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MTV VMAs 2026 Red Carpet: Best-Dressed Stars and Standout Looks

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The music world descended on Los Angeles on Sunday evening as the 2026 MTV Video Music Awards got underway at the Peacock Theater.

As always, the VMAs red carpet delivered plenty of unforgettable fashion, with music’s biggest names arriving in bold, glamorous and attention-grabbing looks.

JoJo, 35, made an early statement in a revealing two-piece ensemble that showcased her toned midriff, pairing a tiny bra top with a dramatic floor-length skirt.

The singer completed the look with chunky silver accessories and wore her long hair in loose, softly styled waves.

Chloe Bailey, Beyoncé’s protégée, also commanded attention as she arrived in a sparkling silver gown covered in dazzling embellishments.

Teyana Taylor, 35, brought high-fashion glamour to the event in a plunging black lace creation from Zuhair Murad Couture, looking striking as she posed for photographers.

Singer JoJo, 35, kicked off the 2026 MTV Video Music Awards red carpet in a very revealing look, showing off her toned midriff in a tiny bra top and a sweeping long skirt

JoJo, 35, made a daring entrance at the 2026 MTV Video Music Awards in a tiny bra top and sweeping skirt that put her toned midriff on display

The star flashed the flesh at the star-studded event

The singer embraced a daring, skin-baring style for the star-studded ceremony

One of the evening’s biggest anticipated moments will come when Taylor Swift accepts the inaugural Artist Director Honors.

The honor is expected to move the 36-year-old superstar ahead of Beyoncé, 44, in the record books. Both entered Sunday’s ceremony tied as the most decorated artists in VMA history, with 30 awards each.

Normani added to the red carpet glamour in a breathtaking dark metallic gown, finished with an intricate floral detail that served as the centerpiece of the look.

Charli XCX highlighted her sculpted abs in a tiny black top styled with a coordinating floor-length skirt.

Among the first arrivals was model Haley Kalil, who showcased her toned arms in a shimmering silver Marc Bouwer gown.

British singer-songwriter Raye, 28, glittered in a plunging couture gown by Georges Hobeika.

Bebe Rexha opted for an edgy look, wearing a daring black lace mini dress with lace-up high-heeled boots.

Love Island USA star Olandria drew plenty of attention in a brown leather gown featuring lace-up detailing.

Keltie Knight embraced a wild print moment in a cheetah-patterned mini dress, which she paired with studded boots reaching above the knee.

Reality television personality Chanel West Coast mixed Western flair with animal print, teaming a cheetah lace dress with a cowboy hat.

Nirvana members Dave Grohl, Krist Novoselic and Pat Smear reunited on the red carpet, creating a memorable rock moment. Grohl’s wife, Jordyn Blum, also made a rare public appearance at the ceremony. Their marriage faced turmoil after Grohl revealed in September 2024 that he had fathered a child with another woman.

Oscar nominee Teyana Taylor, 35, looked nothing short of sensational in a sultry, plunging black lace gown by Zuhair Murad Couture

Teyana Taylor, 35, turned heads in a dramatic plunging black lace gown from Zuhair Murad Couture

Her sheer gown featured feather details

Her sheer gown featured feather details 

Beyonce's protégée Chloe Bailey, 28, had all eyes on her in a bedazzled silver gown

He captivating look was sheer and backless

Beyonce’s protégée Chloe Bailey, 28, had all eyes on her in a bedazzled silver gown 

Normani sent temperatures soaring in a jaw-dropping dark metallic gown complete with an intricate floral embellishment

Normani sent temperatures soaring in a jaw-dropping dark metallic gown complete with an intricate floral embellishment 

Charli XCX showed off her impressive abs in a tiny black top and matching long skirt

Charli XCX showed off her impressive abs in a tiny black top and matching long skirt  

British singer-songwriter Raye 28, sparkled in a plunging Georges Hobeika Couture gown

British singer-songwriter Raye 28, sparkled in a plunging Georges Hobeika Couture gown

British singer-songwriter Raye 28, sparkled in a plunging Georges Hobeika Couture gown

Model Haley Kalil was a vision in a shimmering silver Marc Bouwer gown that highlighted her toned arms

Model Haley Kalil was a vision in a shimmering silver Marc Bouwer gown that highlighted her toned arms

Bebe Rexha stepped out in a daring black lace mini dress and lace up high heel boots

Bebe Rexha stepped out in a daring black lace mini dress and lace up high heel boots

Love Island USA beauty Olandria had all eyes on her in a lace-up brown leather gown

She accessorized with silver jewelry

Love Island USA beauty Olandria had all eyes on her in a lace-up brown leather gown

Yellowstone bombshell Hassie Harrison looked chic in a floor-length black dress

Yellowstone bombshell Hassie Harrison looked chic in a floor-length black dress

Reality TV star Chanel West Coast paired a cheetah lace dress with a cowboy hat

Reality TV star Chanel West Coast paired a cheetah lace dress with a cowboy hat 

She was joined by fiancé Dom Fenison

She was joined by fiancé Dom Fenison

Summer House star Ciara Miller sizzled in a brown bra and lather lace-up pants

Summer House star Ciara Miller sizzled in a brown bra and lather lace-up pants 

Keltie Knight was among the early arrivals and rocked a cheetah print mini dress with over-the-knee boots

Keltie Knight was among the early arrivals and rocked a cheetah print mini dress with over-the-knee boots

Juliet Schroder showed off her legs in a silver mini dress

Eva Gutowski opted for a gothic corset ensemble

Juliet Schroder showed off her legs in a silver mini dress. Eva Gutowski opted for a gothic corset ensemble 

Alyssa Smith opted for a pop of color in a bright green gown and matching heels

Alyssa Smith opted for a pop of color in a bright green gown and matching heels

Influencer Sofia Santino wowed in an iridescent dress and mermaid waves

Influencer Sofia Santino wowed in an iridescent dress and mermaid waves

Influencer Sofia Santino wowed in an iridescent dress and mermaid waves 

Allison Moses was a vision in a deep purple gown with side cut-outs

Allison Moses was a vision in a deep purple gown with side cut-outs 

Stella Quaresma, Jorja Douglas and Renee Downer of FLO matched in low-cut beige dresses

Stella Quaresma, Jorja Douglas and Renee Downer of FLO matched in low-cut beige dresses

Meanwhile, Alyssa Smith opted for a pop of color in a bright green gown and matching heels. 

Juliet Schroder showed off her legs in a silver mini dress while Eva Gutowski stunned in a gothic corset ensemble.

Inasmuch as Beyonce has no nominations this year, Swift will become the sole reigning record-holder.

The MTV VMA Artist Director Honors celebrates a sustained and influential body of work from artists who have pushed creative boundaries and developed a clear directorial voice.

Swift has utilized music videos as an extension of her songwriting as she has directed the visuals for her tracks:  The Fate of Ophelia, Opalite, The Man, cardigan, willow, All Too Well: The Short Film, Anti-Hero, Bejeweled, Fortnight (feat. Post Malone), I Can See You (Taylor’s Version) (From The Vault), Karma (feat. Ice Spice) and Lavender Haze.

No doubt diehard Swifties will be watching the event with plenty of scrutiny as she released deluxe album The Life of a Showgirl: The Encore along with new single Patient Zero on Friday.

Meanwhile, nominees were unveiled last month and it was Madonna who emerged as the artist with the most nods.

Madonna, 68, is in competition for a staggering 11 prizes, narrowly beating out Swift, who has nods in nine categories.

They will be vying against each other for the evening’s top honor, video of the year, with Swift up for The Fate of Ophelia and Madonna for Confessions II (The Film).

Rounding out the category are the music videos for Hate That I Made You Love Me by Ariana Grande, Tears by Sabrina Carpenter, I Just Might by Bruno Mars and Storm by GENER8ION (starring Yung Lean).

Harry Jowsey and Magnus Paulin Ferrell showed off two completely different takes on menswear at the event

Harry Jowsey and Magnus Paulin Ferrell showed off two completely different takes on menswear at the event

Harry Jowsey and Magnus Paulin Ferrell showed off two completely different takes on menswear at the event 

Rock royalty Dave Grohl, Krist Novoselic and Pat Smear of Nirvana reunited on the red carpet

Rock royalty Dave Grohl, Krist Novoselic and Pat Smear of Nirvana reunited on the red carpet 

Grohl's wife Jordyn Blum made a rare appearance at the event. The couple's marriage was rocked after he confirmed he had fathered a baby with another woman in September 2024

Grohl’s wife Jordyn Blum made a rare appearance at the event. The couple’s marriage was rocked after he confirmed he had fathered a baby with another woman in September 2024

Rapper Kevin Gates looked dapper in a white and black tuxedo

Rapper Kevin Gates looked dapper in a white and black tuxedo 

Members of US boy band JYT were also in attendance

Members of US boy band JYT were also in attendance 

A giant statue of the coveted Moon Person trophy towered over the arrivals on the red carpet

A giant statue of the coveted Moon Person trophy towered over the arrivals on the red carpet

Madonna famously performed at the first-ever VMAs in 1984, bursting from a gigantic wedding cake while dressed in a bridal gown for a rendition of Like a Virgin.

She has emerged as a reliable engine of memorable moments at the extravaganza, where she ignited a fan frenzy in 2003 by kissing Britney Spears on the lips.

Over the course of her more than four-decade career, Madonna has earned a total of 19 VMAs, meaning that in order to equal Swift and Beyonce’s current record she will have to triumph in every category in which she is nominated this year.

Confessions II (The Film) is in the running to win best direction, best cinematography, best visual effects, best editing, best choreography, best art direction and dance video of the year.

Trailing Madonna and Swift, Grande and Carpenter are tied for third place with seven nominations apiece, while Mars, PinkPantheress and Zara Larsson each have five.

The artist of the year category is a face-off between Madonna, Swift, Grande, Carpenter, Mars and country music heartthrob Morgan Wallen.

Madonna and Carpenter have landed a joint song of the year nomination for their duo Bring Your Love, the lead single of the former’s new album Confessions II.

Their rivals are Ella Langley for Choosin’ Texas, BTS for Swim, Raye for Where Is My Husband, Olivia Dean for Man I Need and HUNTR/X for their Oscar-winning number Golden from the streaming sensation KPop Demon Hunters. 

No doubt the most anticipated moment of the night will be when Taylor Swift receives inaugural Artist Director Honors (Above, at the 2024 MTV VMAs in New York in September 2024)

No doubt the most anticipated moment of the night will be when Taylor Swift receives inaugural Artist Director Honors (Above, at the 2024 MTV VMAs in New York in September 2024)

Madonna, 68, is in competition for a staggering 11 prizes, narrowly beating out Swift, who has nods in nine categories (Above in New York in June)

Madonna, 68, is in competition for a staggering 11 prizes, narrowly beating out Swift, who has nods in nine categories (Above in New York in June)

Trailing Madonna and Swift, Ariana Grande (pictured in January) and Sabrina Carpenter are tied for third place with seven nominations apiece

Trailing Madonna and Swift, Ariana Grande (pictured in January) and Sabrina Carpenter are tied for third place with seven nominations apiece

Carpenter is pictured in her music video for Tears, which is up for video of the year against offerings by Madonna, Swift, Grande, Bruno Mars and GENER8ION (starring Yung Lean)

Carpenter is pictured in her music video for Tears, which is up for video of the year against offerings by Madonna, Swift, Grande, Bruno Mars and GENER8ION (starring Yung Lean)

Madonna’s Confessions II (The Film) is up for dance video of the year, against such competition as  Aperture by Harry Styles, Runway by Lady Gaga and Doechii and New Religion by Bebe Rexha and Faithless.

The other nominees in that category are Dance… by Slayyyter, Stateside by PinkPantheress and Zara Larsson and Nobody’s Girl by Tate McRae.

Madonna and Carpenter could also win best collaboration, for which they would have to beat out Clipse, Kendrick Lamar, Pusha T and Malice for Chains & Whips as well as Shakira and Burna Boy for Dai Dai.

Also in that category are Teyana Taylor and Lucky Daye’s Hard Part, PinkPantheress and Zara Larsson’s Stateside and French Montana and Max B’s Ever Since U Left Me.

Best pop video has emerged as a contest between Hate That I Made You Love Me, The Fate of Ophelia and Nobody’s Girl, as well as Dream by the Blackpink breakout Lisa, SS26 by Charli XCX, Drop Dead by Olivia Rodrigo and House Tour by Carpenter.

Madonna’s VMAs coup comes after she earned a burst of critical acclaim and fan adoration for her latest album Confessions II, which was released July 3 and serves as a sequel to her 2005 smash hit Confessions on a Dance Floor.

During the promotions for Confessions II, Madonna went viral for describing John F Kennedy Jr as one of the best lovers she ever had. 

Madonna famously performed at the first-ever VMAs in 1984, bursting from a gigantic wedding cake while dressed in a bridal gown for a rendition of Like a Virgin

Madonna famously performed at the first-ever VMAs in 1984, bursting from a gigantic wedding cake while dressed in a bridal gown for a rendition of Like a Virgin

She has emerged as a reliable engine of memorable moments at the extravaganza, where she ignited a fan frenzy in 2003 by kissing Britney Spears on the lips

She has emerged as a reliable engine of memorable moments at the extravaganza, where she ignited a fan frenzy in 2003 by kissing Britney Spears on the lips

Madonna was asked to reveal her ‘best f***,’ and after insisting she would ‘only name dead people,’ whispered: ‘John Kennedy Jr.’

The Queen of Pop indulged in a dalliance with ‘America’s Prince’ in the 1980s, to the purported dismay of his mother Jacqueline Kennedy Onassis.

Madonna paid her compliments to JFK Jr’s bedroom skills while appearing in a video for the gay hookup app Grindr, with which she had launched a Pride month partnership as an advertisement for Confessions II.

Meanwhile, the fever-pitch publicity around Swift reached a zenith this summer with her Madison Square Garden wedding to NFL star Travis Kelce on July 3.

MTV Video Music Awards 2026 NOMINEES

VIDEO OF THE YEAR

Ariana Grande – Hate That I Made You Love Me

Bruno Mars – I Just Might

Gener8ion (starring Yung Lean – Storm

Madonna – Confessions II (The Film)

Sabrina Carpenter – Tears

Taylor Swift – The Fate of Ophelia 

 

ARTIST OF THE YEAR

Ariana Grande

Bruno Mars

Madonna

Morgan Wallen

Sabrina Carpenter

Taylor Swift 

Madonna has the most nominations of the year with 11

Madonna has the most nominations of the year with 11

SONG OF THE YEAR

BTS – Swim

Ella Langley – Choosin’ Texas

Huntr/x – Golden

Madonna and Sabrina Carpenter – Bring Your Love

Olivia Dean – Man I Need

Raye – Where Is My Husband

BEST NEW ARTIST

Bella Kay

Cortis

Magnus Ferrell

Malcolm Todd

Myles Smith

Sienna Spiro

Stella Lefty

BEST COLLABORATION

Clipse, Kendrick Lamar, Pusha T and Malice – Chains & Whips

French Montana and Max B – Ever Since U Left Me

Madonna and Sabrina Carpenter

PinkPantheress and Zara Larsson – Stateside

Shakira and Burna Boy – Dai Dai

Teyana Taylor and Lucky Daye – Hard Part

BEST POP

Ariana Grande – Hate That I Made You Love Me

Charli XCX – SS26

Lisa – Dream

Olivia Rodrigo – Drop Dead

Sabrina Carpenter – House Tour

Tate McRae – Nobody’s Girl

Taylor Swift – The Fate of Ophelia

Taylor Swift is trailing just behind the Queen of Pop with nine nods to her name

Taylor Swift is trailing just behind the Queen of Pop with nine nods to her name

BEST HIP-HOP

Cardi B featuring Kehlani – Safe

Don Toliver – E85

Drake – Janice STFU

Megan Thee Stallion – Lover Girl

Travis Scott – Dumbo

Tyler, The Creator – Sugar on My Tongue

BEST R&B

Bruno Mars – I Just Might

Chris Brown – It Depends/Obvious

Dave & Tems – Raindance

Justin Bieber – Yukon

Kehlani – Folded

Mariah The Scientist and Kali Uchis – Is It a Crime

  

BEST ALTERNATIVE

Geese – Taxes

MGK and Fred Durst – Fix Ur Face

Noah Kahan – The Great Divide

Olivia Rodrigo – The Cure

Sombr – Homewrecker

Tame Impala – Dracula

Twenty One Pilots – Drag Path

BEST DANCE

Bebe Rexha and Faithless – New Religion

Harry Styles – Aperture

Lady Gaga and Doechii – Runway

Madonna – Confessions II (The Film)

PinkPantheress and Zara Larsson – Stateside

Slayyyter – Dance…

Tate McRae – Nobody’s Girl

 BEST LATIN

Anitta and Shakira – Choka Choka

Bad Bunny – NUEVAYoL

Fuerza Regida – Tu Sancho

Karol G – Papasito

Rosalía – La Perla

Ryan Castro, Kapo and Gangsta – La Villa

Shakira and Burna Boy – Dai Dai

Ariana Grande has landed a total of seven nominations

Ariana Grande has landed a total of seven nominations

 

BEST K-POP

Blackpink – Jump

BTS – Swim

Cortis – Redred

Katseye – Pinky Up

Le Sserafim – Spaghetti

Lisa – Dream

 

 BEST COUNTRY

Ella Langley – Choosin’ Texas

Kacey Musgraves – Dry Spell

Lainey Wilson – Somewhere over Laredo

Luke Combs – Back in the Saddle

Shaboozey – Cowgirl

Stella Lefty – Boston

Tucker Wetmore – Brunette

 

BEST DIRECTION

Ariana Grande – Hate That I Made You Love me

Bruno Mars – I Just Might

Gener8ion – Storm

Madonna – Confessions II (The Film)

Sabrina Carpenter – House Tour

Taylor Swift – Opalite

Sabrina Carpenter is tied with Grande, having scored seven nods

Sabrina Carpenter is tied with Grande, having scored seven nods

BEST CINEMATOGRAPHY

Ariana Grande – Hate That I Made You Love Me

A$AP Rocky – Punk Rocky

Lisa – Dream

Madonna – Confessions II (The Film)

Shaboozey – Cowgirl

Taylor Swift – The Fate of Ophelia

BEST EDITING

Ariana Grande – Hate That I Made You Love Me

Bruno Mars – I Just Might

Lisa – Dream

Madonna – Confessions II (The Film)

Sabrina Carpenter – House Tour

Taylor Swift – The Fate of Ophelia

BEST CHOREOGRAPHY

Gener8ion – Storm

Harry Styles – Dance No More

Katseye – Pinky Up

Madonna – Confessions II (The Film)

Tate McRae – Nobody’s Girl

Taylor Swift – The Fate of Ophelia

BEST VISUAL EFFECTS

Ariana Grande – Hate That I Made You Love Me

Jisoo and Zayn – Eyes Closed

Madonna – Confessions II (The Film)

PinkPantheress and Zara Larsson – Stateside

Raye – Click Clack Symphony

Taylor Swift – The Fate of Ophelia

BEST ART DIRECTION

Charli XCX – SS26

Lady Gaga and Doechii – Runway

Madonna – Confessions II (The Film)

PinkPantheress and Zara Larsson – Stateside

Sombr – My Body Isn’t Ready

Taylor Swift – The Fate of Ophelia

Swift has a chance this year to break her dead heat with Beyonce, with whom she is tied for most VMAs ever at 30

Swift has a chance this year to break her dead heat with Beyonce, with whom she is tied for most VMAs ever at 30

How a Freak of Nature Led to Irish Killer Graham Dwyer’s Downfall

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5 Must-Watch Mystery Movies of the 21st Century, Ranked

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Few film genres are as endlessly inviting as mystery. From classic whodunnits to more unconventional puzzles, mysteries have been a cinematic staple for generations, and the 21st century has delivered its share of outstanding entries. Here, we’re ranking five of the best mystery movies released since 2000.

Of course, the boundaries between mystery, thriller, crime drama, and related genres can be difficult to define. For this ranking, the mystery must be central to the story — the characters and audience should be focused primarily on identifying a culprit or decoding a complicated chain of events. Films such as “Oldboy” and “Fight Club” may contain powerful mysteries, but they ultimately belong more firmly to other genres.

The list of honorable mentions is extensive, though Kenneth Branagh’s recent Hercule Poirot films deserve particular recognition. Each one combines drama, eccentricity, and ensemble appeal, and while none quite made the final ranking, they helped bring the traditional murder mystery back into the mainstream. Interestingly, the five films selected here come from just three directors, with two filmmakers appearing more than once.

With those guidelines in place, let’s begin the countdown.

5. Glass Onion

Few filmmakers have done more to revive the classic whodunnit in the 21st century than Rian Johnson, and his 2022 mystery sequel “Glass Onion” is only one example of his contribution. Following the enormous success of 2019’s “Knives Out,” the Netflix film once again features Daniel Craig as the irresistibly eccentric detective Benoit Blanc. This time, Blanc travels to the private island of tech billionaire Miles Bron (Edward Norton), where an elaborate murder mystery weekend takes a deadly turn.

Although “Glass Onion” did not generate quite the same cultural phenomenon as its predecessor, it displays the same confident command of the genre. Its characters draw from familiar whodunnit archetypes while also serving as sharp targets for the film’s commentary on wealth, privilege, and modern society. The result is a mystery that remains colorful, witty, and full of surprises, with Janelle Monáe delivering one of the movie’s standout performances.

Johnson has now gone three for three with his “Knives Out” mystery films, all of which deserve a place among the genre’s finest modern examples. Still, the original has a slight edge over “Glass Onion” — more on that soon.

4. Gone Girl

David Fincher is widely regarded as one of contemporary cinema’s defining thriller directors. While many of his films lean toward crime, horror, or psychological suspense rather than traditional mystery, he has repeatedly demonstrated a remarkable command of the form. “Gone Girl” is a prime example: a sleek, unsettling story of resentment, desire, and emotional cruelty built around an absorbing disappearance case.

When Amy Dunne (Rosamund Pike) vanishes, public suspicion quickly turns toward her husband, Nick (Ben Affleck). The investigation exposes a maze of deceit, infidelity, and manipulation, suggesting that both sides of the marriage may be hiding something. Through a shifting timeline, the film gradually reveals new perspectives on the couple’s past and the circumstances surrounding Amy’s disappearance.

Nonlinear storytelling was hardly new to mystery cinema when “Gone Girl” arrived in 2014, but Fincher executes it with such precision and polish that the structure feels freshly powerful. Rosamund Pike’s ferocious performance is equally essential, establishing her as a major star. Among the films on this list, “Gone Girl” places the least emphasis on the mystery itself, yet that mystery provides the perfect lens through which to examine a deeply disturbing relationship. At its core, the film is about marriage, resentment, and the lengths people may go to hurt someone they once claimed to love — making it one of the most memorable mystery movies of the last 26 years.

3. Zodiac

The second David Fincher film on this list takes the bronze medal, despite being one of the director’s most underappreciated works. “Zodiac” is not discussed as often as “Fight Club” or “Se7en,” and it earned less at the box office than “Gone Girl.” Released in 2007, the film also received no Oscar nominations, reportedly in part because of its late arrival during awards season. Given its acclaimed cast — including Jake Gyllenhaal, Robert Downey Jr., Mark Ruffalo, and Brian Cox — and Fincher’s reputation, that Academy shutout remains difficult to explain.

Inspired by the real Zodiac Killer investigation, “Zodiac” was built on extensive research. Fincher, screenwriter James Vanderbilt, and the production team studied police files and re-interviewed people connected to the original murders. The film presents the case with painstaking detail while also exploring the psychological toll it takes on investigators, journalists, and law enforcement. Most importantly, “Zodiac” embraces an ambiguous conclusion that reflects the unresolved nature of the real case — and of countless mysteries throughout history.

One could argue that “Zodiac” is the greatest mystery film ever made because it is ultimately less interested in solving one particular case than in examining what happens when a mystery may never be solved. That idea is more philosophical than the traditional “the butler did it” formula, but third place feels like a fitting compromise.

2. Knives Out

For anyone seeking a classic murder mystery with a modern sensibility, it is difficult to top “Knives Out.” Impeccably paced, cleverly constructed, and filled with memorable performances, Rian Johnson’s film is a near-perfect example of the contemporary whodunnit. Daniel Craig’s first appearance as Benoit Blanc played a major role in moving him beyond his James Bond image, while Ana de Armas gives a deeply affecting performance as Marta Cabrera. The ensemble is just as impressive, with sharp turns from Jamie Lee Curtis, Chris Evans, and Michael Shannon, among others.

What makes “Knives Out” especially effective is its ability to celebrate the genre without turning into a parody. The film is self-aware but never dismissive, functioning as both a love letter to classic mysteries and a clever reinvention of their familiar conventions. Without spoiling the experience, Johnson’s decision to reveal the answer early and then surround it with twist after twist is one of the movie’s great pleasures. Numerous small details also gain new significance on repeat viewings, adding to the satisfaction of this exceptionally entertaining ensemble mystery.

Beyond its elegant narrative machinery, the film has plenty to say about class and cash as they pertain to the social order — a theme that would continue to resonate through the “Knives Out” sequels. For the most traditional mystery viewers, this could have easily held the number-one spot, but we went with something a bit older for the gold medal.

1. Memento

It feels blasphemous to say, given his modern superstardom, but Christopher Nolan may well have made his greatest film in 2000. “Memento” is the ultimate mystery movie. The film itself is a mystery the audience must uncover, about a character trying to solve a mystery as he struggles against a mental condition that turns every moment of his life into its own small mystery. Psychologically, it’s a story about the gnawing sensation of leaving something unsolved, as well as the often insufficient satisfaction of finally finding the answer. By the end of “Memento,” the mystery itself evolves into something different entirely.

So many of the cinematic signatures that would become Nolan’s calling cards are here: the nonlinear narrative, black-and-white sections, the repetition of language and scene, the long-con sub plot, and so on. And those all work pretty well in his later, bigger films, but they are especially affecting here, in a film with essentially three characters, shot in three or four locations.

The limitations are the strength of “Memento.” Guy Pearce is a powerhouse as Leonard, a man so traumatized by the murder of his wife that his brain has ceased to form new memories, forcing him to tattoo the clues of his murder investigation on his own skin in order to find the killer. Carrie-Anne Moss and Joe Pantoliano are similarly excellent in the two main supporting roles, and Nolan smashes this small handful of players together in the most interesting of ways, making a mystery film that’s both riveting on the first watch and incredible on every subsequent visit.

VMAs 2026 Worst-Dressed Stars: Biggest Red Carpet Fashion Flops

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BEST LATIN

Anitta and Shakira – Choka Choka

Bad Bunny – NUEVAYoL

Fuerza Regida – Tu Sancho

Karol G – Papasito

Rosalía – La Perla

Ryan Castro, Kapo and Gangsta – La Villa

Shakira and Burna Boy – Dai Dai

Ariana Grande has landed a total of seven nominations

Ariana Grande is among the nominees, with seven nominations in total

 

BEST K-POP

Blackpink – Jump

BTS – Swim

Cortis – Redred

Katseye – Pinky Up

Le Sserafim – Spaghetti

Lisa – Dream

 

BEST COUNTRY

Ella Langley – Choosin’ Texas

Kacey Musgraves – Dry Spell

Lainey Wilson – Somewhere over Laredo

Luke Combs – Back in the Saddle

Shaboozey – Cowgirl

Stella Lefty – Boston

Tucker Wetmore – Brunette

 

BEST DIRECTION

Ariana Grande – Hate That I Made You Love me

Bruno Mars – I Just Might

Gener8ion – Storm

Madonna – Confessions II (The Film)

Sabrina Carpenter – House Tour

Taylor Swift – Opalite

Sabrina Carpenter is tied with Grande, having scored seven nods

Sabrina Carpenter is tied with Grande, having scored seven nods

BEST CINEMATOGRAPHY

Ariana Grande – Hate That I Made You Love Me

A$AP Rocky – Punk Rocky

Lisa – Dream

Madonna – Confessions II (The Film)

Shaboozey – Cowgirl

Taylor Swift – The Fate of Ophelia

BEST EDITING

Ariana Grande – Hate That I Made You Love Me

Bruno Mars – I Just Might

Lisa – Dream

Madonna – Confessions II (The Film)

Sabrina Carpenter – House Tour

Taylor Swift – The Fate of Ophelia

BEST CHOREOGRAPHY

Gener8ion – Storm

Harry Styles – Dance No More

Katseye – Pinky Up

Madonna – Confessions II (The Film)

Tate McRae – Nobody’s Girl

Taylor Swift – The Fate of Ophelia

BEST VISUAL EFFECTS

Ariana Grande – Hate That I Made You Love Me

Jisoo and Zayn – Eyes Closed

Madonna – Confessions II (The Film)

PinkPantheress and Zara Larsson – Stateside

Raye – Click Clack Symphony

Taylor Swift – The Fate of Ophelia

BEST ART DIRECTION

Charli XCX – SS26

Lady Gaga and Doechii – Runway

Madonna – Confessions II (The Film)

PinkPantheress and Zara Larsson – Stateside

Sombr – My Body Isn’t Ready

Taylor Swift – The Fate of Ophelia

Swift has a chance this year to break her dead heat with Beyonce, with whom she is tied for most VMAs ever at 30

Swift has a chance this year to break her dead heat with Beyonce, with whom she is tied for most VMAs ever at 30

US Treasury Secretary Scott Bessent Warns Iran’s Economy Could Have Nothing Left Within Two Weeks

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WASHINGTON — Iran’s struggling economy could soon have “nothing to trade,” Treasury Secretary Scott Bessent said, predicting that the country will complete its remaining oil deliveries within roughly two weeks.

Bessent said Iran is increasingly desperate to reach an agreement as its economic crisis deepens. He attributed the worsening pressure to the administration’s Operation Economic Outcast and warned that Tehran’s situation could deteriorate sharply in the coming weeks.

“I am confident, given that there’s only 15 million more barrels of Iranian oil on the water, that Iran will have nothing left to trade for anything,” Bessent told Fox News’ “Sunday Morning Futures.”

“Probably within the next two weeks, they are going to make their final deliveries of oil to China, and then they will have nothing,” Bessent said. “It is an empty set. And I believe that they are feeling the pressure here, and that’s why they want a deal.”

The comments come after the Memorandum of Understanding with Iran fell apart in July. Since then, the United States has imposed a broad blockade around the regime, restricting vessels from entering or leaving the war-torn country.

Bessent unveiled Operation Economic Outcast last month as the administration intensified its campaign against Iran. The effort targets foreign governments and companies that continue doing business with the Islamic Republic.

Last week, senior Iranian officials promoted a seven-day ceasefire proposal. Under the plan, Tehran would reopen the Strait of Hormuz in return for the United States unfreezing about $12 billion in assets, ending the blockade and easing economic sanctions.

President Trump rejected the proposal, telling reporters that the terms were unacceptable.

“The straits are open,” Bessent said. “We’re averaging now 15 to 22 million barrels a day… It was at about 20 [million] pre-conflict.”

The Strait of Hormuz has experienced repeated disruptions since early March, when Iran launched sporadic attacks on vessels. Before the conflict, the waterway carried nearly one-fifth of the world’s seaborne oil supplies each year.

The Trump administration, however, has said that US military forces are escorting commercial ships along a route near Oman’s coastline.

“They are isolated from the world,” Bessent said. “They are a pariah state. And my job is to make sure that, when they come with a deal, that they want to stick to it. They did not stick to the MOU.”

“Next time, if there is a deal, and that’s at President Trump’s discretion, they will stick to it, because they are on their knees,” he added.

Man Threatened to Shoot Trump, Blow Up White House, Feds Say

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Left: President Donald Trump gestures while speaking in the James Brady Press Briefing Room at the White House after a shooting outside the ballroom during the annual White House Correspondents’ Association dinner in Washington on Saturday, April 25, 2026 (AP Photo/Jose Luis Magana). Right: Keegan Lagasse (WCAX).

A Vermont man allegedly told the FBI that he intended to kill President Donald Trump, shoot him in the head and carry out other acts of violence, according to federal prosecutors.

“This is Keegan I will do that s— f— Donald Trump,” Keegan Lagasse, 21, of Richford, allegedly wrote in an online tip submitted to the FBI National Threat Operations Center on Nov. 9, according to a federal complaint.

“I’m gonna murder all them,” Lagasse allegedly wrote, prosecutors said.

Lagasse also allegedly threatened to shoot Trump in the head or plant a bomb to destroy the White House. “Murder for hire I might have someone else kill him,” he wrote, according to the complaint.

On Aug. 24, 2026, the FBI’s National Threat Operations Center received another online tip that “appears to have been submitted by Lagasse,” federal prosecutors said. The complaint states that the sender again identified “Keegan Lagasse” as both the complainant and the subject, adding the message: “Im gonna kill trump.”

In a detention motion filed last week, prosecutors acknowledged that Lagasse may not have possessed the “immediate physical capabilities to fulfill all the threats.” They argued, however, that the repeated nature of the alleged threats—and the law enforcement response they required—made the case especially serious.

The Justice Department filing also alleges that Lagasse posted a video showing him holding what appeared to be a rifle. Weeks later, prosecutors say, he posted that he planned to “shoot up” a local high school. “Accordingly, the nature and circumstances of the offense charged support detention,” the DOJ motion states, citing what prosecutors described as a history of threats.

In October 2023, Lagasse allegedly threatened to blow up Richford, Missisquoi and Essex high schools in Vermont. The following February, prosecutors say, he threatened to bomb the Cadillac Motel in St. Albans City and “shoot people.”

Lagasse allegedly made more threats in September 2024, including warnings that he would blow up a Maple Fields convenience store in St. Albans and Richford High School. In November 2024, he reportedly posted on social media that he planned to “shoot up” Richford.

“Following the November 2025 presidential threat, the defendant reportedly admitted to interviewing investigators that he contacted the FBI tip line and stated he hated and was going kill the president,” the DOJ said in its detention order. Prosecutors also said that, in July 2026, Lagasse told State Police dispatchers he had previously made threats involving bombs and the president.

Lagasse faces a federal charge of willfully threatening to take the life of, or cause bodily harm to, the president of the United States. A judge ordered him detained without bail. He is scheduled to return to court Oct. 5 for arraignment and a preliminary hearing.

The post ‘Im gonna kill trump’: Man allegedly threatened to shoot president ‘in the head’ and ‘blow up the White House soon,’ feds say first appeared on Law & Crime.

Taylor Sheridan’s Incredible Rise from Actor to TV Powerhouse

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Taylor Sheridan has become one of the defining forces in television. Since launching the hit series “Yellowstone” in 2018, the prolific creator has built an expanding slate of shows, including “Mayor of Kingstown,” “Tulsa King,” and “The Madison.” Before establishing himself as a major television voice, he also appeared destined for a successful film career through his screenwriting work on “Sicario,” “Hell or High Water,” and “Wind River.”

Sheridan’s rise, however, was anything but straightforward. Long before he became one of Hollywood’s most bankable showrunners, he spent years struggling to gain a foothold in the entertainment industry. What was he doing during the 1990s and 2000s? Why was he expelled from college? And how did the writer reportedly worth an estimated $100 million end up without a home? His story is one of persistence, setbacks, and a dramatic career reinvention.

Taylor Sheridan had a difficult childhood growing up

Sheridan’s connection to the cowboy lifestyle began during childhood visits to his grandparents’ ranch near Waco, Texas. He and his siblings later learned to ride and shoot after their mother purchased a ranch in Cranfills Gap, hoping the experience would teach them “firsthand about the peaceful feeling of freedom in nature.”

The ranch was not always a peaceful place for Sheridan, though. He has often described the isolation he experienced there as a child. “Back then, the Gap had a hardware store, a grocery store, a feed store, and a fillin’ station,” he told Texas Highways. “And that’s about it. We were pretty isolated on the ranch. We’d get excited when the propane man would come to fill the tank.”

At 11, Sheridan faced a serious health crisis when he developed a severe case of pneumonia. He spent several weeks confined to bed, but eventually recovered. During that time, the three television channels available to him helped shape his future ambitions. “I watched a lot of old movies,” he told Business Insider. “Clint Eastwood movies, a lot of John Wayne films, a lot of movies that celebrated the region of where I lived. Soon after, we finally got cable, and the whole world opened up.”

He was kicked out of Texas State University

In 2025, Texas State University awarded Sheridan an honorary doctorate of letters. The honor marked a remarkable reversal of fortune, since the “Yellowstone” creator had been expelled from the same institution decades earlier while studying Theater Arts. During his acceptance speech, he openly revisited that earlier chapter.

Sheridan even joked about being escorted by police, recalling his earlier encounters with San Marcos law enforcement. “I recall how different this experience was than my last interaction with San Marcos PD,” he told the audience, according to the Fort Worth-Star Telegram. “There were sirens still, I was just in the vehicle with them.” He said he had become a frequent visitor to the dean of student justice after repeatedly violating the college’s code of conduct. On one occasion, he was reprimanded in the president’s office.

“They said, ‘Taylor, this has been three years man, this just ain’t working out,’” Sheridan recalled. “‘We would like very much if you would leave.’ I said, ‘You’re kicking me out?’ And they said, ‘Yes, we are.’” When he asked when he could return, he was told it would be when he had grown up. “As you can see that took 28 more years, and now I’m here,” Sheridan joked. “This is all to say the way you did it is much better.”

Sheridan felt unfulfilled as an actor

Before finding success behind the camera, Sheridan spent years pursuing acting work. His first screen credit came in a 1995 episode of “Walker, Texas Ranger”. He later appeared as a guest actor on “Dr. Quinn, Medicine Woman,” “Party of Five,” and “NYPD Blue.” In 2003, he took one of his few film roles in the crime thriller “White Rush.” Yet, as he later told Interview magazine, acting ultimately left him searching for a different path.

Looking back on those years, Sheridan said he felt unfulfilled as he moved from one small role to another. “You look at some of the great actors of the past 15 to 20 years, and I didn’t get those same opportunities,” he said.

Still, Sheridan does not describe the experience with bitterness. Instead, he says he recognized that he had reached the limits of what acting could offer him. “I didn’t get them because I didn’t deserve them, so that’s not me complaining,” he said of the larger parts that eluded him. “I recognized that, ‘This is what I am as an actor and it’s not artistically fulfilling and it’s not very financially rewarding, so I’m going to find another way to storytell.’”

He was treated poorly on Sons of Anarchy

Sheridan eventually landed a more prominent acting role in 2008, when he joined FX’s acclaimed biker drama “Sons of Anarchy.” He played Deputy Chief David Hale in 21 episodes. Sheridan might have stayed with the series longer, but a dispute over his compensation ultimately pushed him to leave acting behind.

Speaking with Deadline, Sheridan said that after three seasons in the fictional town of Charming, he asked for a salary increase. He believed the request was justified. “… My attorney said, ‘Look, there are kids on the Cartoon Network making more than you’re offering this guy,’” he recalled. The people handling the negotiations, however, rejected the idea of giving him a raise.

Sheridan remembered one business affairs executive telling him, “‘He probably deserves to make more, but we’re not going to pay him more, because guess what? He’s not worth more.’” The executive reportedly added, “‘There are 50 of him. He is 11 on the call sheet. That’s what that guy is and that’s all he’s ever going to be.’” For Sheridan, the exchange became a turning point. “I decided that I didn’t want to be 11 on the call sheet for the rest of my life,” he said.

Sheridan was twice homeless

It may be difficult to reconcile that period with Sheridan’s current status as one of television’s wealthiest creators. But early in his acting career, he struggled financially and was homeless on two separate occasions.

“I lived in my car,” Sheridan told Town and Country. He said he sometimes drove to Ojai, where he could sleep safely, and spent six months living that way. The Oscar-nominated writer also acknowledged that he could have chosen a more stable path. “I could have decided at any point, ‘I’m going to go get a full-time job and I’m going to give up this dream.’ And I chose to sleep in my car over that.”

After leaving “Sons of Anarchy,” Sheridan feared he could once again fall into financial hardship. His concerns ultimately proved unfounded, but the experience continues to influence how he handles money. Even after earning millions, he says he remains highly cautious. “I’m still so averse to having to ever owe anybody anything,” he admitted.

He became a screenwriter aged 41

Sheridan made his major career shift at 41, proving that a breakthrough can come later than expected. His timing echoed that of Alan Rickman, who was the same age when he made his screen debut as Hans Gruber in “Die Hard”. Frustrated by years of pursuing mostly minor acting roles, Sheridan concluded that writing scripts suited him better than reading them.

In an interview with Vulture, Sheridan outlined several personal rules that guided his screenwriting and helped him avoid familiar clichés. Among them were: “You always want the audience wondering what’s going to happen next, never what’s happening,” and “Never let a character tell me something that the camera can show me.”

Sheridan, who also acknowledged that he’s far better with, and far more interested in, characterization than narrative, sold his first screenplay, Comancheria, in 2012. But while stuck in development hell (it finally made it to screens four years later as “Hell or High Water”), his first official writing credit was 2015’s “Sicario.”

Sheridan married and had a son with Nicole Muirbrook

Taylor Sheridan has been supported through his journey from jobbing actor to Oscar-nominated, franchise-spawning writer by his real-life western bombshell wife of 13 years, Nicole Muirbrook. And she’s no stranger to the pitfalls of the audition circuit, either. She, too, spent much of her early years on the lower rungs of the Hollywood ladder, landing bit parts in “How I Met Your Mother,” “I Hope They Serve Beer in Hell,” and “Dark Blue.”

In fact, Muirbrook first met Sheridan professionally when he had a side hustle as an acting coach, and romance soon blossomed. In 2010, they became parents to son Gus, and three years later, they walked down the aisle together. “Thank you for the countless smiles, crazy adventures, and all the things in between,” Muirbrook gushed in an Instagram post celebrating their seventh wedding anniversary. “I couldn’t ask for a better husband or father to our son.”

And Sheridan isn’t averse to the odd public display of affection, either. While introducing a special screening of spinoff “The Madison” in 2026, he told the audience (via People), “I’d like to begin it by thanking my wife, who believed in me when no one else did, including myself. Without her I’d just be the coolest acting coach in L.A. I’m really glad I’m not.”

He received major awards attention

Taylor Sheridan’s remarkable career rise continued in 2017 when he received a glut of prestigious award nominations for his screenplay for the neo-western “Hell or High Water.” The Texan picked up nods at the BAFTAs, Golden Globes, and the daddy of them all, the Oscars.

Sadly, Sheridan never got the chance to make an acceptance speech, losing out to either Kenneth Lonergan for “Manchester by the Sea” or Damien Chazelle for “La La Land.” However, he seemed happy enough just to be part of the conversation. “You feel so presumptuous to even think about it,” he told the crowd (via The New York Times) at a Beverly Hills Academy Award luncheon about the prospect of picking up one of the coveted golden statuettes.

In an interview with Vulture, Sheridan admitted he was surprised by the response to the film, which also picked up Oscar nods in Best Picture, Best Editing, and Best Actor for Jeff Bridges. “The machine of awards season is very stressful,” he said. “But this is the Oscars! It’s your peers, your heroes, people you admire, the people who inspired you to get into this work in the first place. It’s a pretty overwhelming feeling when you think about it.”

Sheridan made his directorial debut with Wind River

Technically, 2011’s micro-budget horror movie “Vile” is officially listed as Taylor Sheridan’s directorial debut, but the Texan claims he took the role as a favor to a friend. That experience helped him six years later on “Wind River.”

Sheridan also wrote the neo-western that stars Elizabeth Olsen as an FBI agent and Jeremy Renner as a U.S. Fish and Wildlife Service tracker who team up to investigate the murder of an 18-year-old on Wyoming’s Wind River Indian Reservation. The final part of his “modern-day American frontier” trilogy did respectable numbers at the box office — $44 million on an $11 million budget — and received strong reviews, with Los Angeles Times‘ Kenneth Turan writing, “This tense, convincing independent film is the most accomplished violent thriller in quite some time.”

Speaking to Rolling Stone, Sheridan explained why he felt compelled to pull double duty on the film, having stuck to writer for “Sicario” and “Hell or High Water”: “All three of those scripts … I mean, they’re all personal. But when other directors started poking around for that one, I found myself getting kind of protective of it.”

He created Yellowstone

After helping to revive the neo-western on the big screen, Taylor Sheridan then did the same on the small screen in 2018 with the creation of “Yellowstone.” The saga of a ranch-owning family in Montana named the Duttons, determined to protect their land at all costs, the Paramount Network original became an instant hit. By its fifth season, it was pulling in 16 million viewers, making it the most-watched show on American TV!

“I’ve always liked the notion of playing with who is a protagonist, and allowing our heroes to be flawed, and really question what they’re doing morally, ethically, and keep them really human,” Sheridan explained to Variety about the show’s multi-faceted characters, including Kevin Costner’s head honcho John Dutton. 

While “Yellowstone” attracted massive audiences, critics largely remained unconvinced: it didn’t pick up a single major Emmy Award nomination during its entire five-season run, for example. But Sheridan told “The Bill Simmons Podcast” (via Yahoo! Entertainment) that awards attention was never his focus, anyway: “My goal is to sit somebody on their couch and move them, make them think, make them laugh, scare the s*** out of them, excite them. That’s what I want to do, because that’s what I want from a show.”

Sheridan has his own ranch empire

Taylor Sheridan could never be accused of writing about what he doesn’t know. The man who’s single-handedly revived the western genre not only grew up learning the cowboy life; he owns two massive ranches in Texas.

Sheridan’s first, Bosque Ranch, was bought in 2013 when the showrunner, wife Nicole Muirbrook, and their son Gus all moved to the Lone Star State from Los Angeles. “She didn’t understand the heat for a bit, but then she figured it out, and now she’s a Texan,” he told Cowboys and Indians about how his other half has adapted to their surroundings. The area has doubled as a training ground for the “Yellowstone” cast and as a location.

Sheridan’s second, Four Sixes, was purchased alongside an investment group for a cool $350 million. Built by Captain Samuel Bennett in the mid-19th century, the ranch has been an integral part of Texas’ horse breeding and cattle businesses. “I grew up in the shadow of the Four Sixes,” Sheridan told The Hollywood Reporter in 2023. In fact, he now sees himself as a rancher.

Sheridan became one of TV’s most prolific showrunners

It would almost be easier to list the shows perfect for a cozy fall day that Taylor Sheridan hasn’t been responsible for over the past ten years. Following the success of “Yellowstone,” he created (deep breath) “1883,” “Mayor of Kingstown,” “1923,” “Tulsa King,” “Lioness,” “Landman,” “The Madison,” and the forthcoming “Frisko King.” He also somehow found the time to serve as executive producer on “Lawman: Bass Reeves,” “Marshals,” and “Dutton Ranch.”

As you would expect from a showrunner who makes the prolific Shonda Rhimes look workshy, Sheridan’s hours are often brutal. While guesting on “The Joe Rogan Show,” he revealed (via CinemaBlend), “When I go direct, if I go on a six-month, which I’m about to, a six-month seven-month run of directing every single day, where I have to make decisions from 6 a.m. to 9 o’clock at night, then I gotta watch footage until midnight, I get three or four hours of sleep for six months, I’m a f***ing wreck after six months.”

Of course, you could argue that Sheridan might be better off learning the art of delegation. But in an interview with The Hollywood Reporter, the Texan explained why he feels compelled to be so hands-on: “I spent the first 37 years of my life compromising. When I quit acting, I decided that I am going to tell my stories my way, period. If you don’t want me to tell them, fine … But I won’t compromise.”

He signed a $1 billion record breaking deal with Universal

Paramount was no doubt left reeling in 2025 when NBCUniversal poached their star man in a record-breaking deal said to be worth $1 billion! The former’s CEO, David Ellison, hoped that Taylor Sheridan would leave when he wanted to stop telling stories. But the lure of such a lucrative five-year contract, which has already started on the movie side but will start for TV in 2028, proved to be too hard to resist.

According to reports, he plans to use his prolific brain to create at least 20 shows. And judging by the interview he gave to The Hollywood Reporter three years previously, NBC and Peacock staff should expect him to crack the whip.

“I’m very blunt with every single person — the production staff, the studio, the network,” he admitted about the reputation he’s developed as a hard taskmaster. “… So if I’m parking 20 million people in front of a television, if I’m beating “NFL Sunday Night Football” routinely, I think the fact I wanted four cameras and worked late into Friday — I don’t think that’s a bad trade.”

Police Patrol Car Was Travelling Over 150km/h Before Fatal Crash

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The police patrol car that crashed into a tree in Sydney’s inner west, killing a young female constable, was travelling at more than 150km/h, police sources have disclosed.

Constable Mia Lay, 20, died when the police vehicle she was travelling in struck a tree on Gibbons Street, Redfern, at about 1.30am on Friday.

She was accompanied by Constable Brandon Torrisi, 24, who was driving the Volkswagen Tiguan. The officers had been responding to an urgent report of a stolen car in nearby Glebe.

Multiple police sources told the Daily Telegraph that the vehicle was travelling above 150km/h when it crashed into the tree, killing Constable Lay instantly.

Constable Torrisi sustained minor injuries and was discharged from hospital later on Friday.

CCTV footage released over the weekend showed Constable Torrisi climbing out of the wreckage before turning back to look at the devastating scene.

Crash investigators are working to establish what caused the collision, while police have not ruled out charging Constable Torrisi if they determine he was driving unnecessarily fast.

Investigators have not yet interviewed him.

Constable Mia Lay, 20, died after the police car she was in crashed into a tree on Friday

Constable Mia Lay, 20, died when the police car she was travelling in crashed into a tree on Friday

Police said she died instantly, with the force of the impact tearing the Volkswagen apart

Police said Constable Lay died instantly after the impact tore the Volkswagen apart

The patrol car is believed to have been going in excess of 150km/h when it crashed

The patrol car is believed to have been travelling at more than 150km/h when it crashed

‘As you can imagine, his state of mind is not great,’ a police source said.

‘There are a lot of examples where officers involved in accidents while on duty have been charged, and this case will be treated exactly the same.’

Investigators will also inspect the patrol car for possible defects or mechanical problems that may have contributed to the crash.

The NSW Police watchdog said it would oversee the force’s investigation to help ‘ensure public confidence’.

The Law Enforcement Conduct Commission said it could not independently investigate the crash until the NSW Police inquiry, along with any coronial or criminal proceedings, had been completed.

Constable Lay’s family and her partner, Daniel Vasquez, a fellow officer based in Sydney’s eastern suburbs, visited the crash site on Saturday. Mr Vasquez later remembered her as the ‘happiest girl’ and the ‘love of my life’.

‘Mia loved what she did in the police, she was happy in the police, she was good at her job and she was loved by everyone in the community,’ he told the Sunday Telegraph.

‘She was the happiest girl I’ve met – when she was with me, when she was at work – and I’d ask everyone to remember how stunning and beautiful she was.’

On Friday morning, officers could be seen hugging and comforting each other at the scene

Officers were seen embracing and comforting one another at the crash scene on Friday morning

The accident occurred just 100 metres from Redfern Police Station.

On Friday, NSW Police Commissioner Mal Lanyon described Constable Lay’s death as a ‘terrible tragedy’.

‘Mia was a loved police officer, she’d been in the force for 16 months, she had shown exceptional promise and was well loved,’ he said.

‘She’s shown exceptional promise and was well loved throughout the South Sydney Police Area Command.

‘She would have been an outstanding police officer, and to lose her life, both in its prime and just as she was establishing herself as a police officer, is a terrible tragedy.’

Police Minister Yasmine Catley said Constable Lay’s colleagues had called her an ‘angel’.

‘Both her parents spoke of how much she loved her job and how proud she was to be a New South Wales Police officer,’ she said.

‘It was clear the young woman loved what she was doing, but tragically, she went to work and never came home.’

Constable Lay’s mother visited Redfern Police Station afterwards and was shown her daughter’s locker. 

GOP Insiders Fear the White House Is Starting to Unravel

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Florida Airbnb Renter Shoots Armed Home Invader Once, Police Say

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An Airbnb guest shot an 18-year-old suspect who allegedly entered a Fort Lauderdale home during an attempted armed robbery, according to police and local reports.

The incident unfolded around 6 p.m. Thursday when two armed men allegedly forced their way into the rental property and became involved in a confrontation with the guest, the Fort Lauderdale Police Department told CBS Miami.

Sean Thompson, 25, of Margate, Florida, was arrested for an armed home invasion alongside alleged accomplice Dareon Pubien, 18, at a Fort Lauderdale Airbnb on Sept. 24, 2026. Broward Sheriff’s Office

During the confrontation, the unidentified renter—who was also armed—shot suspect Dareon Pubien in the chest, authorities said.

Pubien allegedly ran from the home, but officers located him nearby after following a trail of blood around the corner, according to the report.

The injured teen was transported to a local hospital and underwent surgery. He was later listed in critical but stable condition.

Arthur Butler Jr., who lives across the street, said he heard a rapid burst of gunfire Thursday and called 911.

Police officers investigate a crime scene at night, with yellow caution tape marking off the area.

The Airbnb renter shot Pubien after the armed invaders busted into the home.

“Maybe at least 10, and then everybody was running,” Butler Jr. told the outlet.

Police also arrested Pubien’s alleged accomplice, 25-year-old Sean Thompson, in connection with the robbery. Both men face charges of attempted felony murder and home invasion with a firearm.

Thompson was ordered held without bond. Pubien is expected to appear for arraignment after he is released from the hospital.

The Fort Lauderdale Police Department did not immediately respond to The Post’s request for comment.