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A former prison warden, who was caught on camera in a compromising situation with an inmate, has expressed deep regret and embarrassment over the incident that ultimately led to her own incarceration.

Linda De Sousa Abreu, a married mother and content creator on OnlyFans, gained notoriety after footage surfaced of her engaging in intimate activities with inmate Linton Weirich, 39, inside his cell at HMP Wandsworth in south London. The video captured her smiling broadly while he stood behind her.

Speaking to The Sun, Abreu confessed, “I regret everything I did. I’m incredibly embarrassed,” reflecting on the events following her release after serving five months of a 15-month sentence for misconduct in public office.

She acknowledged her misstep, stating, “I had sex with someone I shouldn’t have had sex with and engaged in an inappropriate relationship,” admitting to having communicated with Weirich via a contraband phone.

Previously, Abreu had spoken publicly on a UK television show about her enthusiasm for sex. Now, she is determined to change her path and prioritize her role as a mother.

“I’ve just been keeping a low-key life. I just want to get on with my life. I want to keep being a good mom to my child,” she said.

Personal trainer Weirich told the Sun how he and Abreu had sex “a few times” inside the Category B lockup before their encounter, which was recorded by fellow inmate known only as “Sharkie.”

“Linda knew it was being filmed but didn’t seem to care about it or her job,” he claimed.

He said the sex followed on from the warden constantly being “flirty” with him.

“It was obvious she liked me,” he said.

The romp went viral and Abreu was arrested at Heathrow airport after she tried to catch a flight to Madrid, having called her employers to say she was not returning to work.

Abreu tried to blame the romp on the prison being “understaffed,” but prosecutor Tetteh Turkson said she was “an enthusiastic participant who wrongly thought she would avoid responsibility.”

“This was a shocking breach of the public’s trust,” he said.

In a poignant revelation, NASCAR driver Brad Keselowski opened up about experiencing “visions” of reconciling with Kyle Busch, his long-standing rival, before the latter’s unexpected passing last week. Keselowski noted that during their last encounter, he could sense Busch was grappling with health issues.

Kyle Busch, celebrated as a two-time Cup Series champion, tragically died at 41 after battling severe pneumonia that advanced into sepsis, leaving the racing community in shock.

The rivalry between Busch and Keselowski was legendary within NASCAR circles. Although Keselowski acknowledged in the wake of Busch’s death that their relationship was not amicable due to their fierce competition, he expressed profound respect for Busch as a competitor.

Throughout their careers, the duo faced off in countless races, often igniting intense and controversial moments on the track. Their competitive spirit was a hallmark of their sporting encounters.

Yet, Keselowski reflected that their last meeting was notably devoid of their usual heated exchanges, hinting at a softened dynamic in their final moments together.

‘I was flying to Dover last week with Kyle,’ he told People, and added ‘it was probably more by chance than anything else.’

Brad Keselowski (above) said he had ‘visions’ of calling a truce in his rivalry with Kyle Busch

Keselowski shared that their final exchange outside the track lacked their typical fiery rapport

‘Kyle is normally a fairly gregarious person, very outgoing – and he wasn’t. He sat down one row behind me and next to me and fell asleep right away and I could tell he wasn’t feeling well.

‘I didn’t really think that much of it, to be honest. And that was pretty much the last time I saw him.

‘We were in a race and you get in a race and you don’t really see each other. So I saw him on the racetrack.’

Keselowski continued: ‘I guess I had visions before his death of… actually, I thought about this multiple times: What’s it going to be like when we’re both in the Hall of Fame and we’re doing some kind of ceremony together, whatever that might be? Will the hatchet be buried? I think so.

‘And will we actually be able to share a laugh about it? I guess in my mind, I hope so and now obviously not.

‘The hard part is the closure was supposed to be when we were retired and when we were done racing together and I don’t think that’s just for me, by the way. I think that’s for a lot of people. And to not get that is tough.

‘The loss of Kyle Busch is much greater than how it affects me, and so I don’t wish to belittle that.’

A chilling clip of Busch’s heartbroken widow previously revealing that she would have the NASCAR legend’s baby if he died resurfaced on Monday.

Busch’s widow Samantha revealed back in November that she would have his baby if he died

Busch is survived by his wife, Samantha, and their two children, Brexton, 11, and Lennix, four

It was recorded six months before Busch, a two-time Cup Series champion, died suddenly last week. He is survived by his wife, Samantha, and their two children, son Brexton, 11, and daughter Lennix, four.

The couple, who welcomed both of their children through in vitro fertilization after struggling to get pregnant and several miscarriages, ran the Bundle of Joy Fund, which attempts to help families remove the financial burden of fertility treatments. 

Busch and his wife publicly campaigned to make IVF treatment more accessible for thousands of families across the United States, earning praise from Donald Trump.

And, during an episode of her podcast Certified Oversharer, which aired in November, a haunting clip shows Samantha saying she told Busch she would have another child to ensure there was a ‘connection’ to him if he died.

Samantha told author Ashley George, her guest that day: ‘Here’s something I’ve never told anybody. I’m a certified over-sharer. So a lot of people ask me what we have done with our embryos because we still have some. 

‘I can’t part with them. We are paying to freeze them until… they’re going to have to come with me. I don’t know what else to do at this point because I love them so much and can’t make a decision.

‘Kyle was like, “We’re done having kids” and I said, “But what if?” I told him the most morbid story the other day. I was like, “What if you passed? I would have to have another kid to be connected to you and name that child after you”.

‘He was like, “What is wrong with you?” and I was like, “These are the things I think about Kyle.” I love being a mom and I have never told anybody that until I told you.’

NEW YORK (AP) — Celebrated tenor saxophonist Sonny Rollins, renowned for his innovative spirit and unique sound that propelled him to the forefront of jazz for over half a century, passed away on Monday at the age of 95.

From his remarkable beginnings as a teenage prodigy to his dynamic solo endeavors and explorations in free jazz, Rollins was highly esteemed for his improvisational prowess. As one of the few remaining legends from the bebop era, alongside icons like John Coltrane and Charlie Parker, he significantly shaped the role of the saxophone in jazz.

Even rock enthusiasts encountered his artistry through the Rolling Stones’ 1981 album “Tattoo You,” where Rollins delivered a soulful sax solo on “Waiting on a Friend,” inspired by observing Mick Jagger’s dance moves.

Despite his lasting acclaim, Rollins never rested on his laurels. He often took extended breaks from performing and continually embraced a variety of musical styles, seeking new horizons in his craft.

Rollins frequently described himself as “a work in progress,” emphasizing that he wasn’t the kind of artist to settle into a single mode of expression.

While his early bebop work was the most popular with his fans, Rollins never looked back, saying he found it “excruciating” to even listen to the flaws in his older recordings.

Enduring achievements

In the 1990s and 2000s, Rollins released a string of critically acclaimed albums. He maintained a rigorous practice regimen, and continued to tour, into his 80s. Pulmonary fibrosis, a thickening and damaging of the lungs, would eventually force him into retirement. He played his last concert in 2012 and stopped playing altogether in 2014.

While he missed the adoration of crowds, he missed the actual playing more.

“I played a couple of concerts early on where I was out in the open in the afternoon,” He told the New York Times in 2020. “I was able to look up in the sky, and I felt a communication; I felt that I was part of something. Not the crowd. Something bigger.”

His 2001 album “This is What I Do,” earned him a Grammy award for best jazz instrumental album. He won again in 2006 for best jazz instrumental solo for “Why Was I Born?”

“Why Was I Born” was from the album “Without a Song: The 9/11 Concert,” a live recording from a performance in Boston just four days after the Sept. 11 attacks. Rollins, who had been evacuated from his apartment a few blocks from ground zero, had gone ahead with the concert at the urging of his wife and manager, Lucille. She died in 2004.

His survivors include a nephew, Clifton Anderson, and nieces Vallyn Anderson and Gabrielle DeGroat.

Meeting the greats

Rollins had gotten his first major break in his late teens when he was invited to join Thelonious Monk’s band. He soon was jamming with Miles Davis and Bud Powell, who introduced him to the recording world even before he finished high school.

But like many jazz musicians in the late 1940s and early 1950s, Rollins’ rising star almost faded when he became hooked on heroin at the age of 19. As his addiction grew steadily worse, Rollins served two stints in jail — 10 months in 1950 and three months in 1953 — and ultimately found himself living on the streets in Chicago. In 1954, Rollins checked himself into a hospital in Lexington, Ky., to undergo drug treatment.

He underwent a spiritual awakening as he kicked drugs.

“I began to have a deeper philosophy of what life was about,” he told the AP in 2007. “From that point on is when my consciousness awoke.”

After being discharged, he returned to Chicago and signed on as a member of the Max Roach-Clifford Brown quintet. In 1956 he recorded a solo album, “Saxophone Colossus.” Its stripped-down, hard bop sound announced him as one of jazz’s premier sax players and remained one of his most influential works.

In the following two years Rollins hit upon a different approach, switching to a pianoless trio on three more landmark albums: “Way Out West,” “A Night at the Village Vanguard” and “Freedom Suite.”

Then, at the peak of his popularity, Rollins went into seclusion, spending the next two years practicing alone on a solitary niche above the East River on a Williamsburg Bridge walkway.

“The thing that I am most proud of in my career is that fact that I was able to see beyond being popular and all that stuff,” he told the AP in 2007, “and do what my inner self told me to do.”

During his absence, jazz moved away from the fast-paced, tightly woven sound of bebop to the more frenetic and chaotic free jazz. When Rollins chose to return to the scene in 1961, he embraced the new sound — a move that divided his fans. In the mid-’60s, Rollins toured heavily in Europe, switching back and forth between more traditional and avant garde approaches. He contributed original music to the soundtrack of “Alfie,” the 1966 British film that made Michael Caine a star.

It was during a trip to Japan when Rollins discovered Zen Buddhism, prompting another lengthy sabbatical that would last into the early 1970s.

A living legend

When he chose to record again in 1972, he was now regarded as a legend and gained mainstream acceptance. He was granted a Guggenheim fellowship that year, and was inducted into the Downbeat Hall of Fame the next. He appeared on the “Tonight Show” and began playing in concert halls instead of nightclubs.

Theodore Walter Rollins was born into a musical household in Harlem on Sept. 7, 1930. His father, a naval petty officer, played the clarinet, his sister played the piano, and his older brother was a violinist.

When he was eight, his parents insisted he study the piano, but, as he recalled, “it didn’t take.” Instead, he said, he’d rather be outdoors playing baseball. But by age 11, Rollins became fascinated with the saxophone, and persuaded his parents to buy him one — an alto.

He had difficulty affording lessons and was largely self-taught, but Rollins quickly became an all-star, switching to tenor sax and playing the clubs at night.

He leaves behind many unreleased recordings, and said he didn’t plan to leave behind instructions for what to do with them.

“After I get out of this planet I’m not going to have any say about what’s going on, so I’m not worried about that,” he told the New York Times in 2020. “And, boy, I agonize over my music; I won’t have to agonize about it anymore. Thank God.”

Emotions were high as Fergie reunited with her Black Eyed Peas “brothers” during the 2026 American Music Awards held in Las Vegas on Monday.

The 51-year-old “London Bridge” singer joined her former bandmates — will.i.am, apl.de.ap, and Taboo — on stage at the MGM Grand Garden Arena to accept the award for Best Throwback Song.

“This is such a special moment,” Fergie expressed, as they celebrated their 2010 hit “Rock That Body” with her “longtime friends.”