In that earlier film, national solidarity and inventive strategy offered at least the illusion of fighting back. Here, neither can truly contain forces beyond human control. Larger-scale action and improved visual effects do little to soften the film’s unusual pessimism; if anything, its introspection deepens as the spectacle expands.

A different mutation of monster movie

After being criticized for its clichéd, melodramatic human story, “Godzilla Minus One” set a low bar for the franchise’s character work. The biggest surprise of “Godzilla Minus Zero” is how closely its human drama mirrors a grim contemporary reality, with the Doomsday Clock hovering seconds from midnight. In that respect, Yamazaki’s sequel speaks to today’s anxieties much as Honda’s original reflected the fears of postwar Japan.

Two years after the events of “Godzilla Minus One,” Kōichi (Ryunosuke Kamiki), a former kamikaze pilot burdened by survivor’s guilt, has married Noriko (Minami Hamabe), who lived through Godzilla’s attack on Ginza. Together, they are settling into family life with their adopted daughter, Akiko (Sae Nagatani). Meanwhile, scientist Kenji Noda (Hidetaka Yoshioka) has become head of the government’s Large-Scale Disaster Response Bureau. His mission is decidedly preventative: prepare for future catastrophes and rebuild Japan for the generations to come.

The setup could form an intriguing double feature with this year’s D-Day weather thriller “Pressure.” Noda’s bureau brings in meteorologist Makoto Aoyama (Masami Nagasawa) to identify emerging threats, a responsibility that becomes urgent with Ghidorah’s arrival. This new Kaiju turns the elements themselves into weapons, unleashing fresh destruction across Japan’s crowded cities. The Bureau is consequently forced into an extraordinary calculation: hoping Godzilla returns, because only he may possess the power to stop this latest menace.

Where “Godzilla Minus One” often resembled a Hollywood blockbuster, “Godzilla Minus Zero” finds Yamazaki challenging the expected shape of a Godzilla film. He remains fully capable of delivering spectacular set pieces, but the material between them is subtly skewed, pushing back against the optimism and jingoism common to action cinema — including his own previous movie. The film’s defining idea is not simply how many characters die, but how often its protagonists fail to control the threats facing them. Even during lengthy monster battles, the story repeatedly returns to the humans, who understand that a temporary victory cannot prevent the next catastrophe.

Yamazaki’s previous film sent audiences out of theaters exhilarated and ready to cheer. This one is more likely to leave them quietly processing what they have seen. It combines the primal thrill of giant-monster destruction with character drama that refuses easy resolution while these otherworldly dangers remain at large.

Not all big swings pay off

Yamazaki also makes some of the franchise’s boldest narrative choices, including an explanation for Noriko’s survival after what appeared to be a fatal encounter in the previous film. That development sends the story into more ambitious science-fiction territory. By the third act, though, the film’s treatment of the idea feels less substantial than its implications. It resolves a lingering mystery and resets the stakes while only hinting at a more unsettling, Cronenberg-like body-horror direction that the movie never fully pursues. Yamazaki is more interested in the messy details of domestic relationships and the procedural work inside research facilities, and the action does not integrate these daring concepts as deeply as it might have.

That restraint is understandable. Yamazaki has already demonstrated complete command of conventional Kaiju spectacle on an enormous scale. Bigger aerial confrontations and devastating attacks at sea repeatedly raise the pressure around the character drama. As in his Oscar-winning previous film, his economical approach is not simply a consequence of limited Japanese production budgets; it reflects a precise understanding of how to make these monsters feel immense.

Ghidorah needs little more than vivid bolts of lightning to establish its threat. Godzilla, meanwhile, can dominate a scene without being shown in full, with smart variations on the character’s theme — arguably an even more effective monster-movie motif than John Williams’ “Jaws” score — doing much of the work. The extended final battle eventually wears out its welcome, but it is the only point at which Yamazaki gives in to Hollywood-style excess after spending two hours carefully rationing his visual weapons.

“Godzilla Minus Zero” also challenges Western action conventions through its treatment of the New York attack teased in the trailers. The amount of time devoted to that destruction feels like a pointed answer to Hollywood disaster films, which often reduce tragedies outside the United States to brief montage footage. The result is a film that understands the appeal of genre spectacle while taking a sharper stance against blockbusters that bury their humanity beneath escalating destruction.

This sequel offers a more distinctive perspective on the Godzilla mythos than its predecessor, even if that originality means it delivers fewer of the expected conventional thrills. For me, the risk pays off: “Godzilla Minus Zero” stands as the strongest Godzilla film of the 21st century so far.

“Godzilla Minus Zero” crashes into theaters on November 6.

Idaho Murders Survivor Has New Identity After Moving Nine Times

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Dylan Mortensen, a survivor of the 2022 University of Idaho killings, says she has changed her identity and moved nine times while asking a judge not to release recordings and images that could reveal her face.

The 23-year-old has asked Judge Megan Marshall to revisit a ruling issued last month ordering the release of video and photographs that may show her. The records were sought by independent media organization EWU Media LLC.

“I am writing to respectfully ask the Court to maintain the existing redactions that blur my face in police interviews, body-camera footage and other investigative recordings related to the University of Idaho murders,” Mortensen wrote in an affidavit submitted to Marshall last week.

Mortensen had shared a home with Madison Mogen, Kaylee Goncalves, Xana Kernodle and Ethan Chapin. The four students were killed at the Moscow, Idaho, residence on November 13, 2022.

Bryan Kohberger, now 31, pleaded guilty to the four murders in July 2025. He later tried to withdraw that plea earlier this year.

Mortensen previously told investigators that she saw a masked man inside the house at about 4 a.m. She said she texted fellow surviving roommate Bethany Funke but did not contact emergency services at the time.

Around noon the next day, Mortensen and Funke found the bodies of their four friends, prompting police to respond to the home.

“I testified for the prosecution and gave multiple interviews regarding the man I saw in the home on the night of the murders,” Mortensen said in her affidavit.

Dylan Mortensen, 23, wrote to Judge Megan Marshall requesting that she reconsider her decision from last month to release video and images which potentially feature Mortensen's face after they were previously requested by independent media company, EWU Media LLC

Dylan Mortensen, 23, is asking Judge Megan Marshall to reconsider an order allowing the release of recordings and images that could show her face. The materials were previously requested by independent media company EWU Media LLC

Mortensen, seen far left, was the former roommate of Madison Mogen, Kaylee Goncalves, Xana Kernodle and Ethan Chapin, who were all killed at their student home in Moscow on November 13, 2022

Mortensen, pictured at far left, lived with Madison Mogen, Kaylee Goncalves, Xana Kernodle and Ethan Chapin, who were killed at their Moscow student home on November 13, 2022

In July 2025, Bryan Kohberger, 31, entered a guilty plea to the murders of the four students before he then attempted to retract the plea earlier this year

Bryan Kohberger, 31, pleaded guilty to killing the four University of Idaho students in July 2025, then sought to reverse that plea earlier this year

EWU submitted a public records request in August 2025, but the request was only partly granted. The company then asked the court to order the city to turn over the remaining records, and Marshall approved that request on October 20, Fox News reported.

Mortensen is not seeking to keep the investigative material entirely from the public. Her objection centers on the removal of the blurring that protects her identity and appearance.

“I am not asking for the interviews or body-camera recordings to be withheld from the public, nor am I for information about the investigation to be hidden,” she wrote. “I am asking the Court to consider what additional information is actually gained by removing the blurring from my face.”

She argued that showing her face would not add anything to the substance of her statements. “My statements do not change when my face is visible, and the information being discussed in those recordings remains the same,” the affidavit said. “What changes is the public’s ability to examine my facial expressions, become more familiar with my appearance, and circulate images of me during an incredibly vulnerable time.”

Mortensen’s attorney, Robyn McPherson, filed a motion last week seeking permission to intervene in the case. She also asked Marshall to reconsider the release order and pause it while the petition and any appeals are addressed, according to Fox News.

The motion requests that Moscow officials identify the records being withheld and provide them to the judge for a private “in-camera” review, along with a detailed index of the materials.

McPherson said that process would allow Mortensen to understand what the records contain and give her a meaningful opportunity to present arguments in support of keeping her face blurred.

In her appeal to the judge, Mortensen also described the continuing impact of the tragedy, saying she and her family have faced repeated harassment, stalking and threats since the night of the murders.

In August, 2025, EWU filed a public records request that was partially denied before asking the court to compel the city to release them, which Marshall agreed to on October 20

EWU submitted a public records request in August 2025 that was partially denied before seeking a court order compelling the city to release the material. Judge Megan Marshall granted that request on October 20

Mortensen and her family moved nine times since the horror unfolded, as 'reporters and strangers investigating the case on their own have shown up outside of our homes, followed family members and invaded our privacy in ways that have made it difficult to feel safe,' according to the affidavit

Mortensen and her family moved nine times since the horror unfolded, as ‘reporters and strangers investigating the case on their own have shown up outside of our homes, followed family members and invaded our privacy in ways that have made it difficult to feel safe,’ according to the affidavit

Mortensen's attorney, Robyn McPherson, filed a motion to intervene in Marshall's decision last week, and asked the judge to also reconsider the order and issue a stay until the petition and appeals are resolved

Mortensen’s attorney, Robyn McPherson, filed a motion to intervene in Marshall’s decision last week, and asked the judge to also reconsider the order and issue a stay until the petition and appeals are resolved

‘Since November 2022, my life has changed in ways I never could have imagined. Along with losing four of my friends and experiencing something incredibly traumatic, I have spent nearly four years dealing with public attention, harassment, threats, and constant speculation about my involvement in what happened,’ Mortensen wrote. 

‘People who have never met me have formed opinions about my character, questioned my actions, and accused me of things I had absolutely nothing to do with. 

‘I understand that I cannot control what people choose to believe or say about me, but the amount of attention and hostility I have received has affected nearly every aspect of my everyday life. It has changed how I interact with people, where I feel comfortable going, and how much personal information I feel safe sharing.’

She told Marshall how, over the last four years, she has made a conscious effort to avoid being photographed or go anywhere alone, fearing repercussions regarding her safety. 

According to the affidavit, Mortensen and her family have moved nine times since the horror unfolded, as ‘reporters and strangers investigating the case on their own have shown up outside of our homes, followed family members and invaded our privacy in ways that have made it difficult to feel safe.’

She further detailed that she took on an alias to protect her identity, often introducing herself to strangers under the pseudonym or when receiving deliveries or packages.

Mortensen also expressed fears for her safety following numerous threats online, and told Marshall: ‘I have received numerous unsolicited messages from strangers accusing me of participating in my friends’ murders, blaming me for their deaths, and making cruel statements about what they believe should happen to me.’

She added that she held more than 30 screenshots, evidencing messages across multiple years that demonstrate harassment toward her over the case. 

Mortensen argued that additional footage and imaging of her would make her more easily identifiable to the public, and allow them additional access to her mannerisms, facial expressions and demeanor

Mortensen argued that additional footage and imaging of her would make her more easily identifiable to the public, and allow them additional access to her mannerisms, facial expressions and demeanor

Mortensen also expressed fears for her safety following numerous threats online, and told Marshall she received 'unsolicited messages from strangers accusing me of participating in my friends¿ murders, blaming me for their deaths, and making cruel statements about what they believe should happen to me'

Mortensen also expressed fears for her safety following numerous threats online, and told Marshall she received ‘unsolicited messages from strangers accusing me of participating in my friends’ murders, blaming me for their deaths, and making cruel statements about what they believe should happen to me’

Mortensen's mother allegedly found a comment on TikTok which stated that they would throw Mortensen in the trunk of their car if they ever saw her in downtown Boise to question her

Mortensen’s mother allegedly found a comment on TikTok which stated that they would throw Mortensen in the trunk of their car if they ever saw her in downtown Boise to question her 

‘Some individuals have called me a murderer, accused me of lying, and told me that I should have died that night. Others have expressed hopes that I would be hurt or killed. These messages are difficult enough to receive on their own, but what concerns me most is that some individuals have made statements about finding me or confronting me in person,’ Mortensen wrote. 

Messages she received allegedly included, ‘I’ll find you’ and ‘Don’t let me find out where you live,’ while others threatened to release her parents’ address. 

Her mother also allegedly found a comment on TikTok which stated that they would throw Mortensen in the trunk of their car if they ever saw her in downtown Boise to question her on the case. 

‘I am sharing these experiences because I want the Court to understand why the existing facial redactions are important to me. I recognize that there are already photographs and videos of me circulating online, and I understand that my identity is publicly known. 

‘However, I believe there is a significant difference between the photos and videos people have already seen of me and the lengthy police interviews and body-camera recordings taken during one of the most traumatic and vulnerable periods of my life,’ she wrote. 

Mortensen argued that additional footage and imaging of her would make her more easily identifiable to the public, and allow them additional access to her mannerisms, facial expressions and demeanor, according to the affidavit. 

She also expressed concerns that the footage and imagery may present additional scrutiny over her actions, words and demeanor that could fuel further accusations of her involvement in the case. 

‘For years, strangers have analyzed my words and actions, questioned why I responded the way I did, and made assumptions about what they believe my behavior meant. Some have taken those assumptions further and accused me of being involved in the murders,’ she said. 

A hearing is scheduled for November 12, as Kohberger is set to appear in court once again for a hearing on his petition for post-conviction relief on December 10

A hearing is scheduled for November 12, as Kohberger is set to appear in court once again for a hearing on his petition for post-conviction relief on December 10

‘I worry that removing the blurring would give those same individuals another opportunity to pause recordings, take screenshots, isolate specific expressions, and create new theories based on how they believe I should have looked or reacted.’

A hearing is scheduled for November 12, as Kohberger is set to appear in court once again for a hearing on his petition for post-conviction relief on December 10, the outlet reported. 

The Daily Mail reached out to Mortensen’s attorney McPherson, the Moscow Police Department and Judge Marshall for comment.  

Aviation Expert Reveals Critical Mistake Learjet Pilots Made Before Fatal Florida Crash

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Several critical human errors may have contributed to Sunday’s devastating Learjet crash in Florida, which killed all nine people aboard, aviation experts said.

The $2 million aircraft was flying from Texas to the Bahamas when it entered a powerful storm, apparently stalled at an altitude of between 35,000 and 37,000 feet, and began plunging toward the ground. It crashed and erupted into a fireball near a trailer park in Palm Beach County.

Investigators have not yet determined what caused the disaster. But aviation expert Justin Crabbe told The Post that the pilots may have made a dangerous decision by continuing toward the storm before attempting a maneuver that could have worsened the situation.

“They certainly should have gone around [the storm],” said Crabbe, a veteran pilot and CEO of Jettly, a charter-flight booking platform that had the Learjet 60 involved in Sunday’s crash listed on its site.

“[Air-traffic control] gave them the flexibility to deviate around that weather,” he said.

Crabbe said he could not explain why the pilots continued through the storm, but suggested they may have been eager to reach their destination in the Bahamas. The aircraft was carrying two pilots and seven passengers: millionaire tech entrepreneur Adam Robinson, his wife, their two young children, two adult friends and the family’s nanny.

“It’s a theory called ‘get-there-itis,’ and flight schools teach you this very early on,” Crabbe said.

“It’s a risk factor. You have to sit back as a pilot and understand what is pushing you to do this trip, this maneuver, this journey in a way that may compromise the safety of the flight.”

The jet’s co-pilot, 20-year-old Nathalia Filgueiras, requested and received clearance to climb from 35,000 feet to 37,000 feet after reporting subzero temperatures outside the aircraft and ice forming on its fuselage.

Ice can severely disrupt an aircraft’s performance by changing the flow of air over its wings and reducing lift. Although many aircraft, including the Learjet involved in the crash, are equipped with de-icing systems, ice can accumulate rapidly in severe conditions.

Crabbe said the attempt to climb out of the storm may ultimately have placed the aircraft in even greater danger.

“They tried to ascend to get to clearer air, which may have been one of the contributing factors toward accelerating that stall,” he told The Post.

As an aircraft’s nose rises, the angle of attack—the angle at which the wings meet the air moving toward them—increases. When ice coats the wings, they must work harder to generate lift, meaning the aircraft can stall at a lower angle than it normally would.

At that point, Crabbe said, the pilots may have faced two dangerous choices: climb and risk worsening the stall, or descend deeper into the storm and potentially accumulate even more ice.

He also emphasized the intense pressure the pilots would have been experiencing in the cockpit.

“It’s extremely easy to say this from the ground and from a position of safety,” Crabbe said of the decisions confronting the crew.

The crash claimed the lives of 44-year-old entrepreneur Adam Robinson; his wife, Helen; their children, Emma, 4, and Charlie, 2; friends Rachael Reed and Charmi Fehr; and nanny Anita Maria Apellido Cetina.

Even if the Learjet had completed its emergency climb, it may not have escaped the threat. NOAA data showed that the unusual convective storm system extended to nearly 50,000 feet.

“This was kind of the perfect storm of trouble,” said aviation lawyer Zachary S. Gorwitz of Podhurst Orseck, a firm that investigates and litigates aircraft crash cases.

He said climbing above the storm could have increased the aircraft’s angle of attack and aggravated—or triggered—a stall on one or both wings.

“You had turbulence. You had icing. You had precipitation. And you had incredibly tall thunderstorms that seem to have formed very quickly,” Orseck told The Post.

Once the plane started nose-diving, there would have been little the pilots could do — especially as the aircraft seems to have started breaking apart before it hit the ground.

“At that point, I’m sure the pilot was trying to pull back on the controls and get the nose up, but I’m sure at that speed and that angle, it just wasn’t possible,” Gorwitz said.

Whatever the cause or causes of the crash, he said he doubts they include a young, inexperienced co-pilot — even though the terrified Filguerias was the one speaking to air-traffic control.

“The fact that this 20 year co-pilot was the one on the radio suggests the pilot was at the controls,” he said.

What to Watch This Week: Resident Evil on VOD, All’s Fair on Hulu, Stick on Apple TV and More

There’s no shortage of streaming options this weekend, with Awkwafina: The Unlikely Cook arriving on Apple TV, It Gets Worse landing on Paramount+, and a new season of Black Doves coming to Netflix. Paramount+ is also serving up fresh episodes of MobLand, Tulsa King, and Dexter: Resurrection.

Friday brings plenty to watch, but the streaming action starts earlier. From Tuesday through Thursday, a wave of new releases will give viewers plenty of reasons to stay in.

Apple TV’s Stick is back for another season—channeling Owen Wilson’s Wedding Crashers energy with a simple: why not? Meanwhile, Love Is Blind is heading toward the finale of one of its wildest seasons yet. The weddings are sure to bring the drama, but the reunion may be even more revealing—and fans can watch it early. Here’s what to know about those titles and more.

New Shows To Watch This Week (November 3): Love Is Blind, Stick, All’s Fair, and More:

“We’re a team; ever heard of it?” Rob certainly has—and now another season of romance, arguments, and emotional crashouts is nearing its conclusion with the Love Is Blind: Boston finale.

Four couples are still standing as the cast heads toward the altar. Should any of them say “I do”? Probably not. Will any of them actually get married? That remains the big question. Season 9 of the U.S. series ended without a single wedding, while Season 10 delivered two—though Amber and Jordan split before the reunion. A marriage-free season is once again possible, but we’ll have to wait and see.

The Love Is Blind Season 11 Reunion is scheduled for Sunday, November 8 at 9:00 p.m. ET.

Apple TV has been on an impressive run lately. The thriller Nocturne recently premiered, while new seasons of Dark Matter and Slow Horses have just wrapped. Until Severance and Pluribus return, the next series to watch is Season 2 of Stick.

The Owen Wilson-led golf comedy is returning for its second season, with Emmy winner Rhea Seehorn joining the cast as Coach Amanda. Known as a “swing doctor,” her character is recruited to help Pryce (Wilson) as he works to make his way back into professional golf.

The Best of the Rest:

New Movies To Watch This Week: Resident Evil and Primetime on VOD:

Missed Zach Cregger’s Certified Fresh horror film Resident Evil in theaters? It’s now available to watch on VOD. This reinvention of the franchise follows Bryan (Austin Abrams), a medical courier caught in a “non-stop race for survival as one fateful, horrifying night collapses around him in chaos.”

The cast also includes Zach Cherry, Kali Reis, and Paul Walter Hauser. The film is currently available on VOD and is expected to arrive on Netflix in late January 2027.

The Best of the Rest:

Happy streaming!

Mangione’s New Bid to Escape NY Murder Case: Same Gun, Same Killing

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Mangione’s attorneys are pressing their double jeopardy argument, claiming he should not face New York murder charges after pleading guilty in federal court to conduct they describe as fundamentally the same offense.

Their position is that stalking someone with the intention of killing them, followed by the killing itself, amounts to the same underlying harm as murder.

The defense made that argument in response to Manhattan prosecutors, who urged a New York judge to reject Mangione’s request to dismiss the state charges. In his federal case, Mangione admitted to killing UnitedHealthcare CEO Brian Thompson, a 50-year-old father of two who was shot in the back outside a Hilton hotel in Manhattan.

Luigi Mangione seated in court as judge drops terrorism charges.

Luigi Mangione appears in Manhattan Supreme Court for a hearing in the murder case filed against him for killing UHC Brian Thompson on Sept. 16, 2025. (Curtis Means for DailyMail/Pool)

Prosecutors contend that double jeopardy does not apply because Mangione was not ultimately prosecuted on federal firearms charges. They maintain the New York murder case should proceed, arguing that the alleged killing does not involve the same “harm or evil” as the federal stalking charges. They also say Mangione’s decision to abandon a possible “extreme emotional disturbance” defense under New York law does not establish that the federal case blocked him from pursuing it.

In a response made public over the weekend, defense attorneys Karen Friedman Agnifilo, Marc Agnifilo and Jacob Kaplan challenged each of those claims.

The lawyers first argued that Mangione was still “prosecuted” for the federal firearms offenses even though those counts were dismissed, meaning the constitutional protection against double jeopardy remains relevant.

“The statutory definition of being ‘prosecuted’ for an offense does not require that the defendant plead guilty to that specific offense,” Mangione’s attorneys wrote.

Mangione pleaded guilty to two federal counts after initially facing a broader indictment.

“In other words, when Mangione pleaded guilty to the federal indictment, the criminal action in which he had been charged with possession and use of the firearm was terminated for statutory double jeopardy purposes,” the attorneys wrote.

police take crime scene photos in Manhattan where Brian Thompson was killed

A member of the NYPD Crime Scene Unit takes a picture of a shell casing found at the scene where the CEO of UnitedHealthcare, Brian Thompson, was shot and killed in Midtown Manhattan, in New York City, Dec. 4, 2024. (REUTERS/Shannon Stapleton)

The defense also argued that allegedly stalking Thompson with the intent to kill him constitutes the same “core misconduct” as the murder. Because New York’s double jeopardy protections are broader than those in the U.S. Constitution, prosecutors must demonstrate that the state charges target a different harm from the federal offenses to which Mangione pleaded guilty.

A split image showing UnitedHealthcare CEO Brian Thompson wearing a suit and orange tie on the left, and his suspected assassin Luigi Mangione in court on the right

UnitedHealthcare CEO Brian Thompson, left, pictured in a corporate headshot. He was killed on Dec. 4, 2024, outside a Manhattan hotel while on his way to a shareholder conference. The suspect, Luigi Mangione, is pictured in court on the right. (Businesswire, Steven Hirsch for New York Post via Pool)

“One of the harms clearly addressed by the expansive federal stalking statute is stalking with the intent to kill and resulting in the killing of the person stalked,” the defense wrote. “It is a statute that, like a state murder statute, is intended to keep people safe from being murdered — the oldest crime there is.”

The attorneys acknowledged that the federal stalking charge includes additional requirements, such as interstate travel and electronic communications. However, they argued those elements are separate from the central harm at issue: the killing of another person.

Luigi Mangione seated in court as judge drops terrorism charges.

Luigi Mangione appears in Manhattan Supreme Court for a hearing in the murder case filed against him for killing UHC Brian Thompson on Sept. 16, 2025. (Curtis Means for DailyMail/Pool)

“Travel and electronics are not the evils or harms being prevented,” they wrote. “The federal government does have an interest, however, in preventing people from [traveling] or using electronics as part of the crime of killing another person, or intending to do so. That is what makes the stalking statute similar to the murder statute in terms of the evils or harms both are looking to prevent.”

Mangione’s legal team is asking Judge Gregory Carro to dismiss the state murder charges.

The Manhattan District Attorney’s Office, led by Alvin Bragg, did not immediately respond to a request for comment.

Police: Therapist Allegedly Tied 4-Year-Old With Scarf at Daycare

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Inset: Joseph Kosse (Colorado Springs Police Department). Background: Springs of Life Children’s Center in Colorado, where Kosse allegedly assaulted a 4-year-old (Google Maps).

A Colorado behavioral therapist is accused of abusing a 4-year-old child at a daycare, allegedly using a scarf to restrain the boy so he would “learn a lesson.”

Joseph Kosse, 36, was arrested Friday and faces one felony count of second-degree assault and one misdemeanor count of child abuse, according to court records.

The Colorado Springs Police Department said in an incident report that officers responded at 3:24 p.m. Oct. 23 to a reported child abuse case at Springs of Life Children’s Center in the 2300 block of Academy Place. The caller told dispatchers that “a 4-year-old child had been tied up by a therapist while at the facility.”

Police said the therapist was employed by the child’s family and was not a member of the daycare’s staff.

The CSPD Crimes Against Children Unit assumed control of the investigation Oct. 27. Detectives interviewed several witnesses and conducted a forensic interview with the child before obtaining an arrest warrant for Kosse on Oct. 29. He was arrested the next day.

Further details about the arrest and allegations were outlined in a probable cause affidavit obtained by KRDO, a local ABC affiliate.

The affidavit states that Kosse worked for Grace Way Collective Behavioral Therapy. The child’s family had reportedly arranged with the daycare for him to receive individual therapy sessions there during nap time.

During the Oct. 23 session, the daycare director said she heard a child crying and went to check on him. When she asked Kosse what had happened, he allegedly claimed the boy had tried to put a scarf around his own neck. Kosse reportedly told her he then tied the child with the scarf so the boy would “learn his lesson.”

The director contacted police after allegedly seeing red marks on the child’s neck. The boy also complained that his neck was hurting.

The child told investigators that Kosse had “tied a scarf on my neck” and was “holding it too tight,” according to the report.

In a statement to KRDO, Springs of Life said Kosse and the other therapists employed by Grace Way Collective Behavioral Therapy were no longer permitted to enter the facility.

Kosse was booked into the El Paso County Criminal Justice Center. Jail records showed that he had been released by Monday evening.

Court records did not immediately indicate when Kosse was scheduled to make his next court appearance.

King Charles Says Transatlantic Slave Trade Fills Him With Horror

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King Charles used his keynote address to Commonwealth leaders to avoid endorsing any British apology for slavery, stressing instead that “we cannot change the past”.

The monarch did acknowledge that the transatlantic trade in enslaved people “still casts a shadow”. He described the period as a “shameful chapter of history” that fills him with “horror” and brings “the most profound personal sorrow”.

The 77-year-old King, who appeared slightly fatigued after a demanding week-long tour of the Caribbean, has found himself caught between British Prime Minister Andy Burnham and Caribbean campaigners in his role as head of the Commonwealth.

Mr Burnham sparked controversy by saying he would consider discussions about an apology, while ruling out reparations. Campaigners, meanwhile, argue that the time has come for Britain to make financial restitution.

Speaking in Antigua and Barbuda, the King addressed the issue directly: “None of us, of course, would be here today were it not for our history, which has shaped us in myriad ways. History is not ours to choose or to change.

“It is bequeathed to us in complex synthesis by forebears we can never know. Our inheritance includes both their achievements and their failures – the good they did as well as the wrongs.

“History can be hard to compass, viewed as it is through the prism of time, which can be both clarifying and distorting, and yet its consequences resonate with contemporary force.

“Our history inspires us, can appal us, yet it can always teach us. We cannot change the actions of those who came before us. We can, however, learn from the past.”

The King delivers his keynote speech to Commonwealth leaders in Antigua and Barbuda today

King Charles delivers his keynote address to Commonwealth leaders in Antigua and Barbuda

King Charles III and Queen Camilla arrive today at the opening ceremony of the Commonwealth Heads of Government Meeting at the National Performing Arts Centre of Antigua and Barbuda

King Charles III and Queen Camilla attend the opening ceremony of the Commonwealth Heads of Government Meeting at Antigua and Barbuda’s National Performing Arts Centre

He added: “The transatlantic trade in enslaved persons still casts a shadow over these islands and other Members of our Commonwealth. As I have said before, that shameful chapter of history is one that fills my heart with horror and my soul with the most profound personal sorrow.”

The King then highlighted Britain’s role in ending the international slave trade, saying: “History also teaches us that evil need not have the last word; that character and courage can combine to overcome the most monstrous injustice,” as they did in the campaign to abolish the global trade in enslaved people, in which the Royal Navy played a leading role.

He said that listening, learning and deepening his understanding of the issue had strengthened his commitment to a modern partnership focused on confronting historic wrongs through practical action for the future.

The King pointed to expanding access to education, investing in employment and opportunity, boosting trade between Commonwealth countries and strengthening climate resilience as ways to support communities facing poverty and disadvantage.

“I have always tried to play my part in doing just that,” he said. “For, as any sailor navigating the seas knows, we cannot command the winds, least of all where the winds of yesterday have delivered us – but we can choose how we set our sails.”

He argued that the modern Commonwealth should not be defined solely by its history, but by its response to present-day challenges, adding that its purpose is now more important than ever.

“In fact, in a desperately troubled world, the Commonwealth has welcomed new members who see the unique value of this organisation and have chosen to be part of its future,” Charles said.

Addressing about 1,200 delegates, the King formally opened the leaders’ session of the Commonwealth Heads of Government Meeting, known as CHOGM. He wore a grey suit with a lilac tie.

Prime Minister Andy Burnham arrives at the meeting opening in Antigua and Barbuda today

Prime Minister Andy Burnham arrives for the opening of the meeting in Antigua and Barbuda

Prime Minister Andy Burnham meets actor Sir Idris Elba ahead of the meeting in Antigua today

Prime Minister Andy Burnham meets actor Sir Idris Elba before the meeting in Antigua

The 15-minute speech also focused on climate change, international trade and youth opportunity.

Charles ended it by saying: ‘Above all, Ladies and Gentlemen, I trust that each of you will recommit yourselves to a Commonwealth in which our young people can look to the future with greater confidence and purpose.

‘So that from this remarkable family of nations, our people can draw inspiration and hope – just as I, myself, have always done.’

There was a short round of applause after his speech. The only reaction was some laughter from the room when Charles described Antigua as ‘small island, big vibes’.

Following the speech, a choir and various performances in costume took to the stage to dance and sing a sequence of scenes for around half an hour.

They told the history of Antigua and Barbuda, with references to slavery in the performances and images in a video played out on a screen behind Charles, seeming to depict slaves working the land.

‘What happened in the darkness must come to the light,’ shouted one of the singing dancers, during the performance, as Charles watched from his seat.

The performances and videos also referenced climate and environmental issues. At times, Charles tapped his feet and clapped his fingers in time to the music.

After the performances, the ‘family photo’ was taken of all Commonwealth member states on stage.

Security around the conference centre was tight but some protestors had gathered along the roads surrounding the site ahead of the King’s arrival, holding placards and wearing T-shirts which read: ‘Crimes against humanity could never be legal. Apologise now’; ‘You say you regret so apologise. Reparatory justice now’; and ‘Apologise for the greatest crime against humanity and let’s have reparatory justice.’

Activists hold signs calling for slavery reparations as the meeting takes place in Antigua today

 Activists hold signs calling for slavery reparations as the meeting takes place in Antigua today

Canadian Prime Minister Mark Carney (right) walks with Gaston Browne (left), Prime Minister of Antigua and Barbuda, at the Government House Museum in St John's before the meeting today

Canadian Prime Minister Mark Carney (right) walks with Gaston Browne (left), Prime Minister of Antigua and Barbuda, at the Government House Museum in St John’s before the meeting today

Accompanied by Queen Camilla, wearing a sapphire blue embroidered tunic top and palazzo trousers by Anna Valentine, His Majesty was greeted at the National Performing Arts Centre of Antigua and Barbuda, marking the start of the leaders’ segment of the summit.

They were welcomed by Governor-General Sir Rodney Williams, his wife Lady Williams and Commonwealth Secretary-General Shirley Botchwey.

Inside the auditorium, the opening ceremony commenced with a fanfare followed by the National Anthem of Antigua and Barbuda played on steel drums and a short prayer. 

The run-up to the meeting has been dominated by a row over reparations following Mr Burnham’s decision to reveal he was open to starting a dialogue with former colonies over a formal apology for Britain’s role in the transatlantic slave trade on the eve of the meeting of 56 Commonwealth nations in the Caribbean.

He has ruled out Britain paying compensation, but that has done little to dampen down the growing chorus of demands.

It has placed Charles, as head of the Commonwealth and head of state in a number of Caribbean nations, in an invidious position, as he also follows the advice of the British government.

Earlier, Buckingham Palace vowed the King would address the issue in his opening speech today with ‘unflinching honesty, sincere sorrow, and respect’.

In his opening remarks, the Prime Minister of Antigua and Barbuda, Gaston Browne, who earlier this week openly spoke of his hope that his country would ditch Charles as King and reiterated his demands for reparations, addressed the issues again.

Speaking with Charles sitting on a large white armchair before him, he said: ‘In Samoa [where the previous CHOGM was held] we agreed that the time had come for a meaningful, truthful and respectful conversation on reparatory justice.

‘We must now carry that commitment forward though structured, inclusive dialogue on the enduring consequences of slavery and colonialism, with a determination to make progress and the willingness to build consensus.’

Paris Jackson Seeks $600 Million From Late Father Michael Jackson’s Estate

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Paris Jackson has asked the court to order Michael Jackson’s estate to transfer $600million (£450million) into a family trust established for her and her two brothers.

In a fresh legal filing, Paris, 28, alleges that estate executor John Branca has prevented the siblings from accessing their inheritance. She argues there is no valid reason the funds have not been moved into the trust more than 17 years after their father’s death.

The petition, filed on October 29 in Los Angeles Superior Court and seen by Page Six, claims that the estate has generated billion of dollars but the family trust set up to provide for Michael’s three children, Prince, 29, Paris and Bigi, 24 is still unfunded. 

The terms of the family trust state that each child was to begin receiving income from their individual share once they reached the age of 21.

At 30, they were due to receive the first portion of the principal held in their respective trusts—one-third of the total.

A further half of the remaining balance was scheduled to be paid at 35, with each sibling receiving the rest outright at 40. The petition notes that Prince is four months away from turning 30, while Paris turns 29 in April and Bigi reaches 25 in February.

Paris Jackson last month. She is asking her late father Michael Jackson's estate to release $600million to a family trust meant to benefit her and her two brothers

Paris Jackson last month. She is seeking the release of $600million from her late father Michael Jackson’s estate into a trust for herself and her two brothers

The petition specifically names executor Mr Branca and accuses him of maintaining an “iron grip” on the siblings’ finances, including control over how much money they are permitted to receive.

Mr Branca and John McClain were appointed co-executors of the Michael Jackson estate after the singer died on June 25, 2009, aged 50. Following Mr McClain’s death in May 2026, Mr Branca became the estate’s sole remaining executor.

Mr Branca, an attorney, was first hired by Jackson in 1985. He left the singer’s team in 2006 amid financial disagreements, but returned in 2009—just eight days before Jackson’s death.

Paris claims that Mr Branca has decided how much she, Prince and Bigi receive from the estate, saying those payments have fallen short of the amounts specified under the family trust.

The dispute between Paris and the estate’s executors has continued for months, with the singer making several allegations during the past year.

According to the new filing, her claims have been challenged and discouraged, while the limited funds distributed to the siblings were allegedly reduced by millions after she began pursuing legal action.

“This course of conduct and administration should not continue,” the petition states.

The filing says the Jackson estate has billions of dollars in assets, pointing to the 2018 sale of its 10 per cent stake in EMI Music Publishing to Sony for $287.5million (£214million), as well as the 2020 sale of Neverland Ranch for $22million (£16million).

In a new court filing Paris, 28, has accused the estate's executor John Branca of keeping the children from receiving their inheritance, arguing that there is no legitimate reason the money has not been transferred to her and her siblings. Mr Branca pictured in NYC in 2023

In a new court filing, Paris, 28, accused estate executor John Branca of blocking the children from receiving their inheritance and argued there was no legitimate reason for the delay. Mr Branca is pictured in New York City in 2023

By December 2024, the estate was reportedly holding around $850million (£633million) in cash and cash equivalents.

The executors have previously placed the value of the estate between $2billion (£1.5billion) and $3billion (£2.2billion), the petition says.

After taking possible liabilities into account, Paris estimates that roughly $600million (£445million) could be available for distribution. She is asking the court to direct Mr Branca to transfer that sum to the family trust, or another amount the judge considers suitable.

The case is due to return to court for a hearing on December 4.

A spokesman for the Michael Jackson Estate told Daily Mail: “Ms. Jackson’s counsel is well aware that the Estate is prevented from fully funding the philanthropic giving and individual trusts for the beneficiaries until several legal hurdles have been removed, including in particular the ongoing IRS litigation where they sought $700million in taxes and penalties from the Estate.

‘The Estate was able to secure a ruling to significantly reduce that amount, but the matter has not been settled and could still change.

‘Further, the claim that the executor has withheld or “cut” payments is a complete fabrication. In fact, more than $200million has already been distributed for the benefit of Paris and the other beneficiaries.

‘Michael Jackson’s will is clear. None of his children receive a distribution until they are in their 30s. The Estate looks forward to the time when all issues are resolved so that their trusts can be fully funded as Michael wanted.’

Join the discussion

Should Michael Jackson’s children have to fight for their inheritance after all these years?

The petition claims that the estate has generated billion of dollars but the family trust set up to provide for Michael's three children, Prince, 29, Paris and Bigi, 24 is still unfunded (L-R) Janet Jackson, Paris, LaToya Jackson, Jermaine Jackson and Prince Michael Jackson pictured at Michael's 2009 memorial.

The petition claims that the estate has generated billion of dollars but the family trust set up to provide for Michael’s three children, Prince, 29, Paris and Bigi, 24 is still unfunded (L-R) Janet Jackson, Paris, LaToya Jackson, Jermaine Jackson and Prince Michael Jackson pictured at Michael’s 2009 memorial

A spokesperson for Paris responded to the Daily Mail, stating: ‘The Estate is once again deflecting from its own incompetence.’

‘Paris called for the trust to be partially funded, something Mr. Branca had the ability and obligation to do long ago. After years of delay, Paris had no choice but to step in herself.’ 

The ruling is the latest development in the ongoing legal disputes surrounding Michael’s estate.

Last month Paris filed documents in Los Angeles Superior Court asking to reduce the pay of Mr Branca, claiming he has missed a series of deadlines in submitting financial statements for the years 2023 and 2024.

Attorneys for Paris claimed in a filing, which has been reviewed by The Daily Mail, that ‘the gap between executor’s level of compensation and his persistent incompetence is intolerable.’

Paris’s legal team alleged that ‘the only remedy that might prove effective in shaping executor’s conduct’ would be to ‘incrementally reduce executor’s compensation for 2023 and 2024 from 15 percent to 10 percent of the gross entertainment-related income.’

Paris’s attorneys further alleged in the filing that Mr Branca has demonstrated a ‘longstanding refusal, for the better part of a decade, to prioritize timely and complete reporting’ of the estate’s financial statements.

As a result of the ‘mismanagement,’ the estate has been mired in ‘time-consuming litigation,’ Paris’s attorneys claimed, while Paris has allegedly had to ‘expend time and her own resources trying’ to get Mr Branca ‘to fulfill his most basic responsibilities.’

Mr Branca has missed ‘concrete deadlines’ set by the court, Paris’s legal team alleged, adding that the executor is also allegedly asking for the court to approve a payment of $109,219,648.27 ‘in compensation for himself, his now deceased co-executor [John McClain] and his law firm for these two years at issue.’

Paris is requesting the court ‘award her attorneys’ fees and costs,’ as she thinks her moves are ultimately advantageous to the estate.

A spokesman for Paris Jackson told The Daily Mail last week, ‘Enough of the smoke and mirrors – Paris is asking to reduce the management fee.’

Jackson’s spokesman said that Mr Branca ‘has repeatedly failed to meet deadlines ordered by the judge that are in place to provide Paris and her siblings visibility about how the estate is being run.

‘Since money is what motivates executor Branca, this is the only way to enforce the timeline he agreed to.’

A spokesman for Michael Jackson’s estate told The Daily Mail last Wednesday that it was ‘an understatement to say that this motion is completely without merit, nor is it argued on facts.’

Jackson’s estate said that while Paris’s ‘attorneys have motioned for a reduction in executor compensation, when in fact the executors waived that from the estate’s beginning, and have never taken any executor compensation.

‘They are paid a separate, court-ordered management fee for operating the hugely successful Michael Jackson business.’

The estate said it was ‘nonsensical that the motion seeks absurd penalties for the 2023 and 2024 accountings which have already been filed or for the 2025 and 2026 accountings which are not required to be filed for another six and 14 months, respectively.’

Mr Branca’s team has previously stated that under his management, the value of the estate went from $500million in debt to being worth more than $2 billion.

Michael Jackson died at the age of 50 on June 25, 2009 after suffering cardiac arrest in the Los Angeles mansion he was living in. Authorities in February 2010 deemed his death as the result of acute propofol intoxication.

Jackson had been administered the powerful drug by his personal doctor, Dr. Conrad Murray, who told investigators that the singer called the substance (which he took via an IV drip) ‘milk’ and said he needed it to sleep.

Eventually, Murray’s care of Jackson fell under scrutiny after the singer’s death, amid questions about his judgment in giving Jackson the substance in certain doses, and not meeting safety precautions in administering the drug. 

Jackson’s death was ultimately deemed a homicide by investigators and in November of 2011 – more than two years after his death – Murray was convicted of involuntary manslaughter and sentenced to four years in prison.