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We have a curated list of the most noteworthy news from all across the globe. With any subscription plan, you get access to exclusive articles that let you stay ahead of the curve.
We have a curated list of the most noteworthy news from all across the globe. With any subscription plan, you get access to exclusive articles that let you stay ahead of the curve.
We have a curated list of the most noteworthy news from all across the globe. With any subscription plan, you get access to exclusive articles that let you stay ahead of the curve.
President Donald Trump stands outside the White House, Monday, Aug. 18, 2025, in Washington. (AP Photo/Alex Brandon).
In a significant shift, a federal judge in Florida, who had previously aligned with the Trump administration’s stance on holding certain immigrants indefinitely, has reconsidered his position amid emerging legal precedents.
U.S. District Judge Raag Singhal, appointed by former President Donald Trump, has recently ruled against immigrants in habeas corpus cases involving a novel interpretation of the Immigration and Nationality Act (INA) by the government. This reflects a series of decisions where the judge initially supported prolonged detentions without release.
The policy, introduced by Immigration and Customs Enforcement (ICE) in July 2025, mandates that immigrants be held “for the duration of their removal proceedings” unless they are granted the less common option of parole. Despite this provision, the Trump administration’s application of the policy has indicated a preference for indefinite detention.
This controversial policy stems from a longstanding section of the INA, which traditionally required the detention of certain immigrants “for a proceeding.” Historically, this statute applied to individuals apprehended at the border. However, the Trump administration extended its interpretation, asserting that immigrants already within the U.S. “may not be released from ICE custody.”
The policy in question comes from a long-standing section of the INA that says certain immigrants “shall be detained for a proceeding.” Historically, this statute has only applied to immigrants stopped at the border. Now, however, the Trump administration says immigrants detained in the country “may not be released from ICE custody.”
Since last summer, in hundreds of disputes before district courts, judges have considered the interplay between — and applicability of — two distinct statutes outlining the government’s detention authority, using language from a 2018 U.S. Supreme Court ruling.
The government claims ICE has the authority to subject immigrants to mandatory detention under 8 U.S.C. §1225(b), which applies to “aliens seeking entry into the United States.”
Advocates for immigrants — as well as most judges who have ruled on the matter — have instead turned to 8 U.S.C. §1226(a), which applies to “aliens already present in the United States.”
Notably, 425 district court judges, including many appointed by Trump himself, have flatly rejected ICE’s position about its detention authority, according to a rolling analysis of court rulings by Politico’s Kyle Cheney.
Singhal, for his part, has rejected habeas petitions under a §1225(b) analysis on at least three separate occasions.
The judge has also, in various other cases, delayed decisions – or found specific reasons why §1225(b) does not apply. But, those other cases read more like exceptions to accepting the government’s rule.
Now, however, Singhal is abiding by that rule no more. Or, rather, is abiding by a different kind of rule altogether.
That is, now that the U.S. Court of Appeals for the 11th Circuit rejected the government’s interpretation of the INA, the judge says he is bound by precedent to reject ICE’s newfound detention authority.
The terse Friday order begins:
CHARACTERISTIC of the undersigned’s upbringing, surrounded by law-abiding immigrants who left oppressive conditions in search of a rule-following citizenry in a country that offered a better life, there was one maxim that rang true above all others. One respected and followed his parents even when they were wrong.
In the order, Singhal also makes clear he would have rather been guided by the dissenting judge on the 2-1 panel.
“Today that same principle applies with the concept of vertical precedent,” the order goes on. “Despite the superior, well thought out plain meaning analysis of the dissenting judge…this Court is duty bound to follow the majority opinion authored by its parent court. The Eleventh Circuit ruled that aliens, like Petitioner, who are detained within the country rather than upon arrival at the border, are entitled to a bond hearing under 8 U.S.C. §1226.”
Singhal then remarks on the role of district courts.
“This Court has authority and jurisdiction to grant writs of habeas corpus when aliens are unlawfully held in immigration detention,” the order concludes. “Under Eleventh Circuit precedent, Petitioner is being held in violation of the Immigration and Nationality Act.”
Her journey has offered her a renewed understanding of the families she has supported throughout her profession.
BUFFALO, N.Y. — For a decade, Caitlin Vaccaro has dedicated herself to guiding families through their most challenging moments as a NICU nurse. Now, she is experiencing a role reversal following the premature arrival of her son, Caleb, who was born at just 34 weeks, a full six weeks ahead of schedule.
“When I went into labor early, I thought, ‘Oh no, I’ll be spending even more time at work with my colleagues,’” Vaccaro shared.
This story continues below.
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For Vaccaro, however, this NICU stay feels different from most. The halls and faces around her are familiar after years spent working alongside the same staff members now caring for her son.
Now, she is leaning on the same friends and colleagues she has worked beside for years. She says this support has become invaluable during an emotional time.
“Yesterday, one of my friends, she’s like, ‘He was crying, so I just came and held him because I knew you needed to rest,’” she recalled. “Not anyone would just do that. But they’re my family, so he’s part of their family now, too.”
The experience has also given Vaccaro a new perspective on the families she has cared for throughout her career.
“This experience has just made me appreciate my NICU parents more and the support that they need,” she said.
Her husband said the experience has also deepened his appreciation for the work done inside the NICU.
“Being here, I just gained a whole other level of appreciation for what she does and workers here,” he said. “It’s truly incredible.”
For the nurses who have known Vaccaro for years, caring for Caleb is more personal than a typical patient assignment.
“You just want to provide the best care, because I love her as a person,” one nurse said.
What began as a workplace friendship a decade ago is now helping guide Vaccaro’s family through one of life’s most emotional moments.
“Very special, special moment. I’m just so happy for him, happy that he’s healthy,” a nurse said. “He’s obviously in the NICU, so it’s not the best case scenario, but he’s doing so well.”
Doctors are monitoring Caleb’s feeding, weight gain and blood sugar levels before he can go home. His parents say he is doing well so far and remains on track to meet the milestones expected during his NICU.
In a heartwarming turn of events, the parents of an 18-year-old Chicago native suffering from terminal cancer have been reunited with their son after being detained by ICE.
This emotional reunion occurred on Saturday in Durango, Mexico.
The footage linked above is from an earlier report.
ABC7 Chicago is now streaming 24/7. Click here to watch
Kevin Gonzalez received the devastating diagnosis of stage 4 colon cancer while he was in Chicago visiting his brother during the holidays.
Following the diagnosis, Kevin’s mother shared with ABC7 that she and her husband applied for emergency visas, but their requests were denied due to their previous deportations.
His parents, who live in Mexico, attempted to cross the border illegally to be with their son. They were detained by ICE and held in federal custody in Arizona.
The family fought to be reunited.
Knowing he might just have days left to live and wanting to hold his mother and father one last time, Gonzalez checked himself out of the University of Chicago Medical Center hospital last week and flew to his grandmother’s home in Mexico. He hoped that his parents would be released from custody and deported in time for him to say goodbye.
On Thursday, a judge in Arizona ordered the release of Gonzalez’s parents. On Friday, they returned to Mexico.
Gonzalez’s brother in Chicago, Jovany Ramirez, told ABC7 his parents were escorted by ICE to the border. That is where consulate officials helped them board a bus, and then an emergency flight was arranged for them to get home as quickly as possible.
A spokesperson for the Mexican Consulate in Chicago shared the following statement on Wednesday: “The case has been closely monitored through our Consular Protection Department. However, it should be noted that, due to the location of the facility where our nationals are detained, direct consular assistance falls under the jurisdiction of the Consulate of Mexico in Tucson, which oversees that region. They are already in contact with the attorney representing Kevin’s parents and following up to further assist them in the repatriation process.
“This Consulate General remains in constant communication and coordination with our colleagues in Tucson to continue providing consular protection to the family.”
Wunmi Mosaku has joyfully announced her pregnancy with her second child, making her debut with a radiant baby bump at the 83rd annual Golden Globe Awards in Los Angeles this past Sunday.
The talented “Sinners” actress, at 39, dazzled in a stunning yellow gown that gracefully accentuated her growing belly as she graced the star-studded red carpet at The Beverly Hilton. Her choice of attire was nothing short of spectacular, featuring a strapless dress elegantly complemented by a sheer high-neck drape.
Known for keeping her personal life relatively private, Mosaku completed her red carpet look with striking silver statement earrings and chic open-toe heels, adding an extra touch of glamour to her ensemble.
In addition to the big reveal of her pregnancy, the actress shared the inspiration behind her striking outfit choice for the evening, making the occasion even more memorable.
It comes as the actress revealed the inspiring reason behind her eye-catching outfit for the awards ceremony.
In a piece published to coincide with her red carpet moment, she told Vogue: ‘In Yoruba, we say Iya ni Wura, which means ‘mother is golden,’ so when I saw sketches of this beautiful custom yellow Matthew Reisman, I knew it was the right dress and the right moment.’
Wunmi Mosaku has revealed she’s pregnant with her second child as she debuted her baby bump at the 83rd annual Golden Globe Awards in Los Angeles on Sunday
The Sinners actress, 39, looked incredible in a sweeping yellow gown that highlighted her growing bump as she posed on the star-studded red carpet at The Beverly Hilton
Her stunning ensemble featured a strapless dress topped with a dramatic sheer high-neck drape
The 83rd Golden Globe Awards have brought together some of the brightest stars in film and television at the Beverly Hilton in Beverly Hills, California on Sunday.
Comedian Nikki Glaser will be serving as the master of ceremonies for the second year in a row as she will no doubt have A-listers shaking as she will be bringing her shocking no-holds-barred sense of humor to her hosting duties.
‘Hosting the Golden Globes this year was without a doubt the most fun I have ever had in my career,’ Glaser, 41, said in a March statement. ‘I can’t wait to do it again, and this time in front of the team from The White Lotus who will finally recognize my talent and cast me in season 4 as a Scandinavian Pilates instructor with a shadowy past.’
When it comes to the nominations it is One Battle After Another who leads the pack with a whopping nine nominations.
The Leonardo DiCaprio-starring epic picked up nods in the film categories including Best Picture, Director and Screenwriter, a Best Actor nod for its lead and Supporting Actor recognitions for Benicio del Toro and Sean Penn.
It will compete against Blue Moon, Bugonia, Marty Supreme, No Other Choice and Nouvelle Vague in the Best Picture – Musical Or Comedy category, with Wicked: For Good a shock snub.
Over in Best Picture – Drama, Frankenstein, Hamnet, It Was Just An Accident, The Secret Agent, Sentimental Values and Sinners go head to head.
Meanwhile in the TV categories, Netflix smash hit Adolescence built on its success at the Emmys with nods for all of its stars – Stephen Graham, Erin Doherty and 16-year-old Owen Cooper all received nominations alongside a surprise selection for Ashley Walters.
When it comes to the nominations it is One Battle After Another who leads the pack with a whopping nine nominations
Adolescence stars Owen Cooper and Erin Doherty both received acting nominations with the Netflix hit earning five nods in total
The show also picked up a nod in the Best Limited TV Series, Anthology Series or Motion Picture Made for TV category, alongside All Her Fault, The Beast in Me, Black Mirror, Dying for Sex and The Girlfriend bringing its total to five nominations.
The White Lotus narrowly beat Adolescence with six nods though, most of which came from the acting categories thanks to its all-star cast.
The major ceremony in the awards season calendar honors the best of film, TV and, for the first time this year, podcasts, across 28 categories.
This year, all 28 award categories have six nominees, with the exception of Cinematic and Box Office Achievement, which features eight.
One of the most contentious categories surely will be Best Male Actor – Television – Drama with Sterling K. Brown for Paradise, Diego Luna for Andor, Gary Oldman for Slow Horses, Mark Ruffalo for Task, Adam Scott for Severance and Noah Wyle for The Pitt all up for the gong.
Owen Cooper and Erin Doherty both received acting nominations. Owen, 16, landed a nod in the Best Performance by an Actor in a Supporting Role — TV Series, Limited series or TV Movie.
He will compete against his co-star Ashley Walters as well as Billy Crudup, The Morning Show, Walton Goggins, The White Lotus, Jason Isaac, The White Lotus and Tramell Tillman, Severance.
Erin is up against fellow Brit Aimee Lou Wood for The White Lotus in the Best Performance by an Actress in a Supporting Role — TV Series, Limited series or TV Movie.
Also in the category is Carrie Coon, The White Lotus, Hannah Einbinder, Hacks, Catherine O’Hara, The Studio and Parker Posey, The White Lotus.
The White Lotus narrowly beat Adolescence with six nods though, most of which came from the acting categories thanks to its all-star cast
Irish actor Paul Mescal has secured a nomination in the Best Supporting Male Actor – Motion Picture category, competing against Benicio Del Toro, One Battle After Another, Jacob Elordi, Frankenstein, Paul Mescal, Hamnet, Sean Penn, One Battle After Another, Adam Sandler, Jay Kelly and Stellan Skarsgard, Sentimental Value.
Best Screenplay saw Paul Thomas Anderson, One Battle After Another, Ronald Bronstein and Josh Safdie for Marty Supreme, Ryan Coogler, Sinners, Jafar Panahi, It Was Just an Accident and Maggie O’Farrell, Hamnet.
Elsewhere in the film categories, Joachim Trier’s Norwegian family drama Sentimental Value scored eight nominations, just behind One Battle After Another.
Ryan Coogler’s Sinners got seven nods and Chloe Zhao’s Hamnet nabbed five total nods tying its total with that of Jon M. Chu’s Wicked: For Good.
Wicked’s sequel was the surprise snub as it missed out in the Best Musical or Comedy category. Cynthia Erivo and Ariana Grande were recognised in the acting categories though.
Other notable snubs included Sydney Sweeney’s lack of nomination for Christy in the Best Actress (drama) category, with Jennifer Lawrence (Die My Love), Tessa Thompson (Hedda) and Julia Roberts (After The Hunt) included alongside surprise star Eva Victor for her performance in the independent US film Sorry, Baby.
Wicked’s sequel was the surprise snub as it missed out in the Best Musical or Comedy category. Cynthia Erivo and Ariana Grande were recognised in the acting categories though
Irish actress Jessie Buckley (Hamnet), who is seen as the front-runner, completes the category.
Kathryn Bigelow of Netflix nuclear thriller A House of Dynamite failed to pick up a single nomination as did Bradley Cooper’s Is This Thing On?
Timothee Chalamet is hoping for his first Globes win after four previous nominations and missing out on a tipped win last year for his performance in A Complete Unknown. He earned the Best Actor award at The Critics Choice Awards last week.
This year he is up in the Best Performance by a Male Actor in a Motion Picture – Musical or Comedy category for Marty Supreme.
Irish actress Jessie Buckley (Hamnet) is already a hot favourite to win in the Best Actress (drama) category
The Brits already have one gong in the bag, as it was announced last month that Dame Helen Mirren is the recipient of the Cecil B DeMille Golden Globe for lifetime achievement
One winner has already been announced as Dame Helen Mirren will be the recipient of the Cecil B DeMille Golden Globe for lifetime achievement.
Dame Helen will be presented with the prestigious gong, whose previous recipients include Meryl Streep, Alfred Hitchcock and last year’s winner Viola Davis, in a ceremony on January 8, three days before the main Golden Globes take place.
‘Helen Mirren is a force of nature, and her career is nothing short of extraordinary,’ said Helen Hoehne, president of the Golden Globes.
‘Her transcendent performances and commitment to her craft continue to inspire generations of artists and audiences alike. It is a profound honour to present her with the Cecil B DeMille award.’
Golden Globe Awards 2026 winners
FILM
Best Picture – Comedy Or Musical
Blue Moon
Bugonia
Marty Supreme
No Other Choice
Nouvelle Vague
One Battle After Another – WINNER
One Battle After Another earned the most with four including Best Picture – Comedy Or Musical
Best Picture – Drama
Frankenstein
Hamnet – WINNER
It Was Just An Accident
The Secret Agent
Sentimental Value
Sinners
Best Performance by an Actor in a Motion Picture — Drama
Joel Edgerton – Train Dreams
Oscar Isaac – Frankenstein
Dwayne Johnson – Smashing Machine
Michael B. Jordan – Sinners
Wagner Moura – The Secret Agent – WINNER
Jeremy Allen White – Springsteen: Deliver Me From Nowhere
Best Performance by an Actor in a Motion Picture — Musical or Comedy
Timothee Chalamet – Marty Supreme – WINNER
George Clooney – Jay Kelly
Leonardo DiCaprio – One Battle After Another
Ethan Hawke – Blue Moon
Lee Byung-Hun – No Other Choice
Jesse Plemons – Bugonia
Timothée Chalamet is one step closer to the Oscar as he earned Best Performance by an Actor in a Motion Picture — Musical or Comedy for Marty Supreme
Best Performance by an Actress in a Motion Picture — Drama
Jessie Buckley – Hamnet – WINNER
Jennifer Lawrence – Die, My Love
Renate Reinsve – Sentimental Value
Julia Roberts – After the Hunt
Tessa Thompson – Hedda
Eva Victor – Sorry, Baby
Best Performance by an Actress in a Motion Picture — Musical or Comedy
Rose Byrne – If I Had Legs I’d Kick You – WINNER
Cynthia Erivo – Wicked: For Good
Kate Hudson – Song Sung Blue
Chase Infiniti – One Battle After Another
Amanda Seyfried – The Testament of Ann Lee
Emma Stone – Bugonia
Best Supporting Actress
Emily Blunt – The Smashing Machine
Elle Fanning – Sentimental Value
Ariana Grande – Wicked: For Good
Inga Ibsdotter Lilleaas – Sentimental Value
Amy Madigan – Weapons
Teyana Taylor – One Battle After Another – WINNER
Teyana Taylor earned Best Supporting Actress for One Battle After Another
Best Supporting Actor
Benicio Del Toro – One Battle After Another
Jacob Elordi – Frankenstein
Paul Mescal – Hamnet
Sean Penn – One Battle After Another
Adam Sandler – Jay Kelly
Stellan Skarsgård – Sentimental Value – WINNER
Best Original Song
“Dream as One” – Avatar: Fire and Ash
“Golden” – KPop Demon Hunters – WINNER
“I Lied to You” – Sinners
“No Place Like Home” – Wicked: For Good
The Girl in the Bubble” – Wicked: For Good
“Train Dreams” – Train Dreams
Best Original Score– Motion Picture
Alexandre Desplat – Frankenstein
Ludwig Göransson – Sinners – WINNER
Jonny Greenwood – One Battle After Another
Kangding Ray – Sirāt
Max Richter – Hamnet
Hans Zimmer – F1
Best Director – Motion Picture
Paul Thomas Anderson – One Battle After Another – WINNER
Ryan Coogler – Sinners
Guillermo del Toro – Frankenstein
Jafar Panahi – It Was Just an Accident
Joachim Trier – Sentimental Value
Chloé Zhao – Hamnet
Best Screenplay
Paul Thomas Anderson – One Battle After Another – WINNER
Ronald Bronstein and Josh Safdie – Marty Supreme
Ryan Coogler – Sinners
Jafar Panahi – It Was Just an Accident
Maggie O’Farrell – Hamnet
Paul Thomas Anderson took home Best Director and Screenplay for One Battle After Another
Best non-English Language Film
It Was Just an Accident
No Other Choice
The Secret Agent – WINNER
Sentimental Value
Sirât
The Voice of Hind Rajab
Best Animated Film
Arco
Demon Slayer: Infinity Castle
Elio
KPop Demon Hunters – WINNER
Little Amélie or the Character of Rain
Zootopia 2
Outstanding Cinematic and Box Office Achievement
Avatar: Fire and Ash
F1
KPop Demon Hunters
Mission Impossible: The Final Reckoning
Sinners – WINNER
Weapons
Wicked: For Good
Zootopia 2
TELEVISION
Best TV Series – Drama
The Diplomat
The Pitt – WINNER
Pluribus
Severance
Slow Horses
The White Lotus
The Pitt took home the coveted Best TV Series – Drama
Best TV Series – Musical or Comedy
Abbott Elementary
The Bear
Hacks
Nobody Wants This
Only Murders in the Building
The Studio – WINNER
Best Limited TV Series, Anthology Series or Motion Picture Made for TV
Adolescence – WINNER
All Her Fault
The Beast in Me
Black Mirror
Dying for Sex
The Girlfriend
Best Performance by an Actor in a TV Series – Drama
Sterling K. Brown – Paradise
Diego Luna – Andor
Gary Oldman – Slow Horses
Mark Ruffalo – Task
Adam Scott – Severance
Noah Wyle – The Pitt – WINNER
Noah Wyle was recognized for his work on The Pitt
Best Performance by an Actress in a TV Series — Drama
Kathy Bates – Matlock
Britt Lower – Severance
Helen Mirren – MobLand
Bella Ramsey – The Last of Us
Keri Russell – The Diplomat
Rhea Seehorn – Pluribus – WINNER
Best Performance by an Actress in a Limited Series, Anthology Series or Motion Picture Made for TV
Claire Danes – The Beast in Me
Rashida Jones – Black Mirror
Amanda Seyfried – Long Bright River
Sarah Snook – All Her Fault
Michelle Williams – Dying for Sex – WINNER
Robin Wright – The Girlfriend
Best Performance by an Actor in a TV Series — Musical or Comedy
Adam Brody – Nobody Wants This
Steve Martin – Only Murders in the Building
Glen Powell – Chad Powers
Seth Rogen – The Studio – WINNER
Martin Short – Only Murders in the Building
Jeremy Allen White – The Bear
Seth Rogen earned Best Performance by an Actor in a TV Series — Musical or Comedy; he’s pictured with Chase Sui Wonders
Best Performance by an Actress in a TV Series — Musical or Comedy
Kristen Bell – Nobody Wants This
Ayo Edebiri – The Bear
Selena Gomez – Only Murders in the Building
Natasha Lyonne – Poker Face
Jenna Ortega – Wednesday
Jean Smart – Hacks – WINNER
Best Performance by an Actor in a Limited Series, Anthology Series or Motion Picture Made for TV
Jacob Elordi – The Narrow Road to the Deep North
Paul Giamatti – Black Mirror
Stephen Graham – Adolescence – WINNER
Charlie Hunnam – Monster: The Ed Gein Story
Jude Law – Black Rabbit
Matthew Rhys – The Beast in Me
Best Performance by an Actor in a Supporting Role — TV Series, Limited series or TV Movie
Owen Cooper – Adolescence – WINNER
Billy Crudup – The Morning Show
Walton Goggins – The White Lotus
Jason Isaac – The White Lotus
Tramell Tillman – Severance
Ashley Walters – Adolescence
Owen Cooper made history as he earned Best Performance by an Actor in a Supporting Role — TV Series, Limited series or TV Movie for Adolescence
Best Performance by an Actress in a Supporting Role — TV Series, Limited series or TV Movie
Carrie Coon – The White Lotus
Erin Doherty – Adolescence – WINNER
Hannah Einbinder – Hacks
Catherine O’Hara – The Studio
Parker Posey – The White Lotus
Aimee Lou Wood – The White Lotus
Best Performance in Stand-Up Comedy on TV
Bill Maher – Is Anyone Else Seeing This?
Brett Goldstein – The Second Best Night of Your Life
Kevin Hart – Acting My Age
Kumail Nanjiani – Night Thoughts
Ricky Gervais – Mortality – WINNER
Sarah Silverman – Postmortem
PODCASTING
Best Podcast
Armchair Expert
Call Her Daddy
Good Hang – WINNER
The Mel Robbins Podcast
Smartless
Up First
Amy Poehler earned the inaugural best Podcast award for Good Hang With Amy Poehler
A tragic incident unfolded at a Massachusetts elementary school where a nine-year-old boy lost his life after being struck by a falling tree on the playground. The young victim, identified as Zakaria, affectionately known as Bel Qaid, was one of three individuals injured in the freak accident.
Accomplished skier Zakaria Bel Qaid had only celebrated his birthday a few days before the freak accident on May 4 at Winthrop School, 10 miles south of Boston.
According to a heartfelt statement released by Zakaria’s family, the accident occurred when a tree from an adjacent property unexpectedly collapsed onto the playground. “It is with utmost sadness and grief that we announce the passing of our most beautiful boy, Zakaria,” the statement conveyed, highlighting the family’s profound loss.
His family announced their ‘incomprehensible loss’ on his social media page.
Zakaria was enjoying an innocent moment of joy, playing tag with his younger sister and her friend, when the unthinkable happened. The family described the accident as “crazy and unbelievable,” underscoring the randomness and tragedy of the event that abruptly ended the young boy’s life.
‘He was involved in a crazy and unbelievable accident on the playground at his school, where a tree from a neighboring property broke and fell on him while he was playing on the play structure.
‘He spent his last moments laughing and playing tag with his little sister and her friend.’
Bel Qaid was a competitive skier who shared photos and videos from his competitions frequently on social media. His mother said the sport was ‘everything to him.’
Zakaria Bel Qaid died on May 4 after he was struck by a tree on the playground at Winthrop School in Massachusetts
Bel Qaid was a competitive skier and had just won a national championship earlier this year
Two others were injured by the toppled tree. School officials both were treated at hospitals nearby and treated
Loved ones remembered him as loving, loyal, determined and confident.
‘Zakaria had such a bright future that was cut way too short at just nine years old,’ the post continued.
‘He just had his birthday last week and was excited that he would be a double high five next year.’
According to a statement from the Melrose School Committee, the adult and other child who were involved in the accident were taken to area hospitals and have since been discharged.
‘Counseling staff and additional administrators are on site at the Winthrop School to support students and staff as they navigate this challenging time,’ it read.
‘This is a very sad day at Winthrop School and for our entire Melrose Community,’ the school concluded.
‘Our deepest condolences go out to the family, and we ask that you please respect their privacy at this time.’
The family asked that any donations be made to the Green Mountain Academy in Stowe, Vermont.
The school offers skiing and snowboarding lessons to young athletes and provides scholarships to struggling families each year.
According to their Give Butter Page, Bel Qaid was ‘an enthusiastic skier and joyful soul gone too soon.’
WVCB reported that Bel Qaid had recently competed at a national ski championship in Colorado. He won first in his age group for half pipe and ski cross.
Green Mountain Academy in Stowe, Vermont said Bel Qaid was an ‘enthusiastic skier and joyful soul’
Bel Qaid turned nine just a few days before the accident. He was remembered as ‘loyal’ and ‘confident’
Members of the community started a memorial in Bel Qaid’s honor near the school playground
Friends, neighbors and classmates set up a memorial for Bel Qaid outside of the playground. All week, loved ones have come through with cards, flowers and toys in honor of Bel Qaid’s life.
‘This is horrible. Why does this have to happen to him?’ eighth grade student George Alexis, told Boston25.
‘I mean, you think of how it could happen to any of us. You picture the family, just going to work, going to school, just a normal day, and god forbid something like this terrible happens,’ resident Bill Colella told the outlet.
‘It’s so sad, but it makes us realize that life is so precious,’ Cheryl Riley said.
The Qaid family laid their son to rest on May 8, making one final post thanking their community for their ‘outpouring of support.’
‘Zakaria will continue to live on in spirit – he will push us to do better, to never give up no matter how hard it may be,’ it read.
‘His infectious smile, that was his ticket out of trouble, will forever be etched in our minds and his determination and passion for everything he did will forever live in our hearts.’
The Daily Mail contacted the Winthrop School for comment.
At first glance, it might be hard to draw parallels between Venice and the western suburbs of Sydney.
Venice is a unique archipelago, a labyrinth of canals and stone structures, floating on water and vulnerable to the sea’s whims. In contrast, Sydney’s western suburbs stretch across land, marked by bustling roads and a landscape dotted with modest fibro homes.
However, in the perspective of artist Khaled Sabsabi, these contrasting locales almost mirror each other.
“Both western Sydney and Venice have been shaped profoundly by migration and the rich tapestry of cultural interactions,” Sabsabi notes.
The Lebanese-born artist’s journey began at age 12 when his family fled Tripoli amidst the chaos of the Civil War. His move to Australia, much like the experience of many in the Lebanese diaspora, was a journey borne out of conflict and the challenging prospect of forging a new beginning.
For the Lebanese-born artist, that movement began at age 12, when he fled Tripoli with his family at the height of the Civil War. His coming to Australia, like many in the Lebanese diaspora, was shaped by the upheaval of conflict and the weight of having to start again.
“My personal journey is one that’s been affected by displacement and one that’s been impacted by trauma,” he tells SBS News.
“But to add to that, it’s one that’s been informed by ideas of belonging, ideas of longing, and ideas of coming to grips with so many factors, including living on someone else’s land.”
For Khaled Sabsabi, art has long been a means of tracing the fault lines between displacement, belonging and shared humanity. Source: Supplied / Andrea Rossetti
Decades later, that tension — between loss and arrival, between memory and place — has found its way to Venice, where Sabsabi stands alongside curator Michael Dagostino as Australia’s representatives at the 61st La Biennale di Venezia, which opens to the public today.
Among the world’s most prestigious cultural institutions, the Venice Biennale has hosted major international exhibitions of contemporary art and architecture biannually since 1895, and is often likened to the ‘Olympics’ of the art world. This year, more than 80 countries will host national pavilions (dedicated gallery spaces).
Australia’s national pavilion has become an increasingly prominent fixture of the Biennale since the country’s first participation in 1954 and permanency in 1988 — most notably through Archie Moore’s historic Golden Lion win in 2024. This year’s offering marks another defining ascent on one of contemporary art’s most closely watched stages.
“To be Australian, to be a migrant or the sons of migrants, first generation,” he says, referring to himself and, “second generation”, gesturing to Dagostino.
“To be an Arab Muslim man — an Australian Arab Muslim man — It’s a rare moment. It’s a unique moment.”
A rare convergence: two works, one philosophical body
The scale of the achievement is difficult to overstate.
In an Australian first, Khaled Sabsabi will present in both the national pavilion and the Biennale’s curated international exhibition — an exceptionally rare distinction achieved by only a handful of artists across its 131-year history.
Within the leafy Giardini della Biennale, where the Australia Pavilion is nestled among 28 other pavilions, Sabsabi presents conference of one’s self, an installation that draws equally on painting, video and audio to construct a slow-moving, immersive environment that renders the outward dimension of the self as something collective, shifting and in dialogue with others.
At its centre are eight canvases — each three metres high and two metres wide — arranged in an octagon. Suspended projectors cast moving images across their surfaces, creating a constant feedback loop where fragments of the paintings are reflected back onto the canvases.
Conference of one’s self unfolds as a contemplative space, inviting audiences into sustained reflection on identity, spirituality and collective humanity. Source: Supplied / Andrea Rossetti
The work runs on a 54-minute continuum, accompanied by a soundscape built from analogue recordings of everyday life, requiring viewers to quietly contemplate the shifts in light and rhythm as they unfold.
The concept draws from the 12th-century Persian poem by Sufi poet Farid ud-Din Attar The Conference of the Birds, in which a flock of birds crosses seven valleys in search of a leader, only to realise, at the journey’s end, that the collective itself holds the wisdom it was seeking all along.
“It’s quite an inspirational state that you, within yourself, as a collective, control your destiny. Not a single leader, but together you form one unified voice,” Sabsabi says.
In his interpretation, however, there is a symbolic eighth stage — “a moment of completeness, a moment of wholeness” — inserted into the structure of the work through an eighth canvas.
The installation does not instruct the viewer on how to read it.
Instead, it creates a set of conditions for reflection — an encounter deliberately left undefined.
“It’s posing the question for the audience at the cusp of the exhibition,” he says.
This is a moment for an individual to engage with those nuances and those ideas of the self, asking the self.
Across at the Biennale’s other major site, the Arsenale, khalil operates as both companion and counterpoint.
The Arabic word for ‘friend’, khalil interrogates the inner dimension of the self through a three-part structure: Khanaydiyak (the threshold), El khalil (the friend), and Khalwa (solitude). Each chapter moves from a sense of universal reverberation toward introspection, inviting audiences to locate themselves within the multi-sensory work and meditate on both personal and collective experience.
In conference of one’s self, light shimmers and refracts across painted surfaces, revealing shifting layers that invite viewers deeper into reflection. Source: Supplied / Andrea Rossetti
The work is anchored by a 40-metre painted canvas, configured into a circular, freestanding form — almost lantern-like — onto which the moving image is projected.
The structure is immersive and porous, combining sonic, visual and olfactory elements into a single work designed to be experienced rather than observed.
“The scent of black oud greets the audience, which can be experienced before you enter the work,” Sabsabi says.
“[Then], there’s the moment where the audience is invited to join and not just physically look at the work, but join in the movement of the masses,” he explains, describing a moment where bodies shift rhythmically with the projections.
For curator Michael Dagostino, the work’s final form is the result of sustained negotiation — not only between artist and material, but between site and audience.
“When you’re working with an artist, it’s always about testing ideas,” he tells SBS News.
“We had to move the work from the Australian Pavilion to the Arsenale, so there were lots of conversations about space, how it would work, how audiences would interpret the work. And that’s where my role has stepped in.”
That process — iterative, responsive — mirrors the conceptual framework underpinning both installations.
For Michael Dagostino, the curatorial process has been one of shaping space for reflection, dialogue and the testing of complex ideas. Source: Supplied / Andrea Rossetti
“Both works look at ideas of humanity. They look at ideas of existence, but also coexistence and whatever that may mean in this time and in this space, acknowledging [the] past, but also looking for a way forward,” Sabsabi says.
Though separated by geography at the historical grounds of the Venice Biennale, they are conceived as two parts of a single whole.
“They speak to one another and emerge from the same philosophical inquiry,” he says.
“They are one body with two limbs.”
Art, controversy and the question of voice
Sabsabi’s works, soon to be hemmed in by visitors, carry more than their conceptual weight.
In February 2025, Sabsabi and Dagostino were announced as Australia’s representatives for the Biennale — a selection that, in ordinary circumstances, would have marked the beginning of a long lead-in to the exhibition. Instead, it lasted less than a week.
Following media scrutiny and questions raised in federal parliament about two earlier works — YOU (2007), which features imagery of the late Hezbollah leader Hassan Nasrallah, and Thank You Very Much (2006), which incorporates footage of the 9/11 attacks — the appointment was abruptly revoked by Creative Australia, citing concerns about a “prolonged and divisive debate”.
Within days, the fallout reverberated. Senior staff resigned, artists and institutions pushed back, and the works themselves were publicly defended as having been mischaracterised.
Similar tensions have played out across the Australian arts sector in recent years, from the cancellation of Adelaide Writers’ Week events and the boycott of Bendigo Writers Festival to accusations of pro-Palestinian bias directed at Biennale of Sydney curator Hoor Al-Qasimi. Taken together, they signal a climate in which artistic freedom is being actively arbitrated — and, at times, withdrawn — under public and political pressure.
Asked to reflect on the episode now, Sabsabi does not revisit the detail.
“It’s important to acknowledge that we live in really extreme and difficult times,” he says.
As an artist, my work is my voice and my platform … and this is the moment where that is put publicly for everybody to engage with.
For Dagostino, the moment speaks to a broader imperative within the arts.
“We need to have voices that we agree and disagree with,” he says.
“Because if we don’t, we’re just creating silos and we’re not learning or having empathy for others.”
The reinstatement and the eventual expansion of the concept into two works have reframed what began as a rupture into something far more consequential.
“We are here, and we need to acknowledge this moment and live in the moment,” Sabsabi says.
“And this is what our intent has always been.”
Displacement, belonging and the making of an artist
Beneath Sabsabi’s recurring explorations of movement, belonging and shared humanity lies a life intimately shaped by each.
He arrived in Australia from Tripoli in 1976 as a pre-teen, beginning a new life in western Sydney where he would largely remain — working, raising a family, and developing a practice closely tied to the communities around him.
“It’s a place where we find connection. It’s a place that we feel represented, and we feel that idea of commonality and community,” he says.
But his path into artistic practice wasn’t linear. In the early years, it ran through hip-hop — performing, running workshops and mentoring as a youth worker, using music, rhythm and language as tools to engage young people across Arabic, Aboriginal and Pacific Islander communities.
From there, his work moved into detention centres, schools, refugee camps and prisons, unfolding in spaces where art operated as dialogue, shaped by the lived experiences of the people in the room, and inseparable from the conditions in which it was made.
By the late 1990s, he returned to formal study, completing a master’s at Sydney’s College of Fine Arts. Not long after, in 2002, he went back to Lebanon for the first time since leaving, supported by an arts council grant.
It was not the return he might have expected. If anything, the trip sharpened a disparity — the recognition that life had moved on in unfamiliar ways, and that his identity now sat somewhere between Lebanese and Australian.
What he found instead was Tasawwuf — or Sufism — a mystic body of religious practice within Islam that investigates the interplay between inner (zahir) and outer (batin) worlds.
“I’m able to look at the multiplicity of the self, to be able to deal with things like the ego, to deal with the nafs [soul] and so on, and to better understand myself and to better understand our humanity,” he says.
The framework doesn’t resolve the tension so much as give it shape. It offers a way of understanding the self as layered, shifting — something that could hold contradiction rather than collapse under it.
That thinking carries through his Biennale works, but never in a didactic way. The installations don’t explain; they circle. They return. They ask the viewer to sit within something that doesn’t quite settle.
Even now, after more than 35 years of practice and dozens of major exhibitions across the world, Sabsabi resists the idea of mastery.
“Like all human beings, I’m still learning,” he says.
“I’m a seeker … I’m a wanderer.”
That position — deliberately unfinished — is embedded in the installations themselves.
“There’s a beautiful moment in the work where once you’ve circled the work, you come to the point where you think you’ve learned everything,” he says.
And you come to this realisation that you have to unlearn to learn.
In Venice, audiences will move between the Pavilion and the Arsenale, between two works that ask them — quietly, insistently — to consider their place within a larger whole.
The invitation is simple, but not easy.
To enter.
To stay.
To see what emerges when you bring yourself with you.
President Donald Trump is making his displeasure known toward NATO’s European allies, particularly in light of their perceived lack of support during the recent conflict with Iran. His frustration isn’t just verbal; it’s also manifesting in concrete measures that could have significant repercussions for international relations.
In the aftermath of the conflict and the subsequent ceasefire, Trump has been taking steps that signal his discontent with several allied nations. Notably, on Saturday, he declared an intention to pull back more than 5,000 U.S. troops from Germany. This decision follows remarks made by German leadership, which criticized the U.S.’s efforts to prevent Iran from advancing its nuclear ambitions.
Germany
During a meeting on March 3, 2026, President Trump and German Chancellor Friedrich Merz convened in the Oval Office to address various matters, including the recent military actions by the U.S. and Israel against Iran. The meeting underscored ongoing tensions, especially after Chancellor Merz’s comments that Iran’s regime had “humiliated” Trump.
Trump’s stance was evident when he stated, “We’re going to cut way down. We’re cutting a lot further than 5,000,” indicating a more substantial troop withdrawal than initially planned. This decision follows the administration’s earlier announcement of reducing troop numbers in Germany, a move that comes amid strained U.S.-German relations.
A day earlier he said about Germany that “We’re gonna cut way down. We’re cutting a lot further than 5,000.” The Trump administration previously announced a contraction of 5,000 troops in Germany after the country’s Chancellor Friedrich Merz said Iran’s regime “humiliated” Trump.
In an apparent state of panic, Merz walked back his attack on Trump and his Iran strategy on Sunday. The chancellor wrote on X: “The United States is and will remain Germany‘s most important partner in the North Atlantic Alliance. We share a common goal: Iran must not be allowed to acquire nuclear weapons.”
Trump ratcheted up his troop reduction number against Germany amid his comments about downsizing U.S. boots on the ground in Spain and Italy because they failed to aid America in the war against Iran. The president’s anger at Western European countries has been simmering for weeks and could lead to profound changes in the North Atlantic Treaty Organization (NATO).
Nile Gardiner, the director of the Margaret Thatcher Center for Freedom at The Heritage Foundation, told Fox News Digital, “The lack of support for the United States has been nothing less than treacherous. I think the president has the right to be outraged by the lack of support from key European allies.”
An Iranian flag is planted in the rubble of a police station, damaged in airstrikes on March 3, 2026, in Tehran, Iran.(Majid Saeedi/Getty Images)
He said, “There is a very deep-seated cultural appeasement in Europe toward the Iranian regime that goes back many decades, and a flat-out refusal to accept the reality of the immense dangers of a nuclear-armed Iran. European leaders are sleepwalking toward destruction with this perilous path they have taken.
“The lack of support for the United States is how far Europe has gone toward losing its moral compass. Iran is a genocidal regime that threatens to wipe Israel off the map.” He noted that the Islamic Republic has killed huge numbers of its population.
Gardiner, a former advisor to Lady Margaret Thatcher said, “If you listen to European leaders, it’s as if the U.S. is the villain here.”
Merz, speaking last week in Marsberg, criticized the U.S. approach to Iran, saying Washington was being “humiliated by the Iranian leadership” and expressing hope the conflict would end “as quickly as possible.”
Gardiner said of Merz’s remarks, “Comments like these actually help the propaganda of the Iranian dictatorship. It is astonishing that a German chancellor would make these kinds of remarks at a time of war… and the German chancellor is giving comfort to the Iranian regime. It is disgusting.”
Numerous Fox News Digital press queries sent to Merz’s spokesman Stefan Kornelius were not returned.
Spanish Prime Minister Pedro Sanchez called the U.S. conflict with Iran “reckless” and “unjust.”(Yves Herman/Reuters)
Spain and Italy
Before his announcement on the troop withdrawal from Germany, and in response to a question about reducing U.S. troops in Spain and Italy, Trump responded, “I mean, they haven’t been exactly on board. Yeah, probably. Yeah, I probably will… Italy has not been of any help to us. And Spain has been horrible. Absolutely horrible.”
Spain’s socialist prime minister, Pedro Sánchez, has taken a belligerent stand toward the U.S. and Israeli military campaign against the Iranian regime, forbidding the U.S. from using its military bases in Spain to refuel aircraft or prepare for military action. He has decried the campaign as illegal while staying quiet on the regime’s murder of thousands of protesters and its increased drive to produce ballistic missiles and acquire nuclear weapons-grade enriched uranium.
Gardiner said, “The Spanish have been the worst by a long way. At least the Germans and Italy have allowed the use of its own bases. The Spanish have refused to cooperate in any way with the war.”
Trump told the Italian daily Corriere della Sera last month about the country’s Prime Minister Giorgia Meloni, “I’m shocked at her. I thought she had courage, but I was wrong.”
The Europe expert, Gardiner, sees a wide gulf between how mainly Western European countries and the United States view the preservation of Western civilization, freedom, democracy and liberty.
French President Emmanuel Macron listens to Italian Prime Minister Giorgia Meloni during a working session with world leaders at the G7 summit in Borgo Egnazia, Italy, on June 13, 2024.(Andrew Medichini/AP)
“Europe has lost both its ability and its will to fight. The United States is clearly willing to fight to defend Western civilization and the free world. Much of Europe has given up on this, especially Western Europe. It is an appeasement mindset cojoined with weakness and pacifism and also a growing acceptance by European leaders of mass migration and Islamification.”
He added, “Europe has fundamentally changed over the last 20 years beyond recognition, and yet Europe’s ruling elites accept it seemingly as a fact, with some notable exceptions.”
France and the U.K.
Trump took the United Kingdom and France in March to task for their postion on the war against Iran.
“The Country of France wouldn’t let planes headed to Israel, loaded up with military supplies, fly over French territory,” Trump wrote on Truth Social.
“France has been VERY UNHELPFUL with respect to the ‘Butcher of Iran,’ who has been successfully eliminated! The U.S.A. will REMEMBER!!!,” he wrote.
France’s President Emmanuel Macron welcomes Britain’s Prime Minister Keir Starmer at the Elysee Presidential Palace in Paris on Feb. 17, 2025, before an informal summit of European leaders to discuss the situation in Ukraine and European security.(Ludovic Marin/AFP via Getty Images)
Trump also wrote, “All of those countries that can’t get jet fuel because of the Strait of Hormuz, like the United Kingdom, which refused to get involved in the decapitation of Iran, I have a suggestion for you.”
“Number 1, buy from the U.S., we have plenty, and Number 2, build up some delayed courage, go to the Strait, and just TAKE IT.”
“You’ll have to start learning how to fight for yourself, the U.S.A. won’t be there to help you anymore, just like you weren’t there for us. Iran has been, essentially, decimated. The hard part is done. Go get your own oil!”
Gardiner said the crisis over the Iran war shows that Europe has surrendered. The big Western Europeans have embraced “defeatism,” and “they do not care. It is as simple as that. And future generations will have to pay the price for the course Europe is taking now,” he said.
Benjamin Weinthal reports on Israel, Iran, Syria, Turkey and Europe. You can follow Benjamin on Twitter @BenWeinthal, and email him at benjamin.weinthal@fox.com
Leading the charge in the next round of Celebrity MasterChef are Chloe Burrows and Danielle Harold, among five fresh contenders vying for a spot in the quarter-finals.
The popular BBC cooking competition launched on Tuesday, featuring its initial trio of episodes with stars like Charlotte Crosby, Craig Doyle, Edith Bowman, Ian ‘H’ Watkins, and Snoochie Shy, though one participant has already been eliminated.
In the upcoming heat, viewers will see reality star Chloe, 28, face off against EastEnders actress Danielle, 32.
They will be joined by comedian and actor Eshaan Akbar, BBC Gladiator and Team GB sprinter Harry Aikines-Aryeetey, along with Rochenda Sandall from Line Of Duty.
Spanning six weeks, Celebrity MasterChef challenges 20 celebrities to tackle the most demanding cooking endeavor of their careers.
Chloe Burrows, 28 (pictured) and Danielle Harold, 32, lead the five new celebrity faces revealed to be battling it out in the Celebrity MasterChef arena
The women will be competing in the second Heat week for a place in the quarter-finals (pictured: Danielle)
Joining Chloe and Danielle will be (L-R comedian and actor Eshaan Akbar, Line Of Duty star Rochenda Sandall, and ‘Gladiator’ and Team GB Sprinter Harry Aikines-Aryeetey
When asked why she signed up to MasterChef, Love Island star Chloe said: ‘My mum has always loved MasterChef so growing up I’ve always watched it.
‘I dip in and out of cooking, mostly learnt from my nan when I was younger but lost all my “skills” when I went to university – however, I can follow a recipe very well!
‘I also love Megan McKenna’s cooking videos – and have an infatuation with mukbangs on social media.’
Danielle offered: ‘I wanted to do MasterChef because I love cooking and enjoy learning to cook different foods. I’m not a very good cook, so I’m looking forward to what I’ll learn!’
Explaining what got him into cooking, Eshaan said: ‘It all started with me making Christmas Dinner in 2014.
‘So, the first time I cooked was for the family – now just three compared to the huge parties mum used to throw.
‘It was a success. Since then, my family has described me as a good cook. My friends and family are impressed by my ability to make something from nothing!’
He revealed: ‘Favourite dish to eat is definitely khichuri – rice and daal cooked together served with pan-fried aubergines and a beef curry. It’s my go to comfort food and always touches my soul.’
Explaining what got him into cooking, Eshaan said: ‘It all started with me making Christmas Dinner in 2014 … It was a success. Since then, my family has described me as a good cook’
Gladiator Harry declared: ‘I love cooking meaty dishes! Packed full of protein to supplement my training sessions. However, serve me a sweet treat and I’m all over it’
Rochenda revealed: ‘Since doing MasterChef, I have also really gotten into pasta-making. I’ve invested in a pasta machine. My kitchen is full of 0.0 flour’
Eshaan finished: ‘I love making a roast dinner – mainly because it’s nice to time everything perfectly!
Meanwhile, Harry, who portrays Gladiator Nitro, declared: ‘I love cooking meaty dishes! Packed full of protein to supplement my training sessions. However, serve me a sweet treat and I’m all over it – a chocolate fondant is my absolute fave.’
Finally, Rochenda revealed: ‘Walking into the MasterChef kitchen for the first time was terrifying because it’s basically like walking into your TV.
‘It was fun, though – and John and Gregg are so welcoming. We were all terrified! We didn’t dare put our aprons on at first for some reason in our Heat. We were just stood there like a deer in the headlights!
‘But it was brilliant – all the gadgets they’ve got and all the plates that you get to choose from were great. It was a very exciting experience.’
She added: ‘My favourite food to eat is anything Italian, and more specifically, pasta. I adore pasta, any kind, any place, anywhere.
Since doing MasterChef, I have also really gotten into pasta-making. I’ve invested in a pasta machine. My kitchen is full of 0.0 flour.’
The BBC cooking show kicked off last week with its first three episodes starring Charlotte Crosby, Ian ‘H’ Watkins, Craig Doyle, Snoochie Shy, and Edith Bowman (all pictured L-R)
In the upcoming episode, hosts John Torode and Gregg Wallace waste no time in setting the first task for the hopefuls – Under The Cloche.
Taking it in turns, the celebrities pick a gleaming cloche (a dome-shape food cover).
Then using the ingredient the cloche conceals, the celebrities must deliver a dish that gives that ingredient real superstar status.
Later, the fivesome will be tasked with producing two dinner party dishes that would wow even the most demanding of house guests.
The second heat of Celebrity MasterChef begins at 8pm on BBC One on August 20.
In the new sequel to “The Devil Wears Prada,” one actor has left audiences astonished by being so transformed that many viewers didn’t recognize him.
Before proceeding, please note there are mild spoilers for “The Devil Wears Prada 2” ahead.
Justin Theroux’s name is prominently featured in the film’s opening credits, alongside the returning ensemble cast including Anne Hathaway, Meryl Streep, and Emily Blunt.
Theroux makes his appearance midway through the movie, playing Benji Barnes, a tech billionaire and the new boyfriend of Emily Blunt’s character, Emily. His wealth is funding her latest ambitious career endeavor.
Sporting an orange fake tan and making blunt remarks about AI taking over jobs, Theroux’s character is a humorously villainous figure. His portrayal is so convincing that some fans, eagerly anticipating his role, didn’t even recognize him when he finally appeared on screen.
“Justin Theroux is unrecognizable in Devil Wears Prada 2. Saw his name in the opening credits and I spent the entire time waiting for him to show up,” one viewer tweeted.
Another tweeted that their main takeaway from the film was: “That’s Justin Theroux??”
Yet another agreed that Theroux was “unrecognizable” in the film: “It took me several scenes to properly clock him.”
Another fan on X called Theroux’s performance “unhinged and hilarious” — and it seems the actor himself agrees.
“The most fun thing about playing him was how silly he was,” Theroux told People at the film’s April premiere.
“He’s such an idiot,” he continued. “To be able to be ridiculous, wear ridiculous clothes — I have a really ridiculous hair thing going on, I’m bald, but then it’s like my hair’s falling out — that was the most fun.”
Of course, Theroux, 54, has also garnered some attention in recent times for his changing appearance in real life.
The actor attended the season two premiere of his Amazon Prime series“Fallout” in Los Angeles in December last year with a noticeably fuller, smoother face.
“Did he do something to his face? Looks different,” one person commented under an Instagram post showing photos from the premiere.
“What happened to his face?” another asked.
The actor, who was previously married to actress Jennifer Aniston from 2015 to 2018, brought his new wife Nicole Brydon Bloom, 32, along as his date for the premiere.
The couple welcomed their first baby, a boy, in April.
A New York Police Department captain, recently reassigned to a less favorable position after criticizing NYC Mayor Zohran Mamdani as “an embarrassment” in a viral video, has emerged as a folk hero, gathering a significant following for his outspoken stance against the radical socialist agenda.
Prominent Republicans and other conservative leaders have rallied in support of Capt. James G. Wilson, advocating for his right to free expression under the Constitution.
Critics argue that the decision to move Wilson from his role as the second-in-command at Brooklyn’s 94th Precinct to a post at the NYPD’s 911 call center in The Bronx epitomizes City Hall’s double standards. They claim it demonstrates a preferential treatment for far-left allies at the expense of others.
“If Capt. Wilson had criticized Donald Trump instead, he might have been celebrated and even honored with a ceremony at Gracie Mansion,” stated Councilwoman Joann Ariola (R-Queens).
“But since his remarks targeted Mayor Mamdani, the outrage machine is in full swing, with radicals attempting to stifle any public dissent. This is their usual tactic, yet an increasing number of New Yorkers are beginning to see through the censorship and understand the true situation,” she added.
Council Minority Leader David Carr (R-Staten Island) agreed, saying, “We have heard city employees make disparaging remarks about our president, sometimes about Republicans or conservatives and even entire groups of New Yorkers, with absolutely no consequence.”
“Even if a policy prohibiting political speech by public employees is Constitutional, it sure as hell isn’t enforced fairly or consistently,” he said.
Wilson was captured on video blithely bashing Mamdani during a heated protest last week outside a Bushwick hospital.
He also faces potential discipline for flouting an NYPD policy prohibiting cops from expressing personal views about a political party while on duty.
“He’s expendable, he’s temporary,” Wilson said in the video, as protesters egged him on by pointing out Mamdani is his boss.
“Nah, he’s total nonsense. He’s an embarrassment and total nonsense,” Wilson scoffs, cracking a smile. “Not my mayor.”
A still-smiling Wilson later in the clip goes on to diss all Democrats as “waste of human race.”
The video emerged as one of several controversies swirling around the chaotic late May 2 demonstration outside Wyckoff Heights Medical Center, where anti-ICE protesters got wind that immigration agents had taken an illegal Nigerian migrant for medical attention.
Wilson shouldn’t have his First Amendment rights snubbed just because he’s a police officer, a high-ranking NYPD source said.
“Mamdani’s track record shows that he doesn’t believe in police work,” said the source.
“Why is a cop different than anyone else? He has First Amendment rights.
“He was out there doing his job, and he was being recorded. That’s their First Amendment right, but what about his First Amendment rights?”
Lawyers representing firebrand Councilwoman Vickie Paladino (R-Queens) in her free-speech lawsuit have also contended Republicans and Dems get treated differently at City Hall.
Paladino faces potential censure over alleged Islamophobic remarks, but her lawyers say some of her Democratic colleagues have a history of raging without consequence against white people and painting their enemies — including President Trump, Republicans, and NYPD cops — as “white supremacists” and “racists.”
Mamdani on Wednesday told reporters he saw the video but didn’t “have any involvement” in Wilson’s “transfer — nor did my City Hall.”
“My understanding is a decision that was made in accordance with NYPD’s administrative guidelines,” he said.
The NYPD said Wilson’s disciplinary process is “ongoing.”